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Vilma Eckl Original Drawing In Gilded Frame 1930s
$9,800
£7,469.18
€8,537.75
CA$13,787.98
A$15,104.31
CHF 7,950.32
MX$180,273.86
NOK 101,346.45
SEK 92,645.93
DKK 63,775.48
About the Item
The Mower, by Vilma Eckl, 1930's and an excellent color and condition. This item has been framed and matted with Museum quality and profession. The frame is absolutely gorgeous. The Simplicity and negative space of this particular work by this fantastic Austrian artist keeps it simple but makes it poignant.
Vilma Eckl was active/lived in Austria. Vilma Eckl is known for Painting. In Vilma Eckl's oeuvre the presentation of the working world became a special position, particularly the farmers' work world which is characterized by its seasonal cycle.
The extensive work of Vilma Eckl covers a period of more than seventy years. Her incomparable artistic talent and her essential contribution to the history of art can be seen in her approach to movement both in the portrayals of dance and in the numerous portrayals of the peasant world of labor. The dynamic creates both a tension-charged color rhythm and her form of brush strokes that seem to anticipate the next movement.
At the beginning of her artistic development, the watercolor was the dominant technique she used, later she turned to oil painting to finally discover the adequate medium of her artistic expression in the charcoal and color chalk work, not only because this technique expressed the immediacy of her artistic intention, but also because of the most suitable for capturing the spontaneous gestural expression and working in front of nature, especially with moving objects.
Themes of her works range from still lifes and flowers to the rather rare depictions of landscape, horses and circus. Finally, she also depicts human expression in its most diverse manifestations where themes such as “mother and child”, “devotion”, etc., are an example.
A special role in her work takes the representation of the world of labor – in particular the peasant labor in their seasonal cycle. In addition to the interest in the picturesque appearance of the folk costumes, which they wore at various festivities (weddings, confirmation, etc.), the depiction of the expellees and refugees was based primarily on her sympathy, which is why some compare her ouevre with the work of Käthe Kollwitz which she shared an exhibition with at the Neue Galerie der Stadt Linz in 1947.
- Dimensions:Height: 2.25 in (5.72 cm)Width: 17.5 in (44.45 cm)Depth: 1.5 in (3.81 cm)
- Style:Expressionist (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1930s
- Condition:This original work is an excellent condition and then housed inside a museum quality gilded frame along with Museum quality glass on the front to protect it for any light.
- Seller Location:Hudson, NY
- Reference Number:1stDibs: LU8210248067932
About the Seller
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