An Ebonised Bureau Plat Attributed to Jansen

The identical desk and possibly the same one pictured in Les Ebenistes Du XIX Siecle by Denise Ledoux-Lebard. Page 621. Provenance Sothebys London Nove...

A fine and Important Louis XV style Bureau plat attributed to François Linke (1855-1946) after a model by Jean François Oeben. Typical of the work by François Linke, this desk featur...

A fine Regence style ebonised and gilt-bronze mounted bureau plat by Sormani. Paris, circa 1880. The central drawer bearing a label for ‘VVE P. SORMANI & FILS 10, r. Charlot Pa...

Large veneered wood flat desk attributed to G. Durand, opening with three frieze drawers. Mounted with Rocaille style chiseled ormolu representing shells, foliage and flower garlands. Raised on four cabriole legs ornamented with chiseled ormolu. This flat desk is inspired by the one executed by the cabinet-maker Joseph Baumhauer, which was offered by King Louis XV to Empress Elisabeth...

Paris made French walnut bureau plat / desk. France Circa 1940

Tortoise wood Louis XVI style Maison Jansen partners desk or bureau plat. The finest of quality and gilt metal bronze mounts are seen on this stunning monumental partners desk...

A Timeless Masterpiece: The Exquisite Bureau Plat of The Duke and Duchess of Windsor In the world of fine art and antiques, certain pieces transcend time, becoming symbols of opul...

An exceptional and rare late 19th century gilt bronze mounted Louis XV Style Bureau Plat Attributed to Zwiener Attributed to Joseph Zwiener The serpentine case with a rectangular top with gilt-tooled leather writing-surface within a molded border above a quarter-veneered frieze, three drawers to the front and three simulated drawers to the reverse each flanked by a large putto, the sides centered with a fine bronze Apollo mask, the cabriole legs mounted with sea shell bronze designs with foliate-cast sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

France, Louis XVI period, ca. 1780, by the ebenist Pierre Garnier (master from 1742), predominantly oak, mahogany veneered and with ebony marquetry, matted, double-sided drawer desig...

A French kingwood bureau plat late 19th/early 20th century in Louis XV style, with applied gilt-bronze mounts, the serpentine rectangular top with...