Side Table/Entry Table with Six Drawers, Created From Salvaged Wood Parts

Made from found and reclaimed wood, each of John Seubert's Crash Tables are unique and meticulously crafted. He calls them Crash Tables because they are a collision of parts created from table legs, stair railings, chair backs, etc. which are mitered together to form a solid construction. Once assembled, the table is painted and then distressed to give it an antiqued appearance. Created from salvaged and recycled materials, this pedestal table represents the utmost in sustainable design. John Seubert Simple Black Crash Table found objects 34H x 19W x 20D in 86.36H x 48.26W x 50.80D cm JSE047.   In the early Nineties, John Seubert was living in a former hotel in a high-rise building on St. James Place in Chicago. The apartment was tiny, as hotel rooms tend to be, and clad with paper-thin walls allowing sound to pass from one apartment to the other. At the time, John’s artwork consisted of pounding copper sheets into tables which was a noisy endeavor to say the least. Following several noise complaints from the neighbors, John had a dream that he was living in a ramshackle house but with plenty of room to work and no attached neighbors. The following day after lunching at the McDonalds in Lincoln Park, John wandered the neighborhood a came upon a shabby, falling-down old Victorian house. He located the real estate agent...

This Chest of Drawers Maquette (2003) offers a concentrated and revealing insight into Jim Rose’s legacy, capturing his approach to furniture as both sculptural inquiry and domestic ...

This Chest of Drawers distills Jim Rose’s legacy into one of its most elemental and enduring forms. Referencing the familiar typology of the tall American chest, the piece demonstrates Rose’s ability to take a deeply known domestic object and reimagine it through steel without diminishing its sense of warmth, gravity, or usefulness. The form is immediately legible, yet quietly transformed by material and surface. The vertical stack of drawers emphasizes order, repetition, and proportion—principles central to Rose’s practice and drawn from his engagement with Shaker furniture and early American casework. The subtle variations in the natural rust patina across each drawer front introduce a quilt-like rhythm, allowing the surface to register time, labor, and the material’s prior life. Rather than concealing steel’s industrial origins, Rose allows them to coexist with the intimacy of a bedroom or living space. Structurally and conceptually, the piece embodies Rose’s belief in furniture as a long-term companion. The chest is straightforward, durable, and deliberately unadorned, relying on balance and material integrity rather than stylistic gesture. Within his broader body of work, this chest stands as a quiet manifesto: an assertion that contemporary furniture can be honest, restrained, and deeply humane—objects meant not to impress at first glance, but to earn their place through use, time, and presence. Jim Rose Chest of Drawers repurposed steel with natural rust patina 78h x 35w x 18d in 198.12h x 88.90w x 45.72d cm JR0270 Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This Two Door – Six Drawer Cupboard Maquette offers a rare and revealing glimpse into Jim Rose’s legacy at the level of process and intention. Created during his residency at the Joh...

Charming vintage faux bamboo nightstand or side table with brown marble top. Table features a top drawer and a bottom shelf with door opening, and four turned post legs for support. ...

Enhance your space with the sleek, modern design of this Vintage Contemporary Waterworks Side Table. Known for its high-quality craftsmanship, this side table features a minimalist a...

A Karl Springer style three tiered side table with single drawer at top. Wrapped in grasscloth in a neutral pale sage green color, the table is stylish and functional for a living r...

This vintage accent table is crafted in the style of traditional Chinese furniture, featuring a warm distressed elm wood finish that highlights its natural grain and age. The table ...