Aesthetic Movement Dining Room Tables

Dinners are our favorite. We love having them, hosting them, laughing around during them, cleaning up after them. This is what our dining table is and means to us. The solid white oak...

Grand McGuire organic modern round dining table crafted from oak with a reeded rattan finish. The large table features an oak pedesta...

Charming vintage French round dining table having curlicue iron base and original white marble top. Can be used indoors or on the patio.

Extendable dining table designed in 1940s in France. The legs of this table are beautifully shaped and show nice organic forms. The top is rectangular with two space for extendable ...

Fine mahogany dining table with two leaves. Rounded top ends with fluted edge. The double pedestals carved and turned with curved notched ends. The attached outswept legs with eboniz...

Large superb quality antique 17th century oak gateleg dining table having a superb quality oak top with two oval drop leaves standing on square legs with double gatelegs united by sq...

Outstanding quality large unusual Antique George III mahogany dining table having a splendid quality mahogany top with two oval drop leaves standing on six turned tapering legs with ...

Fun playful wrought iron and glass cafe, dining, center table circa 1970's. The table features a hand wrought base of solid stock with a thick plate glass top, it is in very good, or...

An English 18th century oak oval gateleg drop-leaf table with unusual drake feet. Born in the second half of the 18th century, this English gateleg table features an oval top made of...

A thick, solid pine refectory or farmhouse table, from early 20th century France. Knots, beautiful grain, and an incredible range of textures give the 2 ¼” thick tabletop its abundan...

Bistro dining table in bentwood and cane designed by Michael Thonet. Originally designed in the 1860s and produced by Thonet in the 20th century by multiple factories. Size: chairs: 57x49x96.5 seat height 46 Arm height 67 centimeter table: ø85.5 height 75 centimeter Condition: used. The lacquer has worn out on some places. The stained beech wood has discoloration. Cane in the table top is good. The cane in two seats is damaged. The cane in one back is damaged. One arm has a crack in a curve. Some small wood details are missing. The cane can be repaired or replaced professionally on request. Michael Thonet The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.) The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair...

20th Century English oak refectory table on twin baluster supports with connecting stretcher. 18th Century style, this table features a particularly nice top with good colour and pat...