Large Etched Copper Wall Plate by Valentien 1960 s

Large Arts and Crafts hand spun copper dish with floral motive etched deep into the surface. The bowl was designed as a wall decoration as well as a functional bowl or centrepiece. T...

Brass centre piece bowl 1930's with flower shape relief and dark patina. Modernist hand-hammered bowl, decorative as and functional ad a fruit bowl. The hammering...

Studio pottery bronze glaze fruit bowl by Mobach's Dutch ceramist Jaan Mobach 1980's. The bowl is part turned and hand formed with ragged edge. The free form shape created is very ex...

Enamelling is one of the oldest and most precious of crafts and the decorative round bowl with its sun ray of transparent brilliant bright gold and green. Fabulous festive tray for a...

Brutalist/modernist sculptural copper wall plate signed Bolba H.

Ornamental brass plate is an original decorative artwork realized in the 1930s. Original brass artwork. Created by Hans Przyrembel and made in Germany. The monogram of the...

Extra-large (57 cm) Persian copper tray decorated with leaves and flowers with intricate perforations. It was made in Pakistan or India during the 1960s or earlier. It can be used as...

Elegant and rich Mid Century Modern Copper Enamel Platter by Harold Tishler from the 1950s. The vivid copper background shines through the very dark gray enameling fading into a very light gray outer edge. The edges are folded in to create a softer feel. Two small drilled holes are on the bottom edge, probably needed during firing. Signed on the bottom center H. Tishler. Condition: Very Good. There are two small holes on either side of rim that were intentionally done, maybe for firing. Some rubbed spot on bottom by signature. Please look at all images and view our other H. Tishler listings. Measurements: 13 3/4 inches diameter x 2 1/4 inches high Harold Tishler (1893, Odessa – 1993, Florida) Studied engineering in 1910 at University of Grenoble but did not finished his studies and moved to New York 1913. During WWI, he joined the Merchant Marines and while visiting Japan was introduced to the art of Cloisonne enameling. In 1927, Tishler went to Vienna to study under Josef Hoffmann. Upon his return to NYC in 1932, he began producing copper and silver enamels that were sold at high-end stores. In 1935, Tishler visited a fellow student from the Kunstgewerbeschule in Vienna, Edward Winter in Cleveland. Tishler was impressed by Winter’s enameling...