French Revolution Rolled Paper Picture of the Storming of the Bastille

An exceptional late 17th-century Anglo-Dutch painted screen, composed of six hinged panels, richly decorated in oil paint on canvas on board. The ...

A 17th-century silk embroidery with the central subject of decollation of Saint John the Baptist presented on a large plate to the daughter of Herodias. The reserve with the sun & moon, extravagant birds, a seated lion and leopard guarding fortified towns. Flowers and insects throughout. In a period Tortoiseshell frame. Silk backing restored 17th Century Silk Work Embroidery - The beheading of John the Baptist The beheading of John the Baptist, also known as the decollation of Saint John the Baptist or the beheading of the Forerunner, is a biblical event commemorated as a holy day...

Important and rare set of nine exquisite New Testament silk thread appliqué panels known as Broderies à fils collés. Each panel depicts a distinct biblical scene, rendered with remarkable precision and delicacy. Signed Marianna Elmo, Italy, Lecce, circa 1750. Italy Circa 1750, 1755 Frame H: 95 cms (37.5 ins) Frame W: 75 cms (30 ins) Panel Height : 26 cms (10.2 ins) Panel Width: 20 cms (7.9 ins) Centre Height: 24 cms (9.5 ins) Centre Width: 18 cms (7 ins) Divine Threads: A Set of Nine New Testament Appliqué Panels by Marianna Elmo Scenes from the New Testament The scenes include the Annunciation, the Visitation, the Nativity, the Holy Family (x2), The Holy Father and Jesus, Jesus taken to the temple, the raising of Lazarus from the dead, and the Resurrection. Each is rendered with remarkable precision and delicacy. Marianna Elmo Daughter of painter Serafino Elmo, an important artist in Lecce during the 18th century, Marianna was an embroiderer who used the technique of broderie à fils collés (glued thread embroidery). She created images and landscapes by gluing polychrome silk threads onto a cardboard support, covered with a layer of virgin wax. The faces and limbs of the figures are crafted from cut silk or satin shapes, further painted with tempera or watercolor to achieve lifelike detail. The panels contain many figures embroidered and painted with remarkable skill. Marianna translated the paintings of her father and of famous painters of the seventeenth and eighteenth centuries into colored threads and is considered the leader of the school of Lecce embroiderers. Her fame reached Naples. Leonardo Quesi, Amato Quesi, Gaetano and Angelo Pati, and Irene Elmo, Marianna’s sister, belonged to this school. Marianna’s work is recognized for its technical brilliance and artistic sensitivity. Two dated works by her hand are known in museum collections: *The Flight into Egypt* (1752, Museum of San Martino, Naples) and a casket reliquary of St. Mary of Banzi (1754, Banzi, Province of Potenza). Additionally, the Pinacoteca Provinciale di Bari holds two signed pieces by the artist. The panels were often used in religious settings or as embellishments for sacred objects. The compositions are inspired by prints, a common practice among embroiderers of the period, and feature key moments from the New Testament, including scenes from the life of Christ and the Virgin Mary. Medium The images are created using the technique known as broderie à fils collés, where thin polychrome silk threads and metal threads are meticulously applied side by side onto a virgin beeswax-coated cardboard base. The faces and limbs of the figures are crafted from cut satin shapes, further painted with tempera or watercolor to achieve lifelike detail. The panels contain many figures embroidered and painted with remarkable skill. Dimensions – 8 panels: 26 x 20 cm each – Centre panel: 24 x 18 cm Provenance Acquired from Sotheby’s, London, in the 1960s by the owner’s father; reframed in Paris by Christian de Beaumont...

Rare 18th century giltwood framed carved and polychrome wax silver and gold decorated figure of saint Catherine of Alexandria icon, with original gilt frame. The rarity of this piece...

Drawing of a revolutionary battlefield attributed to Hippolyte Bellange, representing the End of the Siege of Lille by the Duke Albert of Saxe on the 8th of October 1792 (the French storm out of the city) according to manuscript legend. Ink and wash on paper. Joseph-Louis-Hippolyte Bellange (1800-1866) studied with Gros. He first made his name at the Paris Salon as a battle painter. He was known for his exquisitely detailed paintings of military revolutionary and Napoleonic scenes. He celebrated French glory. He enjoyed considerable popular and official success. He was Keeper of the Rouen Museum from 1835 to 1852. His work can be found in major art institutions. Our drawing can be compared to a watercolor in the British Royal Collection Trust...

Oil painting on wooden canvas, accompanied by a carved and gilded wooden frame, decorated with geometric and floral motifs. In the center, the scene depicts a battle, with two main c...

Color landscape print in wood frame titled "Battle of Iena" Showing overview of Napoleon's defeat of the Prussians in 1806 Condition: Good; Wear consistent with age and use

17th century, Italian oil on canvas painting with battle between Christian and Turkish cavalry The oil on canvas painting depicts a battle between Christian and Turkish cavalry. C...