Unusual 18th Century Italian Rococo Three-Tier Étagère

A Neoclassical Masterpiece: Berlin Gueridon After a Design by Karl Friedrich Schinkel (1781-1841) In the refined world of early 19th-century Berlin, elegance met intellectual rigor—...

The oval grey marble insert top above a single frieze drawer, with brass line and star inlay, raised on slender curved legs joined by an oval undertier, ending on slipper feet; stamp...

A very unusual and superb Rococo console table from the mid-18th century. On four carved legs with an X-shaped stretcher, overall with scrolls and dolphin-like sea creatures. This ex...

An imposing Louis XV ebonized writing table with finely chased gilt bronze mounts. The stepped moulded rectangular top inset with the original gilt-tooled leather above three frieze drawers with elaborate ormolu handles and escutcheons, the reverse conformingly organized with three simulated drawers, allowing this bureau plat to be freestanding, the cabriole legs with sabot feet headed by female masks. The iconic Coco chancel lived with a Rococo writing desk...

Rococo Florentine Revival 1950's Gilt Bedside Accent Side Table, Italy Charming Mid-Century Modern side table in a lovely light tourquoise color with original gilt gold finish. Ce...

A good quality 19th century, parquetry inlaid three-tier etagere with ormolu mounts in the Louis XVI style.

18th century Directoire gueridon with original paint.

20th century, Italian bronze planter or Gueridon Measures: cm W 56 x maximum diameter 51 x H 90. H on the floor of the wide 81 cm This refined planter was made in Italy, in Naples, towards the Early 20th Century in the style of «Retour d'Egypte». It consists of a tripod structure in finely chiselled gilded bronze and lacquered in tones. Each leg originates with scroll decorations and phytomorphic elements with golden details, supported by a sphinx with hairstyle, tail and golden wings. This sits on a curvilinear and wavy element decorated with golden ramage and a man’s head with a long beard of classic taste. The legs end with an injured foot and rest on a tripartite base that connects them. In the middle of each leg there is a bronze junction with curls and volutes that converges towards the others in the center, where a vertical element contributes to the momentum and gracefulness of the whole. The basin of the planter is in lacquered tin, with gold edges and reserves. The rising part of the tub has some holes that allow the breathability of the space. This tripod is inspired, with variations, to a famous model of the brothers Luigi and Antonio Manfredini, active in Milan at the beginning of the nineteenth century, financed by the viceroy of Italy Eugenio de Beauharnais, adopted son of Napoleon Bonaparte, for the opening of the real manufacture of Eugenia. The Retour d'Egypte style was widely echoed in France and Europe and originated from General Bonaparte’s military campaign in Egypt in 1799. The fashion of the Egyptians had already in Italy found a previous interpreter in the engraver Giovan Battista Piranesi, but the vast diffusion that also had in the furniture the Egyptian ornament...