Meret Oppehneim for Cassina Edizioni Simon Tavolino "Traccia," Italy 1972

Though the fame of the sculptor and painter Meret Oppenheim stems mainly from a single work of art, that one was a doozy. Known as Object, the enduringly disconcerting fur-covered teacup, saucer and spoon that Oppenheim created in 1936 remains the one of the most notorious works to spawn from the Surrealist art movement.

Born in Germany and raised in Basel, Switzerland, Oppenheim was encouraged to pursue art by her maternal grandmother, a writer and illustrator. Oppenheim moved to Paris to attend art school in 1932. There, she met the sculptor (and fellow Swiss native) Alberto Giacometti, who introduced her to Man Ray, Max Ernst and André Breton, the founder of the Surrealist movement. Within a year, Oppenheim was exhibiting her paintings with the Surrealists, the first female artist to do so.

Object, the story goes, was born of a lunchtime chat that Oppenheim had with Pablo Picasso and his muse, artist Dora Maar, one afternoon in 1936. The Spanish-born artist admired an unusual fur-lined bracelet that Oppenheim wore, and she replied that anything could be covered fur, “even this cup and saucer!” Her imagination fired, Oppenheim bought some china and a swatch of Chinese gazelle fur. When it was exhibited in New York, Object was purchased by the Museum of Modern Art — the first work of art by a woman acquired by the institution.

Another Oppenheim piece has become an icon of the art-as-design genre, a category that has currency among art collectors: the Traccia table, a side table with a gold- or silver-leafed wooden top, incised with the shapes of two bird-claw impressions, and a cast-bronze base in the form of stork legs. The Traccia — from the Italian for “track,” as in animal track — was created for the 1939 opening of art dealer Leo Castelli’s first gallery, on the Place Vendôme in Paris. The maker Simon International began producing versions of the Traccia in 1970, and the piece is now made by Cassina. Examples are typically priced between $6,300 and $8,500, depending on condition. As striking and amusing today as when it first appeared, the Traccia is an always-suave addition to a modern art and design collection and a tribute to the humor and ingenuity of a groundbreaking 20th-century artist.

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Furniture manufacturer Cassina is a prolific design house for more reasons than one: It not only owns the licenses to an exquisite collection of iconic chairs, sofas, tables and other pieces from the 20th and 21st centuries but also produces original works that are characterized by innovation and the finest Italian craftsmanship.

Cassina’s illustrious legacy includes being one of the first companies to bring industrial design to Italy in the 1950s. Founded in 1927 in Meda, Italy, by brothers Cesare and Umberto Cassina, the Italian manufacturing giant originally specialized in bespoke woodworking. In nearly a century since its founding, the company has shown incredible foresight about design trends and the evolution of technology.

In 1964, Cassina signed an exclusive licensing agreement to manufacture furniture by Le Corbusier and his collaborators — such as the LC4 chaise longue made with trailblazing French modernist Charlotte Perriand and Pierre Jeanneret — a move that would shape the future of the company. Cassina’s I Maestri collection is an ongoing initiative to restyle landmark designs from the 20th century, such as pieces by Gerrit Rietveld (the Red and Blue armchair from 1918), Charles Rennie Mackintosh, Erik Gunnar Asplund, Franco Albini and Frank Lloyd Wright. The company preserves the intentions and original styles of their designs but adds updated techniques, materials and processes — rendering them the best possible combination of past, present and future. The brand has also worked with contemporary icons like Zaha Hadid, Gio Ponti and Philippe Starck.

Cassina’s original designs are cutting-edge as well. They include pieces for everyday use, the development of which is guided by comfort and the marriage of Italian craftsmanship with industrial technology.

Some of Cassina’s pieces, both from its contemporary and I Maestri collections, can be found in the collections of museums like the Museum of Modern Art and the Vitra Design Museum. In 2014, the company became part of Haworth in its acquisition of Italian furniture group Poltrona Frau, and in 2015, Spanish designer Patricia Urquiola joined Cassina as its art director, leading the brand into its next century of inventive style.

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