1840s Drawings

This unique and very well executed portrait of a mid 19th century couple done in silhouettes is adhered to glass as in Verre Eglomise with a very charming drawing of a parlor in the ...

Auguste Amant Constant Fidèle Edouart (1789–1861) was a French-born portrait artist who worked in England, Scotland and the United States in the 19th century. He specialized in silho...

Swiss alp watercolor " Vaudeoise "

Swiss alp watercolor "Wallais " from Wallis region

A fine watercolor of a Neapolitan fisherman playing on his lute by Gustav Wilhelm Palm (1810-1890). Signed and dated 1842. On the bottom center written "Piscatore di Napoli". Gustaf Wilhelm Palm (1810-1890) was a Swedish landscape painter and art professor. At 18 years in 1828 of age he attended the Royal Swedish Academy of Fine Arts. His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837. That same year, he went to Berlin for treatment of an unspecified eye disease. Rather than returning home, he travelled throughout Germany and spent two years in Vienna. Then continuing his trip and finally arriving in Rome in 1840. That winter, he went to Venice, filling sketchbooks that he took back to Rome when he arrived there again in the summer of 1841. Altogether, he spent eleven years in Italy, becoming part of a local community of Swedish artists that dominated the Swedish art scene until the ascension of the Düsseldorf School. His best work is usually the paintings and drawings he did "en plein air" during his stay in Italy. In 1851, he toured through Spain and Paris on his way back to Sweden. The following year, he was named a member of the Royal Academy. In 1856, he married Eva Sandberg, the daughter of Professor Johan Gustaf Sandberg. Their daughter, Anna Palm...

Gustaf Wilhelm Palm (1810-1890) was a Swedish landscape painter and art professor. At 18 years in 1828 of age he attended the Royal Swedish Academy of Fine Arts. His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837. That same year, he went to Berlin for treatment of an unspecified eye disease. Rather than returning home, he travelled throughout Germany and spent two years in Vienna. Then continuing his trip and finally arriving in Rome in 1840. That winter, he went to Venice, filling sketchbooks that he took back to Rome when he arrived there again in the summer of 1841. Altogether, he spent eleven years in Italy, becoming part of a local community of Swedish artists that dominated the Swedish art scene until the ascension of the Düsseldorf School. His best work is usually the paintings and drawings he did "en plein air" during his stay in Italy. In 1851, he toured through Spain and Paris on his way back to Sweden. The following year, he was named a member of the Royal Academy. In 1856, he married Eva Sandberg, the daughter of Professor Johan Gustaf Sandberg. Their daughter, Anna Palm...

A fine pencil drawing of a Neapolitan fisherman by Gustav Wilhelm Palm (1810-1890). Signed and dated "Rom 28 juni 1842" In the upper hand right corner numbered "No 25" On the bottom right hand side is written a description of the fishermans clothes and the colors of them. On the bottom center written " Napolitansk fiskare" Gustaf Wilhelm Palm (1810-1890) was a Swedish landscape painter and art professor. At 18 years in 1828 of age he attended the Royal Swedish Academy of Fine Arts. His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837. That same year, he went to Berlin for treatment of an unspecified eye disease. Rather than returning home, he travelled throughout Germany and spent two years in Vienna. Then continuing his trip and finally arriving in Rome in 1840. That winter, he went to Venice, filling sketchbooks that he took back to Rome when he arrived there again in the summer of 1841. Altogether, he spent eleven years in Italy, becoming part of a local community of Swedish artists that dominated the Swedish art scene until the ascension of the Düsseldorf School. His best work is usually the paintings and drawings he did "en plein air" during his stay in Italy. In 1851, he toured through Spain and Paris on his way back to Sweden. The following year, he was named a member of the Royal Academy. In 1856, he married Eva Sandberg, the daughter of Professor Johan Gustaf Sandberg. Their daughter, Anna Palm...

A fine pencil drawing study of a Roman peasant leaning against a wagon weel and smoking a pipe by Gustav Wilhelm Palm (1810-1890). Signed with monogram and dated 1842. On the bottom of the drawing written "Campagnoli de Roma" Gustaf Wilhelm Palm (1810-1890) was a Swedish landscape painter and art professor. At 18 years in 1828 of age he attended the Royal Swedish Academy of Fine Arts. His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837. That same year, he went to Berlin for treatment of an unspecified eye disease. Rather than returning home, he travelled throughout Germany and spent two years in Vienna. Then continuing his trip and finally arriving in Rome in 1840. That winter, he went to Venice, filling sketchbooks that he took back to Rome when he arrived there again in the summer of 1841. Altogether, he spent eleven years in Italy, becoming part of a local community of Swedish artists that dominated the Swedish art scene until the ascension of the Düsseldorf School. His best work is usually the paintings and drawings he did "en plein air" during his stay in Italy. In 1851, he toured through Spain and Paris on his way back to Sweden. The following year, he was named a member of the Royal Academy. In 1856, he married Eva Sandberg, the daughter of Professor Johan Gustaf Sandberg. Their daughter, Anna Palm...

Antique English painting dated 1843. Oil on canvas framework depicting an orientalist subject Prayer in the desert of excellent pictorial quality. Nice size and pleasant impact painting signed and dated (see picture) W. Muller 1843 attributable to William James Muller...

Antique French painting from the mid-19th century. Oil on canvas framework depicting a portrait of a gentleman of excellent pictorial quality. Painting dated 1848 with V. de B. monog...

Eugène Boudin (1824-1898): Moulin du Perrey, Le Havre “Moulin Pres De La Riviere”. This rather large mixed media drawing by Boudin was part of Arthur Br...

Portrait of a child with dog, Netherlands, circa 1848. Pastel drawing in original frame from Leiden, Netherlands.