Still Life, Pastel on Paper, Carl Gunnar von Gegerfelt ( 1926 - 2012)

Large framed etching titled 'Joan Prats' by Conrad Marca-Relli (1913-2000). Considered one of the main exponents of the New York School of Abstract Expressionism, he was involved in the first Abstract Expressionist show at the Ninth Street Show in 1951 with Franz Klein and gallerist Leo Castelli, marking the beginning of the unique America artistic movement alongside Pollock, de Kooning, Guston, Newman, Hoffman and Motherwell. Often considered the link between European and American cultures, he combines the dramatic effects of Abstract Expressionism with the sense of order that can be found in Italian Renaissance painting...

A large hand built stoneware vessel finished with white glaze over black slip to create warm browns and greys. Dimensions (cm, approx): Height: 30 Diameter: 20 In good condition...

Richard Uhlemeyer was born in Göttingen, Germany, and attended the Hanover arts and crafts school in the 1920s. In the 1930s he founded his pottery studio the 'Kunsthandwerk Richard...

A large scale diptych, mixed media on canvas by Alyse Stone. The work is part of her Dark Matter series in which she reimagines materiality in her cosmic universe. When making the wo...

A graphite and pastel color drawing “Nature Morte” on paper attributed to French artist Amédée Ozenfant (1886-1966). The drawing was discovered in a collector’s estate in US. It is a...

Author unknown, Composition, 1951 Pastel image Work signed Edström Work dimensions 55/50 Framed work Work in original vintage condition.

Franz Mörscher The composition of the painting is deliberately designed for reduction and corresponds to the idea of cultural minimalism and the new objectivity that developed in the 20th century. Mörscher chooses the rational, crystalline form of the representation of selected objects (vases, lemon, fruits?) and uses color as surface and line to create structure in the space. In this composition, Mörscher reduces the classical means of perspective to create a pictorial space between object light and color. The application of paint appears partially modeled. The natural crack and fissure network (Krakelee) of the sometimes layered paint application seems to be deliberately achieved. The selection of the depicted objects is possibly also based on symbolic aspects. After the desolation of the war years, the painting speaks of the color world of the spirit of optimism of the 1950s. W 63 x H 50 Measures with frame: W 71 x H 58 Biography Franz Mörscher was born on November 7th, 1931 in Bundenbach and died on July 14th, 2018 in Neunkirchen (Saar). Besides the sculptor Hubert Nietsch, he was the second artist to set a monument to the miner’s cow in public space in Germany from 1993 to 1995. Franz Mörscher studied from 1951 at the School of Arts and Crafts Saarbrücken with Boris Kleint among others in the subjects of painting and sculpture. During his studies he met the photographer Otto Steinert...

Eugène de Sala (1899-1989), Denmark. Color lithography. Cubist still life. Number 178/260. Dated 1984. Visble dimensions: 48.5 x 38.5 cm. Total dime...