American Craft Movement hand made "Geode" stand

Crafted by A. H. Lejambre in Philadelphia, circa 1880. The top is mahogany bordered with ebony and brass trim, and is inlaid with an Egyptian scarab and a bee in exotic woods. ...

This side table, meticulously crafted from solid wood, features a design that elegantly combines straight lines with gentle curves, resulting in a subtly captivating appearance. Thes...

A classic American Federal stand here in cherry. With an overhanging square plank constructed top over a single frieze drawer with a small metal knob pull. Raised on square tapering ...

American crotch mahogany tilt top candle stand with turned bulbous pedestal terminating on tripod reeded scrolled legs with bun feet.

An American Hepplewhite cherry stand, circa 1800. Nicely figured cherry top over pinned square tapered legs. 21 inches wide by 20 ⅞ inches deep by 29 ¼ inches tall

A superb Aesthetic Movement walnut and brass mount hall stand attributed to James Shoolbred - London. Kite registration stamps - English Dated 1883. James Shoolbred & Co were a fir...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Antique Victorian Aesthetic Movement Black Ebonized Music Stand Side Table. Circa Lat...

A very sweet matching pair of Antique Arts & Crafts occasional side tables of solid Oak construction suitable for a variety of functions. Hand made; early 1900's.

A hand-crafted log side table or plant stand. The near square top stands on hand peeled legs, supported with a laddered stretcher.

A fantastical table in the form of a dragonfly by American Studio craftsman, Andrew J Willner, executed in rare English brown oak, its eight individual sections sculpted by hand and constructed with pegged mortise and tenon joinery. Made during Willner’s tenure as wood artist in residence at Peters Valley School of Crafts, where he worked alongside Emil Milan and Karl Seemuller, this table is exceptionally realized and exemplifies Willner’s interest in the segmented forms of the natural world which became part of his signature fantastical style. Bears the artist’s carved initials and date to the underside, ‘AJW Sept. 73’. Well-preserved, likely refinished at some point. Literature: Meilach, D. Z. (1975). Creating modern furniture (pp. 288–289). New York: Crown Publishers. *depth of top = 17.5 inches *depth of base = 24 inches Andrew Willner is a modern polymath of sorts whose CV credits include those of boat builder, environmentalist, permaculturist, city planner, photographer, and public speaker in addition to master woodworker. He received his earliest training in woodworking in the basement wood shop of his grandfather who ran a lumber business selling reclaimed wood from construction sites. He earned his Bachelor degree in City Planning at the University of Virginia, did his graduate study in furniture design and sculpture under Wendell Castle student, Alan Lazarus, at Virginia Commonwealth University in 1968 and 1969, and became the first woodworking artist in residence at then-experimental and now-renowned Peters Valley School of Crafts in Layton, New Jersey upon its founding in 1970. It was at Peters Valley that Willner first met Emil Milan who was to become his mentor and life-long friend. Examples of Willner’s work are included in the 2018 monograph, Emil Milan: Mid Century Master. In the late 1970s, Willner met Vladimir Kagan at the Rhinebeck Craft Fair - - the chance encounter led to Kagan commissioning a chair design from Willner, to be available in several variations, for a show at Kagan’s NYC gallery. Willner used one of his early, original, bent and laminated designs for the commission and over the course of a year or so, a limited number of examples were sold through the Kagan showroom under the Kagan name with Willner credited as the designer. In 1980, Muppets’ genius, Jim Henson...