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Carved Decorative Art

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Technique: Carved
Max Neufeldt Kitchen Liberty 1985c.
Located in Chicago, IL
Max Neufeldt, Kitchen Liberty (1985) A playful take on an American icon, this folk art piece by Max Neufeld reimagines the solemn Statue of Liberty as a domestic guardian of the kitc...
Category

1980s American Mid-Century Modern Vintage Carved Decorative Art

Materials

Wood

Antique Giltwood Picture Frame. English 18th Century
Located in St Annes, Lancashire
Lovely Georgian giltwood picture frame Carved pine with shallow gesso and gilt Original patina Internally or sight measures 19.25 x 24 inches. 48.5 x 61 cm Free UK shipping
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Late 18th Century English George III Antique Carved Decorative Art

Materials

Giltwood

Large Masterly Carved Swiss Black Forest Nutwood Chalet with Clock and Music Box
Located in Lisse, NL
Top quality, hand carved and truly impressive antique clock with 8 music melodies. Over the years we have had the pleasure of owning and selling a number of beautiful Black Forest antiques, but never did we come accross a 19th century Black Forest clock with musical box of this size and with such amazing natural details and patina AND with the original clock and music box inside. And if that was not enough, this finest of Black Forest clocks is top quality carved from top to bottom in the form of a detailed Swiss chalet. Mind you, this very rare antique clock is entirely hand carved out of nutwood only, which is another sign of the quality of the workmanship and the richness of materials. We have added a large variety of photos so that you can see the many incredibly detailed parts of this Swiss chalet, such as the roof and chimney, the many doors, the stacked lumber outside, the doghouse, the outhouse on the side, the striking balconies, the goose sticking its head out through the balcony, the picked fence, the ladder going up to the barn loft, the clock inside the facade of the house, the music box cilinder in the base etc etc. This antique clock from the 1800s really comes with the most realistically carved chalet house you will ever see. To us, that too is a sign that this Black Forest music box...
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Late 19th Century Swiss Black Forest Antique Carved Decorative Art

Materials

Brass, Iron, Enamel

Ceramic Link Chain Wall Sculpture
Located in Attleboro, MA
The Hamsa hand or hand of Fatima is known across many cultures to protect its wearer and ward off bad energy. It is also a symbol of patience and claire voyance. The Artist often use...
Category

2010s American Organic Modern Carved Decorative Art

Materials

Ceramic, Stoneware

19th Century French Still Life Oil Painting of Flowers by Eugène Henri Cauchois
Located in West Palm Beach, FL
A pink-white, antique French still life oil on canvas painting depicting a working table with a yellow teapot vase with flowers, painted by Eugène Henri ...
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Late 19th Century French Antique Carved Decorative Art

Materials

Canvas, Giltwood

Large Impressive Oil on Canvas "Madonna Child" After Murillo - V. Bianchini
Located in Los Angeles, CA
A Large and Impressive Early 20th Century Oil on Canvas "Madonna and Child" After Bartolomé Esteban Murillo (Spanish, 1618-1682) depicting a seated Virgin Mary with a baby Jesus Chri...
Category

1910s Italian Baroque Vintage Carved Decorative Art

Materials

Canvas, Giltwood

Mid Century Modern Decorative Carved Teak Relief Wall Art, 1950’s Set of 2
Located in New Orleans, LA
An unusual pair of Mid-Century Modern framed base reliefs depicting a man and a woman dancing, dating from the 1950’s, the pair reflect the festive and happy mood after WWII. Carve...
Category

1950s American Mid-Century Modern Vintage Carved Decorative Art

Materials

Rattan, Wood

Small and Delicately Carved and Lacquered Giltwood Panel from France, 19th C.
Located in Dallas, TX
More information coming soon… Dating to the 1800s, this small French panel has delicate carvings that have been lacquered with gilding. The gilded elements form a wonderful foliate...
Category

19th Century French Antique Carved Decorative Art

Materials

Wood, Giltwood, Lacquer

18th Century Swedish Gustavian Pinewood Wall Glass Mirror - Scandinavian Décor
Located in West Palm Beach, FL
A late 18th Century, antique Swedish Gustavian wall mirror made of hand crafted Pinewood with its original mirrored glass, in good condit...
Category

18th Century Swedish Gustavian Antique Carved Decorative Art

Materials

Pine

18th Century Italian Rococo Carved Frieze Wall Panel - Antique Oakwood Door
Located in West Palm Beach, FL
An antique Italian frieze panel with flowers, vines and leaves, made of hand crafted Oakwood in good condition. The vertical door features two hand crafted round metal door pulls...
Category

Late 18th Century Italian Rococo Antique Carved Decorative Art

Materials

Oak

19th Century European Carved Oak Panel
Located in Wormelow, Herefordshire
This 19th century European carved oak panel was expertly crafted using a pierced relief technique. A cherub sits atop a peony inside a ring of flowers tied with a bow. Scrolling foli...
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Late 19th Century English Victorian Antique Carved Decorative Art

Materials

Wood, Oak

Ornately Giltwood Framed Floral Painting by Charles Franzini D’issoncourt
Located in Miami, FL
Magnificent French Floral Oil Painting by Charles Henri Franzini d’Issoncourt A striking original oil on canvas by the distinguished French artist Charles Henri Franzini d’Issoncour...
Category

Early 1900s French Baroque Antique Carved Decorative Art

Materials

Canvas, Paint, Giltwood

Antique Abstract Wood Marquetry Wall Decoration
Located in Munich, DE
This abstract tableau has been handcarved out different kinds of woods. The abstract shapes are amorph and make an interesting composition.
Category

1910s French Vintage Carved Decorative Art

Materials

Wood

African Carved Wooden Women Heads in the Tribal Style.
Located in Bochum, NRW
Set of 10 African women's heads carved in wood in a tribal style. Great decorative effect in any decor. Some of them with metal ornaments in their hair or around their necks. Earring...
Category

Mid-20th Century African Tribal Carved Decorative Art

Materials

Metal

African Painted Wooden Masks
Located in Queens, NY
4 African style carved and painted wooden masks with straps for wall hanging (PRICED EACH)
Category

20th Century African Tribal Carved Decorative Art

Materials

Wood

Early 1960s Teruo Hara Stoneware Wall Sculpture for Design Technics
Located in Southampton, NJ
A rare, early 1960s stoneware Wall Sculpture by famed Japanese-American potter Teruo Hara for Design Technics. Signed on the lower right with Hara's TH chop mark along with the DT ch...
Category

1960s North American Mid-Century Modern Vintage Carved Decorative Art

Materials

Walnut, Stoneware, Pottery, Clay, Ceramic

Spanish Hand-Carved Walnut Wood Decorative Wall Panel with Foliage Motifs
Located in Barcelona, ES
Wall Panel / Headboard in Walnut, Spain, 1940s This architectural wall panel features beautifully handcarved foliage details thorough. To be used as wall decoration or headboard. Te...
Category

20th Century Spanish Neoclassical Revival Carved Decorative Art

Materials

Walnut

Rare Abstract Mid Century Ceramic Mosaic Tile Wall Art! Teak Frame. 1950s Table
Located in Peoria, AZ
SUPERB ! MID-CENTURY MODERN ABSTRACT HANDCRAFTED TILE MOSAIC DIMENSIONS: Approx. 26" by 14" Dated 1953 This magnificent mosaic wall art work is...
Category

1950s American Mid-Century Modern Vintage Carved Decorative Art

Materials

Ceramic, Teak

Pair of Antique French Carved Pine Panels
Located in Bridgeport, CT
Pair of very decorative Antique French Carved Pine Panels featuring center medallions with musical instruments, sheet music and floral/foliate motifs. Framed with raised moldings and carved leafy scrolls. Likely door insets from an Armoire...
Category

19th Century French French Provincial Antique Carved Decorative Art

Materials

Pine

Hand-Painted Tibetan Monastery Door Panel, 1890
Located in Brescia, Brescia
An extraordinary 19th-century Tibetan monastery door panel, dating to circa 1890, originally used as a chamber door for monks. This unique piece is a vibrant expression of Himalayan ...
Category

1890s Tibetan Tibetan Antique Carved Decorative Art

Materials

Wood

Italian 18th Century Oil on Canvas "Madonna and Child" after Giovanni Lanfranco
By Giovanni Lanfranco
Located in Los Angeles, CA
A very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...
Category

18th Century Italian Baroque Antique Carved Decorative Art

Materials

Canvas, Giltwood

Large Oil on Canvas "Beggar Boys Playing Dice" After Bartolomé Esteban Murrillo
Located in Los Angeles, CA
A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...
Category

Late 19th Century German Baroque Antique Carved Decorative Art

Materials

Gesso, Canvas, Wood

Charles Joshua Chaplin French, 1825-1891 Girl with Bird s Nest Oil on Canvas
By Charles Joshua Chaplin
Located in Los Angeles, CA
Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...
Category

19th Century French Rococo Revival Antique Carved Decorative Art

Materials

Canvas, Giltwood

After Raffaello Sanzio 1483-1520 Raphael La Madonna Della Seggiola Oil on Canvas
Located in Los Angeles, CA
A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...
Category

Late 19th Century Italian Baroque Antique Carved Decorative Art

Materials

Canvas, Giltwood

Charming Bavarian Girl and Sunflower, Black Forest Nursery Wall Decoration
Located in Rothley, Leicestershire
Absolutely charming, large wood carving of a young Bavarian girl and sunflower wall decoration This substantial wall hanging is two feet in length, ...
Category

1950s German Black Forest Vintage Carved Decorative Art

Materials

Wood

Brooke Morrison Lithographic Watercolor Print Garden Memories Titled And Signed
Located in New Orleans, LA
A Brooke Morrison watercolor, “Garden Memories” is in her signature style. The bouquet of flowers in the center has a surround of delicate flowers and greenery. It is beautifully pri...
Category

1980s American Romantic Vintage Carved Decorative Art

Materials

Glass, Giltwood, Paper

Large Painted Antique Tuscan Cartouche Panel, 18th Century
Located in Dallas, TX
This large cartouche panel was carved from wood and hand-painted with a central coat of arms in Italy during the 1700’s. Inspired by a 16th century Fr...
Category

18th Century Italian Baroque Antique Carved Decorative Art

Materials

Wood

Decorative Fine Carved Wood Wall Panel
Located in Germantown, MD
Decorative Fine Carved Wood Wall Panel Measures 45" in width, 20" in height
Category

20th Century Unknown Primitive Carved Decorative Art

Materials

Wood

Antique Italian Reliquary
Located in New York, NY
A 19th century Italian reliquary with silver thread double-headed eagle and foliage and floral motif on a red silk background.  Inscriptions with sev...
Category

19th Century Italian Antique Carved Decorative Art

Materials

Wood

Very Fine Carved Bird-Head Antique Walking Stick Cane
Located in Shippensburg, PA
CARVED WALKING STICK WITH AVIAN HANDLE Probably English or Continental, circa early 20th century 34 3/8" H x 1" D x 4 5/8" W This finely carved walking stick features a carefully d...
Category

Early 20th Century Victorian Carved Decorative Art

Materials

Hardwood

Gothic hand sculpted oak panel in oak, Belgium 17th century
Located in Meulebeke, BE
Belgium / 17th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic carvings. Hand carved in Belgium in the 17th century. This ...
Category

17th Century Belgian Gothic Antique Carved Decorative Art

Materials

Oak

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

19th Century Italian Baroque Antique Carved Decorative Art

Materials

Gesso, Canvas, Wood

Pair French 18th-19th Century Chinoiserie Circle of Jean B. Pillement
By Jean-Baptiste Pillement
Located in Los Angeles, CA
A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...
Category

Late 18th Century French Chinoiserie Antique Carved Decorative Art

Materials

Canvas, Giltwood

Two Dice Set - Made in Wood and Malachite
Located in Barranquilla, Atlántico
Our Two Dice Set features two 6cm wooden dice with delicate malachite inlays. Elevate your game nights with these stylish, handcrafted gems. Celebrating the exquisite art of woodwork...
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2010s Colombian Carved Decorative Art

Materials

Malachite

Attributed to Giorgio Lucchesi, Oil on Canvas "Madonna Child" After Murillo
Located in Los Angeles, CA
Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...
Category

1910s Italian Baroque Vintage Carved Decorative Art

Materials

Canvas, Giltwood

African Vintage Shield, Tribal Wall Art, SONGYE SHIELD, Congo, Mid 20th Century
Located in Odense, DK
The Songye Shield is a striking example of African tribal art from the Congo, dating back to the mid-20th century. This shield, traditionally used by the Songye people for protection...
Category

Late 19th Century Congolese Primitive Antique Carved Decorative Art

Materials

Wood

French 18th-19th Century Oil on Canvas Portrait of Lady, after Jean-Marc Nattier
By Jean-Marc Nattier
Located in Los Angeles, CA
A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...
Category

Early 19th Century French Louis XV Antique Carved Decorative Art

Materials

Canvas, Giltwood

20th Century French Eagle with Spread Wings made of Bronze and Signed JP
Located in Sofia, BG
Bronze wall decoration representing an eagle with wide open wings made of bronze. There is signature JP at the back of both wings. France, circa 1900.
Category

Early 20th Century French Carved Decorative Art

Materials

Bronze

Hans Zatzka Austrian, 1859-1945 a Very Fine Oil on Canvas "Spring Beauties"
Located in Los Angeles, CA
Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...
Category

Late 19th Century Austrian Belle Époque Antique Carved Decorative Art

Materials

Canvas, Giltwood

18th Century Italian Gilt Tabernacle Door with Turquoise Baroque Pearls
Located in Dublin, Dalkey
18th century Italian gold gilded tabernacle door adorned with naturally forming baroque pearls. This door once belonged on a tabernacle which housed the eucharist in a church. In the...
Category

18th Century Italian Rococo Antique Carved Decorative Art

Materials

Gold Leaf

17th Century Spanish Colonial Cusco School Painting
Located in Middleburg, VA
A rare and evocative example of Spanish Colonial art from the Cusco School, this 17th-century oil on wood panel captures the iconic biblical scene of Sain...
Category

17th Century Peruvian Antique Carved Decorative Art

Materials

Wood, Paint, Giltwood

18th Century Swedish Gustavian Pair of Gilded Wood Wall Glass Mirrors
Located in West Palm Beach, FL
A gold, antique Swedish Gustavian pair of wall mirrors made of hand crafted gilded wood with its original mirrored glass, in good condition. The Scandinavian wall décor...
Category

18th Century Swedish Gustavian Antique Carved Decorative Art

Materials

Glass, Mirror, Giltwood

Hans Zatzka, Austrian Oil on Canvas Titled "Spring Love" Maiden with Cherubs"
Located in Los Angeles, CA
Hans Zatzka (Austrian, 1859-1945) a superb quality oil on canvas titled "Spring Love" depicting a standing young maiden holding a wicker basket filled with fresh flower as she is bei...
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1880s Austrian Belle Époque Antique Carved Decorative Art

Materials

Wood, Giltwood

20th-Century Chinese Carved 8 Immortal Figures Wooden Panels -Wall Hanging set
Located in Pomona, CA
This is a set of 4 panels of Chinese open carved wooden panels. They were made from Camphor wood which has its unique fragrant and keep the bugs away, solid and sturdy. It features beautiful detailed open carved Chinese traditional...
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20th Century Chinese Chinese Export Carved Decorative Art

Materials

Wood

18th - 19th Century Swedish Gustavian Antique Gilded Pine Wall Glass Mirror
Located in West Palm Beach, FL
A late 18th Century, antique Swedish Gustavian rectangular wall mirror with its original mirrored glass and blue color paint, made of hand crafted gilded Pinewood, in good condition....
Category

Late 18th Century Swedish Gustavian Antique Carved Decorative Art

Materials

Mirror, Pine, Giltwood

19th Century Framed Italian Cameos
Located in Atlanta, GA
This exquisite 19th Century framed collection of Italian cameos is a true testament to fine craftsmanship and artistic heritage. Each cameo is intricate...
Category

19th Century Italian Neoclassical Antique Carved Decorative Art

Materials

Stone

Art Nouveau Fruitwood Bat Plaque by Gabriel Viardot
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

Early 1900s French Art Nouveau Antique Carved Decorative Art

Materials

Fruitwood

Very Large Landscape Verdure Pastoral Oil on Canvas, Ch. Boulogne Cows Watering
Located in West Hollywood, CA
Very Large Landscape Verdure Pastoral Oil on Canvas, Ch. Boulogne Cows Watering Verdure painting. Signed Artwork. The “Cows Watering by the River at Sunset” 4 feet height x 7 feet &...
Category

19th Century Belgian Antique Carved Decorative Art

Materials

Canvas, Plaster, Wood, Giltwood

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Carved Decorative Art

Materials

Canvas, Giltwood

20th Century Dark-Blue Abstract Interior, French Painting by Daniel Clesse
Located in West Palm Beach, FL
A dark-blue, black abstract interior with chairs and window surround, oil on wood in canvas on a blue frame by Daniel Clesse, painted in France, signed and dated circa in 1970. Dani...
Category

Mid-20th Century French Mid-Century Modern Carved Decorative Art

Materials

Canvas, Wood, Paint

STUNNING 39-55 MILLION YEAR OLD GREEN RiVER FOSSILISED FISH PLAQUE DISPLAY
Located in West Sussex, Pulborough
Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely stunning, 39-55 Million year old Green River Fossilized fish plaque of what looks like a pir...
Category

15th Century and Earlier Other Antique Carved Decorative Art

Materials

Natural Fiber

16th Century oak carved Gothic Panel, France
Located in Meulebeke, BE
16th century / Belgium / Letter Panel / Oak / Gothic A finely carved Gothic oak panel from 16th-century France. This architectural fragment features graceful vertical fluting framed...
Category

16th Century Belgian Gothic Antique Carved Decorative Art

Materials

Oak

Lithea/Gadir by Elena Salmistraro Wall Art in Marble Stone Copper White Pink
Located in Patti, IT
Cala Gadir, aterm of Arabic origin which means ‘Valley of water’ is a location known since old times for its natural hot water springs and still nowadays is one of the most well-know...
Category

21st Century and Contemporary Italian Modern Carved Decorative Art

Materials

Stone, Marble, Copper

20th Century Blue-Green Abstract Books, French Painting by Daniel Clesse
Located in West Palm Beach, FL
A French blue, green abstract portrait of books, oil on wood in canvas by Daniel Clesse, painted in France, signed and dated in 1964. Measures: Without the frame: 18" H x 21.5" W x ...
Category

Mid-20th Century French Mid-Century Modern Carved Decorative Art

Materials

Canvas, Wood, Paint

Moorish Mughal Indian Handcrafted Decorative Hammered Brass Tray
Located in Moreno Valley, CA
Large handcrafted decorative Indian Mughal Moorish brass tray. Embossed and hammered with floral and mystique animal scenes with Arabic script etched. Large decorative hanging...
Category

19th Century Indian Moorish Antique Carved Decorative Art

Materials

Brass

18th Century Elegant French Louis XIV Hand Carved Tall Case Clock with Rooster
Located in Lisse, NL
Stunning and completely original, antique oak grandfather or lantern clock, circa 1750. This very old grandfather clock is one of the tallest w...
Category

Mid-18th Century French French Provincial Antique Carved Decorative Art

Materials

Brass, Bronze

18th - 19th Century Italian Walnut Rococo Carved Wall - Antique Ceiling Panel
Located in West Palm Beach, FL
A large Italian ceiling panel made of hand crafted Walnut, enhanced with caryatid and acanthus scrolls, in good condition. The antique wall relief, décor represents the Rococo time period...
Category

Late 18th Century Italian Rococo Antique Carved Decorative Art

Materials

Walnut

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Carved Decorative Art

Materials

Canvas, Giltwood

19th Century Oil on Canvas Bacchante Group Attributed to Leopold Schmutzler
Located in Los Angeles, CA
A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...
Category

Early 20th Century German Greco Roman Carved Decorative Art

Materials

Canvas, Giltwood

19th Century French Painted Silk of Mother of Pearl Fan with Frame Case
Located in Brea, CA
19th Century French painted silk of mother of pearl fan, shadow-box framed antique ladies fan, made of mother of pearl with gold leaf on the outer ...
Category

1850s French French Provincial Antique Carved Decorative Art

Materials

Mother-of-Pearl