Biedermeier Side Table, South Germany 1820

Early Biedermeier side table from southern Germany around 1820. Cherry veneered on softwood and solid cherry. Overhanging top plate. One drawer at the front. Restored condition, shel...

Charming Biedermeier side table from around 1820, made of cherrywood veneer on a pine body with solid cherry legs. The table impresses with its clear proportions and warm tone, chara...

A three-legged pedestal supports is very steady and supports a generous table surface whose faces are adorned with prime bookmatched birch veneers.   

An antique German Biedermeier sewing table made of hand crafted shellac polished, party veneered Walnut, in good condition. The small side table is composed with one drawer, the insi...

This elegant Biedermeier sewing or side table from Southern Germany, circa 1820, is crafted from beautifully grained elmwood with an interior division made of cherrywood, showcasing ...

Elegant oval Biedermeier Side Table from South Germany around 1820. Walnut veneer on softwood. Book-matched and star shaped veneer on the top and walnut burl veneer on the frame. Fou...

Exquisite Biedermeier Sewing or Side Table – South Germany, circa 1820 This elegant Biedermeier sewing or side table was crafted in South Germany around 1820 and showcases the refine...

Biedermeier Mahogany Oval Side Table From the Late 19th century We present you this mahogany side table from the late 19th century. The top, made of a solid mahogany board, is sup...

Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room. Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...

Side or Entry table Biedermeier Fruitwood blonde black wood night stand LA CA . Very early 1800’s work of art 19th Century sewing table . The top opens up with an original lock...