1790s Console Tables

England, 1790 Hand painted chinoiserie consoles with ball & claw feet, drawers on front side, and double stretchers. 51.5”w x 24.75”d x 31”h Ref. TABLE1439 $ 10,200

French gilt carved wood original marble top console with articulated carved skirt, fluted legs, and laurel wreath with twisted rope. Late 18th century

This Dutch game table/console is made of mahogany with impressive satinwood marquetry, circa 1795. When in demilune form the beautiful marquetry motifs of flowers, overflowing vase, ...

A fine pair of small Louis XVI Carved giltwood console tables 18th century Each with a D-shape white Carrara marble top, above the guilloche-carved frieze, one centered by a wove...

Fine top quality pair of mahogany console tables this pair date to the George III period around 1790 They have been refinished to a very high standard and they sit on the original Ge...

This is a really Grand piece. Likely hailing from Connecticut, Circa 1790 to 1810. The impressive top, a single Board of pine, measuring in at just over 100 in. This item retains all...

A Louis XVI Period white painted console table with carved pierced frieze and rectangular black marble top, originating in France during the late 1700s. The rectangular marble top...

Add an elegant focal point to your study or library with this antique Baroque carved console. Carved in Spain c. 1750 and built of solid walnut wood, the trestle table stands on two ...

French faux painted console with two flanking hinged doors, exterior painted floral vases resting on columns with ribbon & butterfly motif, single interior shelf, and terminating on ...

With a rectangular veneered marble top over a conforming frieze decorated with trailing grape vine and leaves and grapes, raised on circular tapered fluted legs.

American Federal mahogany marble top console table with a molded edge top, carved floral corner medallions, ebony and satinwood banding, and resting on ebony inlaid tapered legs with the original brass barrel cupped casters. Console table retains the original marble top, Late 18th century. Attributed to Thomas Seymour...

English Regency mahogany marble-top console with flanking Phoenix heads, original ormolu mounts, ebonized tapered legs, centered gilt urn and terminating on rectangular molded edge b...

Italian Regency mahogany one drawer console with the original marble top, original floral pulls, two flanking ebonized columns with gilt Corinthian capitals, lower mahogany molded ed...

English Regency two-drawer zebra wood credenza with original brass pierced gallery, brass inlaid top, scrolled ormolu and filigree mounts, and two flanking hinged doors with compartm...

Italian mahogany & painted three tiered demi-lune console with a carved molded edge , stylized foliage motif urn, & terminating on gilt fluted bulbous legs. Late 18th Century.

Pair of French Walnut wall mounted consoles with carved floral molded edges, original marble tops, and terminating on scrolled cabriole legs. Late 18th Century

Polychrome painted console with pierced Greek key frieze and grey marble-top, France, circa 1790.

Italian Neoclassical faux painted green marbleized console with decorative gilt foliage shell gadrooning, central gilt foliage medallion, exterior gilt scroll work, flanking interior...

French faux painted and gilt marbleized console with two hinged flanking doors, fleur-de-lee & figural faces, single fitted interior shelf, and ter...

The console with a veined white marble top, the frieze carved with foliate design motifs and central medallion on tapered fluted legs. The rectangular mirror plate within robed borde...

Carved wood with original white paint, carved giltwood rosettes, original grey white-veined marble top. The rectangular top above a Greek key frieze with applied rosettes on square t...

Wall table supported by two legs moved to “S”, connected to the band under the top by carved shelves; grey marble top molded on the edge. The band is carved with pods and finished with a ribbon frame. The uprights end with two curly feet, which are carved on the four faces with overlapping circles and plant motifs; above the feet, a small shelf connects the two uprights. It is carved by a Greek fret with rosettes, surmounted by a classic vase with flowers and finished in the lower part by a leafy head. The whole surface is gouache-gilded. The piece of furniture presented here is to be referred to the Turin production and in particular to the work of Francesco Bolgiè, since the points of contact with his work are stringent. Born in Turin in 1752 to a family of carvers, after a Parisian training, he was a member of the Compagnia di San Luca in 1775 and appointed Royal Sculptor by Vittorio Amedeo, the first of all carvers to obtain this title. After Bonzanigo, Bolgè is the most desired artist at the Savoy court and, although his fame was overshadowed by the greatness of the first, he was a carver of great ability, it is not true that the authorship of the two productions have often been confused. The inventories show that if Bonzanigo was much more used for the production of chairs, screens and frames that required more minute carving, it was mainly Bolgè who was entrusted with the production of furniture and consoles. Entering into the console analyzed here, the first stringent comparison is to be made with the four corner cabinets created for Madama Felicita’s apartment in the Royal Palace. The “S” -shaped legs have the same curl as the foot placed here under the top and the frontal notch of the uprights is identical. The closeness between the carved vase of the console and those placed on the top and between the legs of the corner cabinets cannot be overlooked, even if ours, being placed in a prominent position, is richer and more elaborate. It is possible to find the same curl pattern as a shelf used...