Large Scale Charcoal Drawing of Two Men and One Woman, Framed, France. 1900

Three unique drawings of French Wrought Iron Balcony Grilles, signed and framed. Available individually or as a group. These intricate draw...

Framed charcoal drawing by Jeff Dikio portrays a matador in a moment of introspection. The figure stands with his head bowed and one arm resting across...

Wonderful watercolor and chalk work on paper by French painter, Lucienne Epron (1876-1947). Painted in the Egyptian Revival period, popular decorative arts style from 1880 through th...

Wonderful watercolor and chalk work on paper by French painter, Lucienne Epron (1876-1947). Painted in the Egyptian Revival period, popular decorative arts style from 1880 through th...

This framed charcoal study from 1920s England draws the viewer into an academic landscape where students at their easels concentrate on figure studies, using busts and torso models a...

This black and white etching by Almery -Lobel Riche is in a custom gold leaf frame with deep cut beveled silk mat. The etching is of woman leaning over cha...

This pair of Italian academic charcoal drawings captures the grace and disciplined form of classical male nudes. One portrays an artist's model, his pose reflective and studied, whil...

Walter Shirlaw (1838-1909) Study for decorative panel Pencil and watercolor on paper mounted on paperboard Measures: 62.5 x 74 x 5 cm (with frame) 50.5 x 62 (without the frame) Signed in the circle lower right Born near Glasgow in Scotland, Walter Shirlaw settled with his family in New York in 1841, when he was two or three years old. As a young boy, he took night classes at the National Academy of Design, and first exhibited his work there in 1861. The first years of his career were spent as an engraver at the American Bank-Note Company, while at the same time attempting to establish himself as a painter. He later moved to Chicago, where he continued to work as an banknote engraver and also taught art at the Chicago Academy of Design. In 1870, at the relatively late age of thirty-two, Shirlaw travelled to Europe to study. Prevented from settling in Paris by the Franco-Prussian War, he instead studied in Munich, where he joined the small group of American painters working in the city, including Frank Duveneck and William Merrit Chase...