1990s Antonio Citterio Glen Oliver Löw ‘Leopoldo’ Folding Table for Kartell

Driven by his belief that beautiful surroundings can heighten the enjoyment of even mundane everyday rituals, Italian architect and industrial designer Antonio Citterio creates furniture that combines sophisticated form with functionality. Citterio’s timeless neoclassical-inspired chairs, outdoor furniture, desks and other pieces have earned him a place among the most influential furniture designers working in his native country.

Born in 1950 in Meda, Citterio grew up just a stone's throw away from the artistic hub of Milan. In 1972, at just 22 years old, he opened his first design studio and designed a chair for the La Rinascente department store while completing his studies in architecture at the Polytechnic University of Milan. Citterio established a partnership with famed furniture designer Terry Dwan, and the pair worked together during the 1980s and 1990s, designing striking buildings in European cities as well as Japan. He is currently chairperson at an interior design and architecture firm with fellow architect Patricia Viel and eight other partners. 

Citterio taught at the Università della Svizzera Italiana in Mendrisio, Switzerland, from 2006 to 2016. He holds art director roles for high-end furniture manufacturers Maxalto, Arclinea and Azucena, and today, Citterio lounge chairs, sofas and other furnishings are in hotels all over the world. Citterio’s work is synonymous with luxury, and has yielded collaborations with reputable brands such as Kartell, Knoll, Flexform, Vitra and B&B Italia. His Sity seating collection for the latter and kitchen furnishings for Arclinea are among his best-known innovations.

Citterio has received many awards and accolades for his design work, including the Compasso d’Oro. He was also given the title of “Royal Designer for Industry” by the Royal Society for the Encouragement of Arts in 2008. 

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The Italian design giant Kartell transformed plastic from the stuff of humble household goods into a staple of luxury design in the 1960s. Founded in Milan by Italian chemical engineer Giulio Castelli (1920–2006) and his wife Anna Ferrieri (1918–2006), Kartell began as an industrial design firm, producing useful items like ski racks for automobiles and laboratory equipment designed to replace breakable glass with sturdy plastic. Even as companies like Olivetti and Vespa were making Italian design popular in the 1950s, typewriters and scooters were relatively costly, and Castelli and Ferrieri wanted to provide Italian consumers with affordable, stylish goods.

They launched a housewares division of Kartell in 1953, making lighting fixtures and kitchen tools and accessories from colorful molded plastic. Consumers in the postwar era were initially skeptical of plastic goods, but their affordability and infinite range of styles and hues eventually won devotees. Tupperware parties in the United States made plastic storage containers ubiquitous in postwar homes, and Kartell’s ingenious designs for juicers, dustpans, and dish racks conquered Europe. Kartell designer Gino Colombini was responsible for many of these early products, and his design for the KS 1146 Bucket won the Compasso d’Oro prize in 1955.

Buoyed by its success in the home goods market, Kartell introduced its Habitat division in 1963. Designers Marco Zanuso and Richard Sapper created the K1340 (later called the K 4999) children’s chair that year, and families enjoyed their bright colors and light weight, which made them easy for kids to pick up and move. In 1965, Joe Colombo (1924–78) created one of Kartell’s few pieces of non-plastic furniture, the 4801 chair, which sits low to the ground and comprised of just three curved pieces of plywood. (In 2012, Kartell reissued the chair in plastic.) Colombo followed up on the success of the 4801 with the iconic 4867 Universal Chair in 1967, which, like Verner Panton’s S chair, is made from a single piece of plastic. The colorful, stackable injection-molded chair was an instant classic. That same year, Kartell introduced Colombo’s KD27 table lamp. Ferrierei’s cylindrical 4966 Componibili storage module debuted in 1969.

Kartell achieved international recognition for its innovative work in 1972, when a landmark exhibition curated by Emilio Ambasz called “Italy: The New Domestic Landscape” opened at New York’s Museum of Modern Art. That show introduced American audiences to the work of designers such as Gaetano Pesce; Ettore Sottsass, founder of the Memphis Group; and the firms Archizoom and Superstudio (both firms were among Italy's Radical design groups) — all of whom were using wit, humor and unorthodox materials to create a bracingly original interior aesthetic.

Castelli and Ferrieri sold Kartell to Claudio Luti, their son-in-law, in 1988, and since then, Luti has expanded the company’s roster of designers.

Kartell produced Ron Arad’s Bookworm wall shelf in 1994, and Philippe Starck’s La Marie chair in 1998. More recently, Kartell has collaborated with the Japanese collective Nendo, Spanish architect Patricia Urquiola and glass designer Tokujin Yoshioka, among many others. Kartell classics can be found in museums around the world, including MoMA, the Victoria and Albert Museum and the Cooper Hewitt, Smithsonian Design Museum. In 1999, Claudio Luti established the Museo Kartell to tell the company’s story, through key objects from its innovative and colorful history.

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