3 framed signed pencil drawings of Indian gentlemen in regional dress, 19th C

India, circa 1860 A beautiful pair of turned ebonised Anglo-Indian side tables with stretched cowhide. Wonderful style and patina. Dimensions: H 30cm x W 37cm X D 37cm.

Stunning period Cubist oil painting on canvas with strong Futurist undertones, carries Cyrillic script as part of the composition. Visceral quality to the brushwork and application o...

Chair known as ‘Cane seat wood back chair’ in solid teak and braided canework. Solid ‘banner’ type backrest, slanted and slightly curved. Canework seat and ‘X’ type double leg assembly, with the legs connected by a rail at the back. Provenance: University Library in Chandigarh. High Court in Chandigarh (2nd series of furniture in 1960). Ref: Swiss National Museum in Zurich. City Museum in Chandigarh. Similar model in the catalogue ‘Phillips - Design London Day Sale’. Sale on 28/04/2015, lot no 69. Set of six sold for £37 500 / €52 455. Ref: MARG magazine, ‘Chandigarh’, 1961. Photo ref: Similar model in ‘Le Corbusier, Pierre Jeanneret, Chandigarh, India’ by Galerie Patrick Seguin, pages 182, 183, 184, 185, 186, 219, 221, 250, 265, 283. Photo ref: Similar model in ‘Catalogue – Amie Siegel’ Ed Prem Krishnamurthy. Printed: die Keure 2014, pages 112, 136, 137. Photo ref: Similar model in ‘Le Corbusier Pierre Jeanneret l'Aventure Indienne’ by Eric Touchaleaume and Gérald Moreau, page 569 under reference: PJ-SI-51-A Chandigarh a short history: Upon the request of Prime Minister Nehru at the end of the 1940’s, Le Corbusier and Pierre Jeanneret, his cousin, were entrusted with an extraordinary project : the creation of the capital of Punjab, its urban scheme, its architecture and its furniture. Chandigarh’s furniture...

A pair of Thomasville 'Ernest Hemingway' carved alder armchairs modern, each with armrests carved in the manner of antelope antlers, upholstered in sumptuous blush velvet. Provenan...

1900s Indian portrait on paper of man with turban. Part of a private collection.

Wimbledon-Furniture Wimbledon-Furniture is delighted to offer for sale this stunning set of four original 19th century Old Master drawings by F Mazzoli Please note the delivery...

Collection of three large watercolours two of which are framed. With 15 other ink drawings by the fabulous Irish Artist Ismaena R Warren, a prolific book illustrator. All made in Mad...

Title: "1844 Persian Cultural Figures: Engraved Prints of Traditional Attires" Description: This compilation features three handcoloured lithographs representing traditional Persian figures: a common man, a dervish, and a noble, from the esteemed 1844 collection "Moeurs, Usages et Costumes de tous les Peuples de Monde" by Auguste Wahlen. Published in Paris, these prints are crafted through lithography, a popular 19th-century technique, and are enhanced with Arabic gum on wove (vellin) paper. The vivid depiction of their cultural attire and the distinct portrayal of each social stratum make these prints particularly captivating. They offer a glimpse into the historical socio-cultural fabric of Persia, making them highly sought after by collectors and enthusiasts of Middle Eastern art and history. In the three prints you provided of Persian figures, each character holds something distinct that signifies their role or status within their culture: 1. Persé - Homme du Peuple (Common Man): - Holding: This figure holds a walking stick or cane, which is a common accessory that could be used for practical purposes like walking support or herding animals. - Outfit: He wears traditional attire with a long coat and a large hat, indicative of a common man's clothing in historical Persian society. His outfit and the stick both emphasize his everyday, practical life. 2. Derviche Persan (Dervish): - Holding: The Dervish holds a stick and a begging bowl. Dervishes are known for their ascetic piety, often connected with Sufism in Islam. The stick (or staff) symbolizes their travels and spiritual journey, while the bowl is used to receive alms, reflecting their vow of poverty. - Interesting Fact: Dervishes are part of a mystical spiritual ascetic practice within Islam, focusing on the universal values of love and service. Their clothing and accessories reflect simplicity and spiritual richness. 3. Noble Persan (Nobleman): - Holding: The nobleman carries a sword, which is a symbol of power, authority, and martial prowess. It is commonly featured in depictions of nobility as a sign of their status and ability to command. - Outfit: His clothing is significantly more elaborate and colorful compared to the others, with fur trim and decorative patterns, signifying wealth and high social status. These accessories and their attire provide a deep insight into the roles and societal positions of each figure within Persian culture, reflecting a wide range of personal and social identities from the common man to spiritual seekers and the ruling elite. Each element, from the practical walking stick to the symbolically rich begging bowl and the authoritative sword, offers a narrative about their life, status, and societal roles during that historical period. Keywords: - Antique Persian prints...