Bronze End Tables

An impressive late 20th century two tier side table / sculpture stand by Maitland Smith. Features a round form inset top over three downswept and pierced square form legs leading to ...

Pair of lovely antique Italian night stands or side tables with greatly carved doors and drawers and Portoro marble top. Portoro is a high-quality black marble, where the vast crysta...

This is a gorgeous pair of signed Maison Jansen Maison Jansen marble top bouillotte tables with bronze feet and brass galleries. The tops are beautiful green, creme and gray hued mar...

A table inspired by the sweeping curves of a ship's propeller blades and the art-deco golden age of the ocean liner. Pairing blackened steel and etched brass with bullnosed oak, Pr...

Hollow bronze drum, tapering downwards, with handles on each side. Drums were made by the Karen people--A Sino-Tibetan ethnic group inhabiting the high la...

The Viggo Side Table explores the idea of building using stacked and assembled elemental forms to create a larger piece. Starting from the piece's invisible internal construction an...

Pair Paul Ferrante Edward bronze end tables with Louis XVI style fluted legs, rectangular pulls, hoof sabobts and honed gray brown marble tops.

This antique table could be used as a nightstand or plant stand Solid mahogany with bronze ormolu mounts and white marble top.

TABLE NO. 3 - BRONZE J.M. Szymanski d. 2023 Playfully imagined, this sculpted bottom-frame supports a smooth top-surface that is ideal for drinks and small items--some might say it’...

Pair of side table by Maison Jansen, cloudy mirror top and brass and bronze base.  

A Very Fine French Late 19th/Early 20th Century Louis XV Style Ormolu Mounted Kingwood, Bois Satine, Mahogany, Marquetry and Parquetry Gueridon (Round End-Table), in manner of François Linke (1855-1946). The circular marquetry top with trellis inlay encompass by a ribbon-tied floral and ribbon entwining inlaid surround, above a frieze interspersed with four abundant floral, foliate and entwined opposing cornucopia mounts each centered by a bacchanal mask, with one frieze drawer, on slender cabriolet legs with an up swept X-stretcher surmounted by a circular under-tier with a basket weave mounted gallery. Bearing the fine quality furnishings retailer's plaque which reads: 'S. & H. Jewell, 131 & 132, High Holborn, London, W.C'. Circa: Paris, 1900. S & H Jewell are first recorded in 1830 as fine quality retailers, restorers and cabinet makers. They were a family business who worked from their premises at 29-31 Little Queen Street, Holborn, in London and then later to 26 Parker Street and then at 131 - 131, High Holborn, both in London W.C. They are recorded to have sold furniture to the Arts and Crafts home...

This French Louis XVI Directoire inlaid satinwood marquetry and bronze end table is a refined example of 18th-century inspired craftsmanship, blending neoclassical elegance with exce...

Tripod hand-forged iron cocktail tables with bronze edging around top. Great patina. Can be custom-made in square or round and in any size and height. Sold and priced individually. M...

Lovely antique Italian Louis XV floral inlay side table in elegant kidney shaped with inlay decors, floral satinwood inlay, beautiful wood grain, 2 dovetailed drawers, raised on four...

A table inspired by the sweeping curves of a ship's propeller blades and the art-deco golden age of the ocean liner. Pairing blackened steel and etched brass with bullnosed oak, Pr...

A stylish, superbly handcrafted French rosewood inlaid bedside cabinet or end table from the second quarter of the 20th century. The fine vintage piece, circa 1940s, features beautif...

An original and authentic Meret Oppenheim Traccia table. This table manufactured by Gavina, Italy as part of the initial production in th...

We call this round side table black oak with bronze details the Waverly table. This table is made of the finest repurposed urban timber and is so versatile. Sturdy yet lightweight, the Waverly can be easily moved around as a martini table or place to rest your latest book and cup of coffee. Group them or use them singularly; we love this little table. Use the Waverly Table in a living room or den. Try it as a side table in a bedroom or any seating area. A cluster of round side tables makes a beautiful coffee table in a conversation pit...

Maitland Smith Tweet accent table having a magical mix of sculptural bronze twig form legs, small square table top with aged mirror and an inlaid bird resting there. Makes a wonderf...

Maison Bagues rectangular side table 2 tiers, 1st tiers height: 8 in Bronze ans brass, gold cloudy mirror.

Mid-Century Modern French inspired design, that we hand-make in several dimensions. The table base is constructed from solid bronze, although brass is available for an additional cha...

The Petra side table features a honed & enhanced marble tabletop and three sculptural bronze legs. The bronze legs are inspired by the strong yet eleg...

Signature arboreal accent table, having a round top of glass, on a base of welded bronze with a verdigris finish, fashioned as a stylized banyan tree. Its central trunk affixed with ...

A very special and stunning pair of Italian brass or bronze, glass, and travertine marble end or side tables with detailed Italian Gothic architecture bronze/brass frame, circa mid-2...

19th Century, France inlaid wood centre table This elegant centre table in inlaid wood was made in France in the early 19th century. The rectangular top has shaped and wavy side...

Elegant and intricate, this side table is made of polished and blackened bronze. Can be customized. The larger part of the table is 17" x 14" x 20"H. The smaller part of the table ...

Unusual Philip and Kelvin LaVerne 'Madame Pompadour' occasional side table inspired by the original table of Marquise De Pompadour made in Cloisonne on bronze. This Acid-etched bronz...

Square Solid Brass or Bronze Base Travertine Top Side End Occasional Table MINT!

This fine Breccia purple and white marble top Gueridon table, in the manner of Adam Weisweiler, is a striking example of neoclassical elegance and refined French design. The circular...

This important writing table is after Jean-Henri Riesener, perhaps the most important furniture maker working in Paris during the reign of Louis XVI. The desk thus demonstrates a cur...

An exceptional pair of Louis XVI style french ormolu-mounted parquetry and marquetry side tables, late 19th-early 20th century, in the manner of RVLC. These tables are truly excep...

Elegant Italian midcentury brass console table with a veneered marble top. Finely chiseled brass decoration.    

Attractive pair of French Louis XV style kingwood veneered side tables with gilt bronze mounts and marble inset tops. Stretchers centered with a bronze urns. The pair of tables a...

A magnificent set of three French mid 20th century gilded brass marble top nesting tables attributed to Maison Baguès for Parisian design firm Maison Jansen. Finished in luxurious Louis XVI taste, each table graduated in size, having a striking dramatically white veined verde green marble oval shaped top, resting on a triangular shaped patinated gilt metal frame in brilliant bronze dore style finish, adorned in foliate relief trim to apron, floral medallions above tripartite stretcher-joined fluted legs, terminating on tapered feet. Dimensions: (approx) Largest: 17.25"H, 24.25"W, 14"D Since its establishment, circa 1860, Maison Baguès has been an emblem of French elegance and sophistication in luxury interior design, originally the finest lighting, expanding into the finest quality furniture and decorative accessories. Each piece the firm makes is hand-assembled using traditional techniques in order to emphasize the elegant excellence of their detailed artisanal work. Still the epitome of savoir-faire, Maison Baguès’ luxurious pieces are prized for their craftsmanship, beauty and harmony. The master metalsmith Noël Baguès founded the company as specialists in liturgical bronzes, but by 1880 the company had expanded into the production of bronze light fixtures in response to the development of electrical lighting. Carried on by Noël’s son Eugène and grandsons Victor and Robert, Maison Baguès continued to progress, adding intricately detailed iron lighting collections in the 1920s as well as stair banisters, gates and accessory tables. Baguès began selling internationally in the interwar period, expanding the company’s operation to New York, Rome and Cairo. Noted for their high-end handcrafted work, such as complex carved sconces and hand-strung crystal chandeliers, Maison Baguès appealed to an elite clientele. While Baguès’ Art Deco crystal lighting fixtures drew the most attention, the company was also known for bespoke metalwork that drew commissions from important interior designers and decorating firms such as Maison Jansen and Raymond Subes. In 1928, eminent bourgeoisie décorateur Armand-Albert Rateau famously used a selection of Maison Baguès accessories to furnish the townhouse interiors of haute couturist Jeanne Lanvin. Beyond Rateau, the atelier was commissioned by many chic interiors icons like Raymond Subes and the legendary decorating firm Maison Jansen. International decoration offices such as Alberto Pinto, Pierre Yves Rochon...

Bronze and red marble Empire style Gueridon table A classic French bronze and red marble round gueridon table on scrolled legs with hoof (sabot) feet on casters. Topped by a rare ...

19th Century French Louis XVI Mahogany Marble Top Gueridon ~ Round End Table was crafted by master artisans during the Belle Epoque, and features jewelry-quality bronze castings as a...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

This sophisticated modernist three tier occasional table was realized in the United States circa 1990. It features three rectangular tiers with mirrored centers that adjoin to rectan...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

Custom repurposed vintage iron with bronze edged round top. Hand-forged iron legs. Sealed surfaces. Light and narrow profile. Can be made in any size. Made in Los Angeles by Dos Gall...

19th Century. French. Bronze-mounted. Signed Linke. Original marble top.

Shown in solid oiled walnut, gunmetal steel case and burnished bronze hardware, the Visalia end table features a single solid wood drawer with under-mount drawer slides, custom-made ...

The Mers side table is fabricated from solid bronze and is suitable for use indoors and out. Form is inspired by the simple utilitarianism of West Coast aluminum fishing boats. Sh...

Introduce timeless sophistication to your home with this 19th Century Empire Bronze Mounted Marble Top Round Table, a stunning example of classic French Empire style. Featuring a ric...

Modern Bronze and Walnut End table with Glass top designed by Greg Sheres. In Stock. The "Manhattan" lamp table is a beautiful combination of walnut, stainless steel with an antique...

Bronze and lacquer end table designed by Greg Sheres. Now in stock. Sophisticated original sculpture in Antiqued Bronze. The polished Black lacquer top is designed so that it appear...

This French inlaid Louis XV style end table is a superb example of craftsmanship and elegance, combining intricate marquetry with refined bronze-mounted detailing. The shaped top fea...

This is a rare iteration of the classic and highly sought after 'Chan' coffee table by father and son team, Philip and Kelvin LaVerne (New York), produced in the 1960s and signed with the artists names on the top (see photos). Ingeniously designed with international patination and polychromed bronze and pewter, this rare form coffee table which also functions excellent as a large end table...

The Atlas table consists of a 1 1/4” thick chamfered stone top resting on a delicately trellised solid brass base with hardwood feet. The table is available as a smaller side table (...

This fine quality French Regency occasional table exemplifies refined craftsmanship and timeless elegance, making it a versatile addition to both traditional and contemporary interio...

Very elegant, handcrafted table with lid and beveled mirror. If you have an eye for elegant designs then this French, antique nutwood table is a visual treat every time you will loo...

This Fine Marble and Inlaid Walnut Rams French Louis XV Bronze Mounted Accent Table is an exceptional piece that blends timeless French artistry with refined functionality. Crafted w...

The Atlas table consists of a 1 1/4” thick chamfered stone top resting on a delicately trellised solid brass base with hardwood feet. The table is available as a smaller side table (...

Rare set of vintage design, marked tables, by Móveis Cimo. These highly stylish and sought after tables were manufactured in the 1960s by the Brazilian company Móveis Cimo, a pioneer in Brazilian furniture making. These truly stylish and timeless design tables will work in various types of interiors and they both are in good to very good condition. Designer pieces like this from the midcentury modern era are increasingly hard to find and to have found this pair or duo of tables made the experience extra special. Also, because we already know that there will be interior designers (as well as private buyers) who will immediately understand the rarity of this coffee table and end table that have always been together and they were clearly well taken care after. The combination of the wooden cone shape column-legs and the stunning, 'floating table tops' with the wonderful grain in the wood is incredibly attractive. These tables are as strong and stable as the day they were made and therefor too they are very ready for you to use and enjoy. Thanks to its striking design and truly 1960s presence this handcrafted table will never fail to impress, not you or anyone visiting. This rare midcentury table set...

Designed by Arturo Pani and crafted by metal artisan circa 1950s, Model no 3026, these pair of bronze side table showcases the signature exuberance of the designer. Glamorous in its Hollywood Regency flair, the designer used patinated bronze in contrast with glass and antiqued églomisé mirror...

Traccia Coffee Table, Meret Oppenheim, Simon, Italy, 1972 Iconic Surrealist coffee table with oval top made of embossed gold plate, supported by two cast bronze bird feet. Designed...

Hand-forged iron tripod tray tables with bronze edging. Great, thin profile with patinated finish. These two are available off the floor but can also...

A very fine pair of French 19th/20th century Louis XV/XVI style Transitional Style Satinwood Parquetry and Gilt-Bronze Mounted Commodes with Brêche d'Alep marble-tops, in the manner of François Linke (1855-1946), inspired by models by Léonard Boudin (French, 1735-1804), Gilles Joubert...

Franck Evennou has a poetic language inspired by nature, and by all subjects that carry the residue of their pasts. His works, particularly in bronze, like this elegant side table, p...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...