Puppa III / Nueva Zoología / Selene Lazcarro

This explosive and vibrant screenprint, "Chinees Landschap Nr. III," is a powerful work by the legendary Dutch artist and author Jan Cremer (1940-2024). Created in 1990, this piece i...

Liaisons III Original painting by Lynn Curlee One of a series of eight paintings Based Upon 17th century French engravings. Each pai...

Blown Glass. Silver Mirror. 48 x 25 x 12 cm Colour: Silver and Black LINE: The process of mirroring itself is inherently multi-layered and the LINE Collection captures this beauti...

Carlos Ramos, “Vo. III” — Contemporary Portuguese Sculpture in Wood, Marble & Iron Origin: Portugal Artist: Carlos Ramos Date: 2025 Materials: Carved wood, iron, and marble Signatur...

Contemporary painting, Bestiary I, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21×27 (H) cm Frame: 36 x 3.5 x ...

Modern abstract, oil on canvas painting, titled “Summertime III” by Michelle Hénault, a conceptual fine artist. Signed on front bottom right, also, signed, dated and titled on back; measuring approximate 30" H x 36" W x 1.5” D. Gallery wrapped, finished sides, dated circa 2019. Michelle Hénault is a Conceptual Fine Artist, born in Lachute, Quebec, living and working in Montreal since 1991. She completed a Bachelor degree in Fine Arts at UQAM in 1998. After exploring sculpture and photography, she dedicated herself to oil painting. She has exhibited in numerous solo and group shows over the last fifteen years. In 2010, she moved to Scotland with her partner for two years. Since returning to Montreal, she has devoted her time to oil painting and her work has flourished. Inspired by her many travels, her work explores landscapes as a contemplative territory. The desire to revisit past voyages through painting and to recapture the sentiments she experienced in various places was her primary motivation for producing these landscapes. "For the last fifteen years I have explored the reconstruction of landscapes in my painting. My practice is concerned with our relation to land as the memory of place. A land can be occupied, shared, transformed and dreamed, idealized. The land, as homeland or an idyllic land to travel to, where the memory is presupposed. Through my art, I explore that memory of travel, the journeys I made and the ones I dreamed. When contemplating a landscape and experiencing the change of light or atmosphere we realize the passage of time. As explorers from bygone eras, seeking unknown lands, my work proposes a return to the essential…that the French call ‘le bapteme de la solitude’. It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here, in this wholly mineral landscape lighted by stars like flares, even memory disappears; nothing is left but your own breathing and the sound of your heat beating. A strange, and by no means pleasant, process of reintegration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one...

Ulrich Schmitt, born in 1959, studied at the Akademie der Bildenden Künste in Munich (Academy of Fine Arts Munich) where he was a master student of Prof...

Ostrich feather embroidery with rough agate stones.

Miyanaga Rikichi, Miyanaga Tozan III, The Blue Corridor, 1992 This rare wall plaque, titled The Blue Corridor and created in 1992 by Miyanaga Tozan III (Rikichi), reflects the artis...

Obsidian III is a unique grey, bronze & clear glass wall-mounted artwork by the British artist Wayne Charmer. Taken inspiration from the moment that a mass of rock is literally cr...