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Inlaid Nest of 3 Tables 19th Century
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Antique Victorian Mahogany
Inlaid Nest of 3 Tables 19th Century
$1,734.87per set
£1,275per set
€1,489.73per set
CA$2,398.89per set
A$2,610.91per set
CHF 1,395.18per set
MX$31,529.83per set
NOK 17,533.96per set
SEK 16,308.62per set
DKK 11,129per set
About the Item
This is a beautiful antique Edwardian mahogany and inlaid nest of tables, circa 1880 in date.
The nest consists of a set of three matching interlocking tables, each has a rich flame mahogany ovel inlaid panel surrounded by ebony and boxwood stringing. They are raised on turned legs and splay feet with verso marks for the maker and retailer Gullachsen
Son Ltd, Newcastle on Tyne.
This nest of tables is very versatile and ideal for serving tea or cocktails.
THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS.
Condition:
In excellent condition having been beautifully restored in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 68 cm x Width 45 cm x Depth 38 cm
Dimensions in inches:
Height 2 foot, 3 inches x Width 1 foot, 6 inches x Depth 1 foot, 3 inches
Flame Mahogany
Thomas Sheraton - 18th-century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works up easily, has a beautiful figure and polishes so well that it is an ornament to any room in which it may be placed." Matching his words to his work, Sheraton designed much mahogany furniture. The qualities that impressed Sheraton are particularly evident in a distinctive pattern of wood called "flame mahogany."
The flame figure in the wood is revealed by slicing through the face of the branch at the point where it joins another element of the tree.
Our reference: 08618
- Dimensions:Height: 26.78 in (68 cm)Width: 17.72 in (45 cm)Depth: 14.97 in (38 cm)
- Sold As:Set of 3
- Style:Edwardian (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1880
- Condition:
- Seller Location:London, GB
- Reference Number:Seller: 086181stDibs: LU950639426992
About the Seller
5.0
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Established in 1983
1stDibs seller since 2012
1,438 sales on 1stDibs
Typical response time: <1 hour
Associations
LAPADA - The Association of Arts
Antiques Dealers
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
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This is a fabulous antique Victorian mahogany, satinwood and marquetry games table in the manner of Edwards & Roberts, circa 1860 in date.
It is made of beautiful flame mahogany and satinwood with elegant satinwood inlaid and penwork floral and foliate decoration of ribbons, bellfowers and garlands..
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THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS.
Condition:
In excellent condition having been beautifully cleaned and polished in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 74 x Width 89 x Depth 48
Dimensions in inches:
Height 2 foot, 5 inches x Width 2 foot, 11 inches x Depth 1 foot, 7 inches
Marquetry
is decorative artistry where pieces of material (such as wood, pewter or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs.
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This is a truly exceptional antique English Edwardian mahogany and satinwood marquetry oval two tier 'etagere', in the manner of Edwards & Roberts, circa 1890 in date.
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THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS.
Condition:
In excellent condition having been beautifully cleaned and waxed in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 84 x Width 89 x Depth 55
Dimensions in inches:
Height 33.1 x Width 35.0 x Depth 21.7
Edwards & Roberts
was founded in 1845, and had premises at 21 Wardour Street London. By the 1892 they occupied more than a dozen buildings in Wardour Street, where they continued to trade until the end of the century.
They became one of the leading London cabinet makers and retailers working in a variety of styles, both modern and revivalist. Their business also involved retailing, adapting and restoring the finest antique furniture and there are many examples of their earlier furniture with later embellishments bearing their stamp.
Edwards & Roberts specialised in marquetry, inlay and ormolu.
Marquetry is decorative artistry where pieces of material (such as wood, pewter, or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
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