Framed German Lithographed Portrait of a Seraphine, German Biedermeier 1860s

An extraordinary Original Lithograph of the a Lady. Signed by Artist. Beautiful hand crafted gilded Biedermeier Frame. We believe it is from the 1860s. Viewable picture size is approx. 6.13" high and 5.25" wide. A nice addition to any room or library. Information about the artist: It was framed and sold by the Royal Bavarian art...

An extraordinary Original stealing engraving of the royal gallery in Munich and Schleissheim, hand-colored. Beautiful hand crafted gilded Frame. Dated at the backside with a label fr...

An extraordinary Original Lithograph of Renaissance Medici Pope, Leo X (1474-1521). Beautiful hand crafted Biedermeier Frame. We believe it is from the 1860s. Viewable picture size ...

A beautiful set of framed pictures portraits of people of the victorian era on porcelain plaques. Frames made of wood, ebonized. With light sign...

Miniature portrait of a distinguished lady, signed Stieler. Bronze frame behind oval round glass, 19th century Signed Stieler, Joseph Karl Stieler (1781- Mainz - 1858 Munich) was a German painter. The size is 10 cm x 7.5 cm x 1 cm 1820-1830 From 1820 until 1855 he worked as royal court painter of the Bavarian kings. He is known for his Neoclassical portraits, especially for the Gallery of Beauties at Nymphenburg Palace in Munich. Born in the city of Mainz to a long-established family of engravers, punchcutters and die makers, Stieler received some artistic training from his father, August Friedrich Stieler (1736–1789). After the early death of his father, Joseph Karl autodidactically completed his apprenticeship and began his career as a painter of miniatures, which were increasingly sought after by bourgeois circles After Mainz had been occupied by French revolutionary troops in 1792, Stieler followed the expelled court of Prince-Archbishop Friedrich Karl Joseph von Erthal to Aschaffenburg. Here he met with the later Archbishop Karl Theodor Anton Maria von Dalberg, who became his most important patron and sponsor. From 1802 to 1805 he attended the Academy of Fine Arts Vienna in the master class of Heinrich Füger. Stieler's portrait style was most especially shaped during his work in the Parisian atelier of François Gérard, a student of Jacques-Louis David. In 1808, he established himself as an independent portraitist in the city of Frankfurt and in 1810 travelled through Italy. From 1812 he worked at the court of King Maximilian I Joseph of Bavaria. In 1816, he again travelled to Vienna to paint the portrait of Emperor Francis I of Austria. Between February and April 1820, he worked on his portrait of Ludwig van Beethoven, which is probably the most well-known representation of the composer today. In 1847 he also painted the portrait of Lola Montez...

American Victorian style print of an engraved portrait depicting a seated lady in a low-cut blouson dress, slightly smiling with head tilted right, arms in lap. Matted in a silver br...

American Victorian style print of an engraved portrait depicting a lady in formal attire glancing left, seated sideways, left arm resting, right arm clasping a journal. Matted in a s...

Portrait of a young woman dressed in a white lace blouse, with a red bow in her dark curly hair. She is placed in front of a diffuse blue background in three quarters view. Oil on ca...