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Early 19th Century Icon Valdimir s Mother of God Painting Egg Tempera on Wood

$10,126.84List Price

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Antique early 19th century Greek original icon painted and brass inlaid panel with presentation info on the side.
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19th Century Lithograph Map of Lower Manhattan, New York
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Nativity of the Mother of God, 17th Century
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Early 19th century, Icon of the Nativity of the Mother of God
Located in Milan, IT
Inizi XIX secolo Icon of the Nativity of the Mother of God Tempera on panel, 54 x 45 cm The icon in question condenses several scenes from the story of the Virgin, the representa...
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19th Century The Betrothed Painting in Oil on Panel by Guglielmo Napoli
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19th Century Views of Pompeii Paintings Tempera on Paper by Fergola
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19th Century View of the Naviglio with the Duomo Painting Tempera on Canvas
Located in Milan, IT
Giuseppe Riva (Ivrea, 1834 - 1916). View of the Naviglio with the Duomo. Tempera on canvas, 49.5 x 69.5 cm. Signed lower left "Riva G." This cit...
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17th Century Live Nature Pair of Paintings Oil on Canvas Flemish School
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18th Century Portraits of Women Couple of Paintings in Oil on Canvas by Bertoli
Located in Milan, IT
Antonio Bertoli (active between 1829 - 1842) Portraits of women (2) Oil on canvas, 41.5 x 31 cm With frame 52 x 42.5 cm Signed below A. Bertoli The two portraits examined here are by the hand of the artist Antonio Bertoli, a painter active in Florence between 1829 - 1842. He trained at the Florentine Academy, where in 1832 he obtained the prize for the nude in drawing. At the academic exhibitions of the following years he exhibited mainly portraits, including a representation of Nicolò Macchiavelli executed in 1837. An eclectic artist, he experimented with different genres: for the Villa Puccini di Scornio in Pistoia, in 1838, he was commissioned to create a history picture, The death of Francesco Ferrucci (Pistoia, Civic Museum), inspired by an episode of the novel Siege of Florence by Francesco Domenico Guerrazzi. Instead, two religious paintings date back to the 1840s: Christ chasing the merchants from the Temple and a Virgin Mary, In the portraits analyzed Bertoli depicts two half-length women taken from a foreshortening and a frontal in close pose, characterized by very similar Mediterranean features. In the first painting the woman, taken from the front, looks directly at the viewer. The wavy hair is decorated with a colorful violet and is partially covered by a white veil...
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