Leather Dining Room Tables

One-of-a-kind cast bronze base with a 60” round parchment top with knife edge. See it in person this week at Collectible New York, contact us for details. 60” Dia, 30” H About Co...

This sculptural dining table is a splendid piece of furnishing to gather around. Its intriguing profile is marked by smooth and dramatic curves in a design that will take center stag...

A large Imbuia and leather over concrete 'Guanabara' dining or conference table designed by Jorge Zalszupin and produced by L'Atelier, Brazil, c. 1960s.

Code: FQ58 Period: 19th century Style: Renaissance Dining room of the School of Arts in Monza, 19th century, walnut hand-carved consists of: sideboard showcase with leaded cathedral glass; sideboard with central mirror; console with large mirror; table with 12 chairs lined leather. Measures cm (height, length, depth): sideboard with showcase...

Glass dining table designed by Vittorio Introini, made in Italy in the 1970s. The table has a smoked glass top of 15 mm thickness. Supporting structure is made of chrome-plated m...

Also available in 200cm or 240cm width.Prices vary dependent on the chosen size, color and material. The design approach that in 1977 led Mario Bellini and Cassina to clad the stru...

Designed between 1959 and 1965 by the Brazilian-naturalized architect Jorge Zalszupin, the Guarujá dining table features a cement base covered in leather and a top made of parqueted ...

Stunning bamboo rectangular dining table made in the California organic modern style by McGuire. This is a genuine McGuire model # MCBA22 with an iron frame painted golden gate orange for authenticity. The table features a geometric design base measuring 46 inches wide and 21 inches deep covered with tobacco colored bamboo poles...

A superb expression of creativity and craftsmanship, this table of the Bivio Collection is characterized by an intriguing base constructed of three folded wooden slabs lined in red s...

Iconic "Andre" dining table designed by Tobia Scarpa and produced by Gavina in Italy in 1968. The table is signed on the top frame. This gorgeous table is fully made in solid steel,...

The incredible design from McGuire blending clean Mid Century design with the organic and natural bamboo and leather bindings. A McGuire octagonal dining table...

A natural beauty. Genuine McGuire organic modern seven-leg bamboo dining table base for glass tabletop. Designed by John McGuire, this rare circa 1970s table base, crafted entirely b...

Stunning organic modern spotted bamboo dining table base for glass top designed by John McGuire. The dining table base, crafted entirely by hand, features bamboo poles lashed in place with McGuire's signature leather rawhide laces and has an iron frame. Horizontal bamboo members radiate from a center support of bundled bamboo and join six outer bamboo supports with a series of bamboo stretchers to create its attractive geometric form. Genuine McGuire bamboo tables...

This highly decorative dining or centerpiece table was designed by the renowned duo Afra and Tobia Scarpa and manufactured by B&B Italia in 1974. The table features a dark brown wood...

with a sunburst inlaid mangrove primavera veneered circular top in raised on a cylindrical column pedestal wrapped in Komodo embossed leather, with brushed nickel accents and a ven...

Mid-Century Modern 'Guarujá' Table by Jorge Zalszupin, Brazil, 1960s The iconic 'Guarujá' is a table designed by Jorge Zalszupin and produced by his company, L'atelier. The table-to...

A Klismos dining set by Kaj Gottlob. Four chairs of ash with cane seat and loose cushion upholstered in brown leather. Round ash table with four cur...

Antique dining table in mahogany with inlaid wood and leather, from the 1920s.

Genuine McGuire bamboo dining table made in the Califonia Coastal organic modern style. The bespoke table features a rare design seldom seen with simple X form stretchers conjoining the legs. The table has an iron base painted golden gate orange for authenticity then covered with bamboo poles lashed together with cream-colored leather rawhide laces. The base is topped with a thick, heavy pane of McGuire glass having a wide beveled edge. Sturdy and strong with excellent joinery and craftsmanship. The design is simple, grounded in organic materials with a desirable aged patina on the bamboo and leather finish. From an estate in the Napa Valley, CA. Erin Lane Estate is a 1stdibs partner and diamond seller...

Gorgeous organic modern glass top dining table or center table made by McGuire. The table features a bamboo rattan pedestal base with a w...

Afra & Tobia Scarpa for Maxalto "Africa" large oval dining table composed of burl top with out rim of geometric strips of walnut with vertical black stripes, resting on two square co...

The Gran Sasso Dining Table by Midj was designed by the Italian designer Andrea Lucatello. In this fixed table design, Lucatello uses an organic-shaped Baydur polymer for the base m...

A playful and graphic layering of marble patterns utmost depicts the ALTIS aesthetics. Hues of blushes and burgandys are reflected amidst the marbles, leathers and metals that compri...

A centrepiece that channels the opulence of the 1940s, the Geller Dining Table draws inspiration from Art Deco luxury with contemporary finesse. The elongated oval tabletop is crafte...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

This striking dining table embodies the rustic charm and sophisticated design of mid-century Mexican equipales furniture. Crafted around 1970, its substantial round top is likely mad...

Genuine McGuire bamboo rattan dining table made in the California coastal organic modern style. The table features a large elongated...

Mid-century modern oak card games table or dining table crafted in the California coastal organic modern taste by McGuire artisans. The table features a round oak top measuring 45 in...

Impressive and beautifully crafted round extension table having 5 leaves that insert around the periphery of the table. Pedestal base has four turned columns and handsome cabriole l...

inspired by the unique geometries of origami art, our mahjong table is distinctly modern in spirit. hand-crafted in solid ash wood and completed with an ...

McGuire Organic Modern Rectangular Bamboo Dining Table Base for Glass Top (not included) designed by John McGuire. Created for use with a rectangular glass top, the base features eig...

Mahogany wood, leather and bronze dining room set for 12 people. Argentina, 1938. Designed by the architect Alejandro Bustillo (1889-1982) for ...

Genuine McGuire bamboo rattan dining table made in the California organic modern style. The table features a rare, bespoke glazed fi...

Amazing genuine McGuire organic modern bamboo rattan dining table or center table featuring a hexagonal base. Genuine McGuire, not a reproduction with an iron frame painted golden gate orange...

Genuine McGuire organic modern bamboo rattan hexagonal dining table or center table base. This organic modern table base includes seven optional brass caps and was designed to be use...

Enamored by the versatility and performance of sheet aluminum on our custom architectural projects, we worked to introduce a new family of aluminum only tables. Nesting their imper...

Elinor And John Mcguire San Francisco 1970 Dining table Product details Rattan table with leather bindings and glass top Table dimensions 243,5 W x 74 H × 106 D Do not hesitate to c...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

One of the most elegant and innovative 20th-century French furniture designers, Jacques Adnet created a simple, unadorned signature style that is both trim and vigorous. He began his career in the heyday of the Art Deco era, and in the 1950s, in association with Hermès, created chairs, lamps, desks and other pieces that employed slender metal frames clad in stitched saddle leather. With such furnishings, Adnet brought a fashion sensibility to design and decor that had not been seen since the 1920s prime of the great Paris couturier-decorator Paul Poiret. Original vintage wicker covered...

They can be sold separately Midcentury dining room set Melchiorre Bega attributable, from Cantù, in mahogany and burl mahogany Precious and ...

Enamored by the versatility and performance of sheet aluminum on our custom architectural projects, we worked to introduce a new family of aluminum only tables. Nesting their imperfe...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Amazing 1970's Mid-century modern cerused oak and steel dining table designed by Romeo Rega for Mobel Italia, fully restored with minor wear and patina due to age and use, the table ...

Genuine McGuire round dining table featuring a square base. The base is created from an iron frame painted golden gate orange for authencity...

Large round marble dining table custom made for a client that needed to downsize to a smaller table. Palisandro Bluette marble polished top with gorgeous white streaking throughout. Has four cylindrical steel legs wrapped in dark grey leather and capped on the bottom with antique brass cylindrical...

Ferreirinha Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ferreirinha dining table pays homage to Antónia Adelaide Ferreira, a visionary...

Table rectangulaire de Guido Faleschini pour Mariani, Italie, 1970. Le mobilier de cette gamme désigné par Guido Faleschini était distribué par Her...

Vincenzo Modern Square Wood & Stitched Leather Pedestal Table from Costantini 72" x 48" x 30" H as shown A modern dining or game table base with a natural leather-wrapped column w...

Genuine McGuire bamboo rattan dining table base, for use with a round glass tabletop. This organic modern table base, from a design by John M...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisite, extra large, Fully Restored, Howard & Son's Berners Street, Flamed Mahogany with hand dyed b...

The iconic Guanabara Table, designed in the late 1950s by Jorge Zalszupin (1922-2020) and crafted by his L' Atelier is a rare and exceptional example of mid-century modern Brazilian ...

Great leather top table with chrome base. Leather has a green brown color with a rich patina. Please see pictures. High-quality. Ready for a new home.

Amazing one-off monumental oval dining table crafted in the California coastal organic modern style by McGuire artisans. The bespoke table was custom ordered with an octagonal shaped...

Very large 80" round octagonal beveled glass top leather strapped bamboo McGuire dining table.

Vintage French black dining table featuring leather, metal, bronze, glass, and lacquer. Mosais by Jean-Louis Berthet.

An exceptional circular dining or center table by McGuire, circa 1990. The table base is 44 inches in diameter. Stout, heavy steel frame construction veneered in bamboo; leather wra...

This amazing collectors piece of Post-Modern design is an original 1980s production of the 'Zabro' chair (which easily transforms into a table) designed in 1984 by Alessandro Mendini...

Sculpted Velocity: Giancarlo Vegni's "Rolling-2b" and the Luxury of Line This "Rolling-2b" Oval Table by Italian designer Giancarlo Vegni is a masterful study in materials and movem...

The iconic Guanabara is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished...

Vintage Organic Modern Bamboo and Leather with Glass Top Dining Table by McGuire The Vintage Organic Modern Bamboo and Leather with Glass Top Hexagonal Dining Table by McGuire exemp...