White fiberglass and smoked glass "UfoTable" coffee table by Astarte Milan 1960s

For sale here is a stunner. This minimalist, 1960s modern table in the manner of the legendary Milo Baughman would look great in a Modern or Mid-Century decor. This mid Century Moder...

Tavolino vintage di manifattura italiana anni '60 con struttura in metallo e doppio piano in vetro.

Elegant pair of oak, brass & glass coffee tables by Louis Paolozzi. They have direct yet striking line. The frames with thick limed oak sides connected by delicate brass stretchers e...

Astarte Nerviano Italy rare typology of cart bar space age years 1970 in fiberglass with wheels Perfect vintage condition A, diameter 36 inches high 16" = 90 cm diameter 40 cm high

Set of three Italian mid-century modern brass and smoked glass nesting tables with rolling feet. Highly practical, classic and chic, perfect for any interior style. Italy, circa 1960...

Gorgeous midcentury rectangular cocktail table in enameled metal and brass with smoked glasses. This wonderful object was designed by Tommaso Barbi in Italy in the 1970s. This stu...

Stacked Lucite and Smoked Glass Table. Nice stacked horizontal design with a lovely contrasted top of smoked glass . Use as a small coffee table or use as a side table. In the style ...

Elegant wrought iron coffee table in original patina with a grey glass.

Mid-Century Modern smoked glass coffee table in chrome-plated tubular in the style of Paul Mayen. A great example of 1970s design, ...

Elegant brass, chrome and smoked glass square coffee table. Romeo Rega designed this elegant coffee table during the 1970s in Italy. The unique combination of straight and pure lines with superb materials, makes this item a go-to for Italian midcentury lovers. This piece smoked glass top will add seductive elegance to a midcentury living room or a studio. Measures (cms): width - 70 depth - 70 height - 40 Romeo Rega is born in Rome on 10 October 1925, third of six children, born and raised in the Trastevere district, in the heart of Rome. In 1943 , at the age of 18, he joins the army as a driver, a position that he holds for the next two years. In 1945, the year of Liberation, he comes into contact with whom he himself calles “the Master”, an excellent blacksmith and forger, from whom he learnes the art of iron. This way he starts his path after his father Piero, also a craftsman. Nine years later he gets married and opens a small shop in Via della Pelliccia, in the Trastevere district. Here he starts to work wrought iron, discovering himself capable of inventing, designing and realizing gates, railings and iron furniture. He is 27 years old when, in 1957, he enrolls in the Albo provinciale delle imprese artigiane (Provincial Register of Craft Enterprises) and opens his first workshop in Vicolo della Frusta 6, where he collaborates with talented masters of wrought iron and forging. At this point arrives the first important order: the design and manufacturing for Cinecittà of the chariots for the American colossal film Ben-Hur, which will be published in 1959. He stays in Vicolo della Frusta until the end of the 1960s, a period in which he dedicated himself to his favorite activity: the design of his own pieces and the relations with people. Among his clients there are personalities from the world of cinema and entertainment, such as Marcello Mastroianni, Renato Rascel and his wife Giuditta Saltarini, Massimo Ranieri. In 1970 he met the filmmaker Massimo Saraceni who encouraged him to broaden his entrepreneurial horizons. The 1970s represent a real revolution for the Italian culture, here start the “golden years” of design. In this roaring context, Romeo manages to apply with creativity the traditional methods usually used to process forging and wrought iron to new industrial materials such as brass, steel and perspex. This is how the famous “Romeo Rega” brand is born, and the serial production of his furniture starts in Vicolo Pian due Torri, in the Magliana district of Rome. The “four-rod” tables, the “Z-shaped” consoles...