James Strombotne, painting "Horsewoman in Red"

James Strombotne is a contemporary artist who has had a successful career since 1956. His artwork is held in many prestigious museums and private collections, including those of the Museum of Modern Art, New York, the Whitney Museum of American Art, and the Hirschhorn Museum of the Smithsonian Institute. According to Strombotne, "Any subject is fair game...

James Strombotne is a contemporary artist who has had a successful career, since 1956. His artwork is held in many prestigious museums and private collections, including those of the Museum of Modern Art, New York, the Whitney Museum of American Art and the Hirschhorn Museum of the Smithsonian Institute. According to Strombotne, "Any subject is fair game...

Homage to Eduardo Kingman "Waiting for the Final Three" a dramatic central figure in gray and blue surrounded by three equally expressive faces in gree...

A striking example of mid-century modern craftsmanship, this James Evanson Studio dining table showcases exquisite African mahogany with intricate bone insets, The top is set on a base of 4 turned mahogany stained elm columns set in gilded cups on raised cube supports.. Crafted in 1987, this piece reflects Evanson's skilled artistry and dedication to high-quality materials. Its warm, rich tone and elegant detailing make it an exceptional centerpiece for dining rooms seeking both sophistication and a touch of exotic allure. Designed and crafted by James Evanson Studio in 1987, renowned for blending fine craftsmanship with innovative design Made from stunning African mahogany, celebrated for its durability and deep, warm hue Decorated with intricately inlaid bone accents, adding a refined and textured contrast to the wood This has a generous dining surface perfect for intimate dinners or larger gatherings Well-restored condition with patina that enhances its vintage charm Sturdy construction and expert joinery indicative of Evanson’s craftsmanship James Evanson Studio was celebrated for its bespoke furniture pieces that seamlessly combined functional design with artistic expression. The 1980s saw Evanson experimenting with exotic woods and natural materials, and this dining table exemplifies his mastery—combining African mahogany’s richness with decorative bone inlays that evoke a sense of craftsmanship and global inspiration. Condition: Excellent restored condition with minor signs of age and wear, which add to the piece’s authenticity and character. The table top is quartered in opposing veneers of African Mahogany. The edge is decorated with a silver leafed half round band . Two pairs of turned urn shaped supports rest in gilded turned cups set into raised gilt panel on cube bases. The top has a center ring of bone pins...