Mouseman Side Table, circa 1960

Teck side table, France, circa 1960.

Large bamboo side table from France, circa 1960's. We do not often have bamboo side tables of this generous size! The table is square but with rounded corners, for added design i...

A gold giltwood drinks table with glass top, circa mid-20th century, USA. Table has an inset removeable protective glass top over gold giltwood surface, decorative 'x' edge, turned w...

Vintage Oak Side Table From France, Circa 1960. Solid oak construction with original hardware. Light patina and use.

Vintage side table Period: 1960s Material: wood, formica Colour: Clear, dark red Condition: good original vintage condition, signs of use dimensions: Height = 58cm, di...

Vintage Olive Wood Side Table From France, Circa 1960. Solid olive construction with nice patina and wear.

Organic wooden side tables Measure: Largest table: 60cm x 30cm, middle table: 50cm x 25cm, smallest 40cm x 20cm.

Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room. Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...

This elegant rosewood coffee table from Denmark, dating back to the 1960s, showcases the timeless beauty of Scandinavian modern design. With its minimal and simple form, the table em...

Robert Thompson Mouseman, after a design by. A rare little pair of Arts and Crafts Yorkshire school oak pedestal side tables with Thompson's trademar...