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Paul Landacre Signed Limited Edition Mid-Century Modern Nude Wood Engraving Anna

Name: Paul Landacre Signed Limited Edition Mid-Century Modern Nude Wood Engraving Anna
Brand: Paul Landacre
Price: 3814.6 AUD
Availability: InStock
Rating: 5 (108 reviews)

$2,495

£1,895.58

€2,178.42

CA$3,504.53

A$3,814.60

CHF 2,021.22

MX$45,876.29

NOK 25,699.27

SEK 23,550.54

DKK 16,272.70

About the Item

A riveting impression on Japanese cream woven paper by famed Modernists wood engraver Paul Landacre. This particular work was purportedly created for the cover of the Prospectus, Paul Landacre Association, in 1938. It is pencil signed, titled ("Anna") and numbered (7/60) by the artist. This is clearly a statement piece. The work is matted and framed with museum quality non reflective glass. Framed dimensions: 21 1/2" high, 17" wide, 1" deep Landacre's work can be found in museums and collections around the world including: Boston Museum of Fine Art Brooklyn Museum Laguna Art Museum Library of Congress Los Angeles County Museum of Art Museum of Modern Art (MOMA) NYC Oakland Museum Pasadena Museum of California Art Philadelphia Museum of Art San Diego Museum of Art San Francisco, Achenbach Foundation for the Graphic Arts Seattle Museum Smithsonian American Art Museum University of Arizona Museum of Art Whitney Museum of American Art.

Creator:
Paul Landacre (Artist)
Dimensions:
Height: 21.5 in (54.61 cm)Width: 17 in (43.18 cm)Depth: 1 in (2.54 cm)
Style:
Mid-Century Modern (Of the Period)
Materials and Techniques:
Paper,Engraved
Place of Origin:
United States
Period:
1930-1939
Date of Manufacture:
1938
Condition:
The print is in very good vintage condition with no flaws. The frame may have light if any, natural wear consistent with age and use (please see photos). Alluring overall.
Seller Location:
Studio City, CA
Reference Number:
1stDibs: LU2254310075311

Shop All Paul Landacre

Paul Landacre

Paul Landacre was an illustrator who specialized in wood engravings of naturalistic images executed in a sparse, rhythmic, linear style. Born in Columbus, Ohio, he was an athlete as a youth. During his sophomore year at Ohio State University, he contracted a life-threatening illness that left him partially disabled. During this same year he also enrolled in a drawing class. After a long recuperation, Landacre moved with his family to California. In order to increase his physical strength he took long walks in the nearby rural areas, and on these walks, drew in his sketchbook. By 1918 he found a job as a commercial illustrator. In 1923 he enrolled at the Otis Art Institute, where he studied all types of media, including wood engraving. Landacre's artistic reputation began to emerge in the early 1930s with the publication of his book California Hills and other Wood Engravings and his first one-person exhibition in Los Angeles. He received many commissions for book illustrations; since he worked in a careful, deliberate manner, his large projects required years to complete. For thirty-one years the artist maintained a hand press in his home, allowing him to have total control over the printing of his designs. In 1939 he was made an associate of the National Academy of Design. The remainder of Landacre's professional career was balanced between teaching and illustrating books. Two examples from the National Gallery's permanent collection demonstrate the range of Landacre's work. His engraving, Smoke Tree, evokes the nearby desert scenery that the artist knew. The sharp, angular canyons of the mountain contrast with the delicate, small-leafed tree in the foreground. Some Ingredients is a still life composition that displays the same strength of line, forceful contrasts, and textures seen in his landscapes. [This is an excerpt from the interactive companion program to the videodisc American Art from the National Gallery of Art. Produced by the Department of Education Resources, this teaching resource is one of the Gallery's free-loan educational programs.]

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