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Antique Victorian Burr Walnut Wine/ Occasional Table 19th Century
$1,190.68
£875
€1,022.57
CA$1,646.54
A$1,792.66
CHF 957.22
MX$21,640.21
NOK 12,034.01
SEK 11,193.03
DKK 7,638.12
About the Item
This is a beautiful English antique Victorian burr walnut, marquetry and ebonised occasional table, circa 1860 in date.
The turned and spiral twist stem and tripod base have been masterfully crafted in solid walnut and the shaped top has superb floral marquetry inlay with ebonised decoration.
It is in fantastic condition and we have French polished it to bring back to its original splendour. This table will grace any room in your house and become a focal point.
Condition:
In excellent condition having been beautifully restored in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 71 cm x Width 60 cm x Depth 50 cm
Dimensions in inches:
Height 2 foot, 4 inches x Width 2 feet x Depth 1 foot, 8 inches
Burr Walnut
refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find.
Marquetry
is decorative artistry where pieces of material of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs.
Our reference: A4780
- Dimensions:Height: 27.96 in (71 cm)Width: 23.63 in (60 cm)Depth: 19.69 in (50 cm)
- Style:Victorian (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1860
- Condition:
- Seller Location:London, GB
- Reference Number:Seller: A47801stDibs: LU950647557382
About the Seller
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Associations
LAPADA - The Association of Arts
Antiques Dealers
- ShippingRetrieving quote...Shipping from: London, United Kingdom
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In 1805 Baldock's name first appears as the freehold owner of 7 Hanway Street, London. Over the years he expanded his premises. By 1840 his property in this street comprised nos 1 and 2, both with back premises, and in addition he owned a yard and no. 3, which he let. It was in 1 and 2 Hanway Street that he carried on business up to 1843 when he retired, selling his stock and moving to a fashionable residential address, Hyde Park Place. According to one 19th-century source, the business was taken over by Frederick Litchfield's father. He was buried in St Pancras Church, Euston, where he is commemorated by a marble memorial tablet on the north wall, dedicated jointly to him and Mary Frances Westoby.
In 1805 he described himself as dealer in china and glass. By 1821 he was styled in the Post Office Directories as antique furniture and ornamental china dealer, and in 1826 he described his activities in a bill heading as ‘buying, selling, exchanging and valuing China, Cabinets, Screens, Bronzes etc.’. Though Baldock's business consisted primarily in dealing in antique porcelain and furniture — largely foreign — he repaired, remodelled and altered existing furniture. He also produced designs for new pieces and had them made.
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