Antique Store Counter Showcase Display Cabinet and Workstation

Antique Pine Wood & Glass Counter Top Display County Store Pie Safe Display Cabinet. Item featured is a nice larger size, rear entry with 2 swing doors an...

Showcase Cabinet, 4x2 by Paul Heijnen (2011) Dimensions: H131 x L160 x W50 cm Materials: Steel, Oak, Glass Available in different varieties/stains, Each cabinet is made to or...

Showcase cabinet, 2x2 by Paul Heijnen (2011) Dimensions: H131 x L80 x W50 cm Materials: Steel, oak, glass. Available in different varieties/stains, Each cabinet is made to or...

Showcase cabinet, 3x4 by Paul Heijnen (2011) Dimensions: H200 x L120 x W50 cm Materials: Steel, Oak, Glass Available in different varieties/stains Each cabinet is made to ord...

Large and deep 20th century French industrial store display fixture or shelving unit, etagere, library Iron mounted frame with X-shaped back su...

19th century painted store counter ~ display cabinet is a marvelous artifact from the Belle Epoque, and perfect for use as a dry bar or a coffee bar! Three tiers of wraparound windows feature shallow...

These magnificent display cabinets came from an upper east side home in NYC. They appear to be custom made and possibly Maison Jansen. They are solid brass with a lacquered wood finish. There is tempered glass on the back and the sides along with four push front glass doors on the front of each cabinet. Each cabinet has five glass shelves. The lower section of the display cabinets has four lacquered doors ornamented by beautiful hammered brass handles. Each concealed section has a lacquered shelf...

A fine mahogany display cabinet, circa 1900, likely a transitional piece with influences from the earlier Aesthetic Movement. The cabinet showcases clean lines, elegant detailing, an...

Writing desk designed by Le Corbusier in 1957. Relaunched in 2010. Manufactured by Cassina in Italy. Defying the laws of physics, going beyond what we normally understand by the ...

Writing desk designed by Le Corbusier in 1957. Relaunched in 2010. Manufactured by Cassina in Italy. Defying the laws of physics, going beyond what we normally understand by the conditions of equilibrium, this bookcase is nothing short of a manifesto for Cassina’s design and construction capabilities. After a lengthy period of research and development, ably assisted by state-of-the-art technology, the company’s designers created a production prototype of the original 1940 piece that architect Franco Albini made as a one-off for his Milan home. Respecting the authentic underlying concept of the design, with its compelling experimental feel, as well as its surprisingly spare, linear looks, today’s model preserves the minimal ideal of the original: a feeling of air and light so that the books and objects seem to float free. Thus does Cassina restore to the contemporary world of design one of its most emblematic artefacts, a piece that has acquired the status of a work of art, as magical now as it was when it was first seen. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Charles-Edouard Jeanneret, known as Le Corbusier, was born in La Chauxde-Fonds, in the Swiss Canton of Jura, in 1887; and died in France, in Roquebrune-CAP-Martin, on the French Côte d'Azur, in 1965. At the beginning of his career, his work was greeted with some reluctance due to its supposed "revolutionary" character and the radical aspect it acquired through his "purist" experiments; In any case, already at that time, he received the recognition he deserved and the admiration of the majority. His message is still being assimilated by an increasing number of people in the profession, but his eccentric avant-garde attitude should be properly taken into account for the use of rational systems in his planning method, as reflected in extremely simple modules and forms based on functional logic. "A functionalism that does not tend to exalt the mechanical function to the detriment of the symbolic but rather to the rejection of the symbol, which he now considers obsolete and insignificant, and the recovery of the practical function as a symbol of new values" (¹) In his activities as an urban planner, architect and designer, his method of study continued to develop, sometimes going from one extreme to another in a complex plastic language. Some examples of this are: Unité d'Habitation, Marseille (1946-52); the Chapel in Ronchamp (1950-55); the Dominican Monastery «La Tourette» (1951-56); the Zurich Center (1964-65) the Hospital in Venice (1965). The same dedication will be found in the design of diverse furniture, such as: the furniture of "Equipement intérieur de la maison" (tables, chairs, sofas and armchairs) designed for the Salon d'Automne in 1928 with Pierre Jeanneret and Charlotte Perriand and “Casiers Standard...