Antique 1832 Sampler, Jane Peacock Age 8, Friendship

An antique needlepoint sampler depicting samples of lace patterns, florals, bird and geometric motifs. Presented in a metallic gold frame ...

Set of framed 19th century Chinese embroidered sleeve panels, likely the Qing Dynasty (1644-1911). The panels depicting figures in a garden ...

A striking framed collection of Antique Beadwork. Antwerp label on verso. Group of individual antique neoclassical embroidered pieces- swags with fruits, bows, a flaming heart with s...

A fine 19th Century French Aubusson Tapestry, circa 1880, exhibits a rich and detailed composition, showcasing exceptional artistry. A young man and two young women cavort amongst a...

1829 Sampler made by Elizabeth Ann Edmonds in period frame, English. An attractive George IV silk stitched sampler on fine background. Exquisite tiny stitches present a religious poe...

1833 Sampler made by Ann Crehlow(?) in antique pine frame, English. A huge, William IV period pictoral sampler with a hymn of praise called: The Beauties of Nature, Gratitude to the Supreme Being, Nature's Call to Gratitude. It dates from the late 18th century, reading "How cheerful along the gay mead, the daisies and cowslips appear". The whole is filled with typical sampler iconography. Stains, small losses. Georgian stone townhouse at base. Doves with olive branches...

Antique American Needlework Sampler by Maria Morris, 1827, a needlework sampler on linen panel having alphabet and numerals, above a religi...

A finely worked in silk on linen ground, central panel embroidered in black with verses from a 17th century hymn by Joseph Addison. The identity of the maker, now partly unreadable, “F.... M.... work.. aged 12 1814” All text surrounded by stylized birds, flowers in a basket, crosses, vases and trees. Jardinière with flowers at the heading, flanked on each side with large butteflies and cherubs carrying the crowns. In fair condition, some thread deterioration, holes, fading. Mahogany frame...