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Antique Victorian Writing Table Desk 19th Century
$1,740.33
£1,275
€1,499.99
CA$2,423.32
A$2,604.12
CHF 1,397.26
MX$30,674.89
NOK 17,568.98
SEK 16,049.15
DKK 11,210.34
About the Item
A superb antique Victorian flame mahogany writing table, in the manner of Gillows, circa 1860 in date.
The rectangular top features a moulded edge with a striking inset gold tooled tan leather writing surface over two drawers to the frieze. The drawers with the original brass drop handles, solid mahogany linings and hand cut dovetails. It is raised on four decorative turned and reeded legs that terminate in brass and brown porcelain castors.
It is finished on all sides so that it can stand freely in the middle of a room.
THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS.
Condition:
In excellent condition, please see photos for confirmation.
Dimensions in cm:
Height 75 cm x Width 122 cm x Depth 68 cm
Dimensions in inches:
Height 2 foot, 5 inches x Width 4 foot x Depth 2 foot, 3 inches
Flame Mahogany
Thomas Sheraton - 18th century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works up easily, has a beautiful figure and polishes so well that it is an ornament to any room in which it may be placed." Matching his words to his work, Sheraton designed much mahogany furniture. The qualities that impressed Sheraton are particularly evident in a distinctive pattern of wood called "flame mahogany."
The flame figure in the wood is revealed by slicing through the face of the branch at the point where it joins another element of the tree.
Our reference: A4835
- Similar to:Gillows of Lancaster London (Manufacturer)
- Dimensions:Height: 29.53 in (75 cm)Width: 48.04 in (122 cm)Depth: 26.78 in (68 cm)
- Style:Victorian (In the Style Of)
- Materials and Techniques:
- Period:
- Date of Manufacture:circa 1860
- Condition:
- Seller Location:London, GB
- Reference Number:Seller: A48351stDibs: LU950648336932
About the Seller
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Established in 1983
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Associations
LAPADA - The Association of Arts
Antiques Dealers
- ShippingRetrieving quote...Shipping from: London, United Kingdom
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THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS.
Condition:
In excellent condition having been beautifully cleaned and polished in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 74 x Width 89 x Depth 48
Dimensions in inches:
Height 2 foot, 5 inches x Width 2 foot, 11 inches x Depth 1 foot, 7 inches
Marquetry
is decorative artistry where pieces of material (such as wood, pewter or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs.
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