Antique Fold Over Tea Table, English, Occasional, Games, 2-4 Seater, William IV

William IV folding games or card table. This is a good quality piece with beautiful patina, it takes up little space and unfolds to a 3ft square games table. The base has a 4 point base with scroll feet and the top swivels to open out. The table has a new green baize playing area...

19th century French fold over mahogany games or tea table with original finish. The rectangular top raised on straight legs. Opened measurements: 31.5 in x 31.89 in.

Circa 1765 Georgian period triple-fold games tea table, English. The triple fold is a rare form. Raised on square legs with fine Gothic open fretwork returns. Finish baiz...

This fine and unusual games table is of rare form, circa 1900 and 1910, is made of mahogany and deal secondaries. The brass fittings have all been chrome-plated, a feature usually re...

Fine Early 19th-Century Rosewood Fold-Over Card Table A very fine and elegant early 19th-century William IV period rosewood fold-over card table. The table features a beautifully fi...

We are delighted to offer for sale this exquisite hand made in England William IV circa 1830 mahogany & Rosewood occasional table with Chess board top and baize lined card table insi...

A period William IV English mahogany sewing stand work table with inlaid chessboard top. circa 1830s Combining sophisticated elegance, warmth, and functional design, this outstandin...

A very well made and well sized Antique English Games Table with banding and a dove-tail construction single drawer. The center top section slides to reveal an inlaid Backgammon boar...

Antiques of London This William IV pedestal card table (circa 1835) exemplifies the elegance and craftsmanship of early 19th-century English furniture. Crafted from richly figur...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely, super rare and highly collectable 1870 Parlour Golf table made by a collaboration between the great Edward William Godwin & William Watt which is tamped to the base WW Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote, please send me your postcode and I’ll provide you with the exact price. This is our Editors choice piece, it is the only one I have ever personally seen of this type, as such it deserves special recognition This is a very decorative and well made table, it comes with the original club, balls and removable flag, this piece is full of Victorian whimsey, as soon as I saw it I new it need adding to our collection After some research, I have found that the maker's stamp WW refers to William Watt, a cabinetmaker who worked with architect E.W. Godwin in the late 19th century, specifically around 1870. Their collaboration is documented on pieces like a mahogany bow-back chair. William Watt's workshop was involved in the production of furniture designed by Godwin, I will include a brief biography below In terms of the condition there will be age related patina marks here and there, to be honest its exquisite and has the period finish, what more could you ask for! Dimensions Height:- 62cm Width:- 43cm Depth:- 43cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask. Any questions please feel free to ask before you bid. Designers & Makers E.W. Godwin British 1833 - 1886 Over a period of twenty-five years Edward William Godwin is thought to have produced around four hundred eclectic designs, many executed in the Anglo-Japanese style which he is credited for popularising. During the mid-nineteenth century, British taste was dominated by ornately decorated furniture which created dark and heavy Victorian interiors. Looking to Japanese arts and crafts for inspiration, Godwin began to produce furniture which celebrated rectilinear forms devoid of ornament. He never visited Japan so relied on imported goods, amassing his own collection of Japanese prints, ceramics and furniture. His preference for elegant lines and undecorated surfaces resulted in lighter, sculptural forms, which looked forward to modern furniture design. Ebonised surfaces defined his Anglo-Japanese style, and Godwin regularly incorporated various floral and abstract motifs into furniture panels. Reducing decoration to series of turned spindles and ribbed grooves, a preference for light construction and utility dominates his work, adhering to principles of the Aesthetic Movement. Although he is largely recognised for his Anglo-Japanese furniture, Godwin never tied himself to one style. As a result, many of his designs demonstrate an interest in Ancient Egypt and Greece, Gothic, Queen Anne and Jacobean furniture. His Anglo-Greek and Anglo-Egyptian furniture designs are characterised by inlaid and geometric-turned decoration, angled supports and splayed legs, yet retain an elegant and functional aesthetic. Another distinguishing feature of his work is the use of solid, structured lines, akin to those seen in Japanese woodblock prints. Godwin also had an interest in Chinese decorative arts, his grid-like forms and interplay of solid and void spaces likely being inspired by Chinese hardwood furniture...