Fall of Man, after Renaissance Revival Oil Painting by Cornelis Van Haarlem

School of Pieter van Bloemen (Flemish, 1657-1720) oil on Canvas "Hunting & Ruins Scene". The capriccio scene depicting two male hunters in robes, on...

We are delighted to offer for sale this lovely original 19th century Dutch oil on canvas of an old man with very grey hair and an almost Irish looking hat which is part of a suite ...

A rare oil on copper painting of a hawking scene attributed to Carel Van Falens. Circa 1700. A fascinating picture of a hawking scene, with elegant m...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely original 19th century Dutch oil on canvas of an old man smoking a pipe which is part of a suit...

We are delighted to offer for sale this lovely original 19th century Dutch oil on canvas of an old man smoking a pipe who seems to be a fisherman which is part of a suite Please n...

Mid-century modern portrait painting of a bearded man on board by Pascal Cucaro. Beautifully painted on textured masonite board with oil. Site measuring 3.5 inches wide and 7.5 inche...

Sinbad with the old man of the sea on his back original illustration oil painting, 19th century. A fine oil illustration from the Tales of the Ar...

19th century Italian School oil on canvas of Madonna and child. Gilt frame.

These extraordinary ‘paintings’ were created using coloured grains of sand rather than paints. Each is after an original painting by Philip James de Loutherbourg. The first scene shows the Battle of Hastings with a central mounted figure, presumably William the Conqueror, with a red plume in his helmet, raising his sword against a fighter on foot. A printed version of this image, shown above, was made by William Bromley. (See the British Museum registration number 1858,1009.115 for a fine impression.) The second scene, composed with a similar central mounted knight with a raised axe (sword in the original) represents Richard the Lionheart in combat against Saladin at the Battle of Acre. In this case the print was made by Anker Smith...