Ohad Tsfati, Moon, 2017

Painting by Rune Hagberg, Sweden, 1970s. Mixed media. H: 95 cm / 3’ 1 1/2" W: 48 cm / 1’ 7” Rune Fredrik Hagberg was a renowned Swedish artist that took much of his inspiration from Zen Buddhism spirituality and Eastern Calligraphy. He is represented at, among many others, the Museum of Modern Art, Stockholm, and the Norrköping Art Museum. Hagberg’s meditative informalism is placed between the concretism and expressionism of the 1950s, his art becoming simpler until he reduced it so far that only tightly closed picture reels...

We are delighted to offer for sale this lovely print by Edouard Manet titled The Rue Mosnier with pavers. A good looking and well made piece, I don't really know much about it oth...

This organic wall decoration piece is made up of fishing boat impressions joined together to form a large mural. Its rustic style is obtained using pigments such enamels and earths. ...

This organic wall decoration piece is made up of fish impressions joined together to form a large mural. Its rustic style is obtained using pigments such enamels and earths. Perfect ...

Contemporary artistic mirror. Octogonal shape sculptural composition, hand carved. Original creation of materials and colors. Limited edition, number 1 out of 8. In the back, signed ...

While her work shows a deep-felt connection and appreciation for the rich textile heritage of both Turkey and the Near East, Ani Afshar is, nevertheless, fearless in her experimentat...

While her work shows a deep-felt connection and appreciation for the rich textile heritage of both Turkey and the Near East, Ani Afshar is, nevertheless, fearless in her experimentat...

While her work shows a deep-felt connection and appreciation for the rich textile heritage of both Turkey and the Near East, Ani Afshar is, nevertheless, fearless in her experimentat...

A great enamel by Kay Whitcomb, framed, signed and dated 1966. Titled" Where your Treasure is, there will your Heart be also" A note about the artist: " Whitcomb was born in 1921 in Arlington, Massachusetts, to a long line of New England metalsmiths, the Carr family. In a way, it was almost preordained that her life would be devoted to the crafts. While she hoped to attend the Massachusetts Institute of Technology, financial conditions prevented it. With financial assistance from relatives and friends, she began her art studies at Rhode Island School of Design (RISD) in 1939. Whitcomb recalls that in her third year, in 1941, she took an enameling class. Her instructor taught the cloisonné technique. Ruth Raemisch also used the same facilities, working on her enamels while regular courses were offered. Whitcomb recalls being intrigued by Raemisch’s techniques and wanting to emulate the distinguished German-born artist, whose style was based on the Limoges school of enamel painting. She completed her course work at RISD in 1942 while taking additional classes at the Cambridge School of Art. In 1944 she joined the United States Marine Corps Women’s Reserve at Camp Pendleton...

While her work shows a deep-felt connection and appreciation for the rich textile heritage of both Turkey and the Near East, Ani Afshar is, nevertheless, fearless in her experimentat...