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Jean Picart Le Doux Museum Etched Glass Wall Plaque, 1950s
$50,000
£38,110.87
€43,956.90
CA$71,014.95
A$76,313.03
CHF 40,946.37
MX$898,920.90
NOK 514,855.20
SEK 470,316.90
DKK 328,516.50
About the Item
Museum-Scale Sand-Etched Glass Wall Plate by Jean Picart Le Doux, France, 1950s.
Exceptional museum-quality sand-etched glass wall panel by Jean Picart Le Doux, created in France during the 1950s. This monumental and unique glass artwork was produced as a special commission for a Parisian brasserie, whose original name has unfortunately been lost to history. The work exemplifies the postwar fusion of fine art, decorative arts, and architectural design.
Executed on a thick black glass plate, the composition features a richly detailed polychrome marine scene with fishes, starfish, Neptune’s trident, and fishing net motifs, deeply sand-etched using a stencil technique. The etched areas are delicately hand-enameled in vibrant colors, creating a striking contrast against the dark ground and lending exceptional depth and luminosity to the surface.
This work is a rare glass adaptation of Picart Le Doux’s celebrated tapestry stencil “Trawl”, translated here into a bold, architectural-scale decorative panel. The piece stands as a powerful example of mid-century French modernism, bridging tapestry design, mural art, and studio glass.
Signed “Jean Picart Le Doux” in the lower right corner. Each corner of the plaque is beveled and drilled for wall mounting, originally designed to be installed with circular screw buttons; the mounting screw buttons are not included.
Artist: Jean Picart Le Doux
Origin: France
Date: 1950s
Medium: Sand-etched and enameled black glass
Height: 76.8 in (195 cm)
Width: 45.7 in (116 cm)
Depth: 0.3 in (0.8 cm)
Weight: Approx. 92.5 lbs (42 kg)
Condition: Very good vintage condition; minor surface scratches consistent with age and repeated cleanings, subtle and not affecting the overall presentation
Key Attributes
Unique, one-of-a-kind piece
Museum-scale decorative glass panel
Special architectural commission for a Parisian brasserie (name unknown)
Signed work by a major French modern artist
Ideal for collectors of mid-century modern, French decorative arts, architectural glass, and postwar design
Artist Bio — Jean Picart Le Doux (1902–1982)
Jean Picart Le Doux was a pivotal figure in 20th-century French decorative arts, best known for his role in the postwar revival of modern tapestry design. Born in Paris in 1902, he studied at the École Nationale Supérieure des Arts Décoratifs and became internationally recognized for his bold, symbolic compositions and masterful use of color.
He collaborated extensively with renowned manufactories such as Aubusson and Gobelins, and his practice extended beyond tapestry to include murals, stained glass, ceramics, and large-scale architectural commissions for public and commercial spaces. His work is represented in major museum collections and remains highly sought after by collectors of French modernism and mid-century decorative art.
- Creator:Charles Picart le Doux (Artist)
- Dimensions:Height: 76.78 in (195 cm)Width: 45.67 in (116 cm)Depth: 0.32 in (8 mm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950s
- Condition:
- Seller Location:Saint-Amans-des-Cots, FR
- Reference Number:1stDibs: LU2312348237072
Charles Picart le Doux
Charles Alexandre Picart Le Doux (July 12, 1881—September 11, 1959) was a French painter, engraver, book illustrator, poet and author. He was part of the artistic milieu of Montmartre in the years before World War I, and active in the circle of Jules Romains and the Abbaye de Créteil group of artists and writers. A celebration of his work, the book Picart Le Doux, was published in 1945, and in 1950 he was made a Chevalier of the Legion of Honor. He was born and died in the 14th arrondissement of Paris. His son Jean Picart Le Doux (1902-1982) also became a notable artist. He studied at the Lycée Janson-de-Sailly before committing to an artistic career, first taking courses at the Académie Julian under Marcel Baschet, then at the Beaux-Arts de Paris in Saint-Germain-des-Prés until 1902, when he moved to Montmartre. In his memoir Monelle de Montrmatre (1953) he wrote, Not satisfied by the teaching, practically nil, at the École des Beaux-Arts, I spent hours of pictorial incubation in the Durand-Ruel gallery. I discovered Manet, Monet, Renoir, Cézanne, Pissaro. I had the revelation that painting should be "the expression of life.'' In Montmartre, Picart Le Doux frequented the Lapin Agile cabaret, where he met and became close friends with Suzanne Valadon and her son Maurice Utrillo, only two years his junior but whom Picart Le Doux recalled as "very young then, seeming to live on the margins of life." Among his wide circle of friends and colleagues in pre-World War I Montmartre were many writers and fellow artists. In his memoir, Picart Le Doux mentions Maurice Asselin, George Bottini, Charles Camoin, Ricciotto Canudo, Francis Carco, Gaston Couté, Andre Deslignières, Guus van Dongen, Roland Dorgelès, Maurice-Edme Drouard [fr], Yvonne George, Max Jacob, Pierre Mac Orlan, Albert Marquet, Henri Matisse, Alexandre Mercereau, Fernand Piet, Pablo Picasso, Ludovic-Rodo Pissarro, Maurice Princet, Paul Reboux, Georges Ribemont-Dessaignes, and Félix Vallotton. Picart Le Doux first exhibited in Paris at the Salon des Indépendants in 1904, and later at the Salon de la Société Nationale des Beaux-Arts, the Salon des Tuileries, and the Salon d’Automne, of which he became a member. His first one-man exhibition was at the Paris gallery of Eugéne Blot, in 1910. He also exhibited at the gallery of Charles Vildrac at 11 rue de Seine. Picart Le Doux painted self-portraits, portraits of family and notable friends, still lifes, impressionistic landscapes, and murals. He was also, for more than four decades, a prolific illustrator of books. In 2023, the auction house of Christophe Joron-Derem held an extensive auction of works by Picart Le Doux at Hôtel Drouot in Paris. More than 150 lots included paintings, watercolors, drawings, and illustrated books, with subjects ranging from landscapes, portraits and self-portraits to nudes and erotic drawings. His 1908 nude portrait of Misia Sert, set a 21st-century auction record for the artist, EUR 11,960 (including fees).
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