Acrylic Wall Decorations

Warren Fischer Figurative abstract acrylic painting, Signed and Dated 1997 Fischer earned a BFA from the University of New Mexico in 1966 with a major in painting and a minor in a...

The "Mixed public-private boundary" collection of Cometabolism Studio uses objects in public and private spaces to reorganize and reproduce, forming installations suitable for both "...

Simone Gendille, "coucher de soleil bleu", acrylic on canvas, signed, circa 1970.

Clider, "Dame à vélo", acrylic on canvas signed.

Oil on Canvas Contemporary Painting in Wooden Frame 24K Gold Leaf 'Time Fighter' An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travellers...

Original vintage advertising poster for the “New York World’s Fair” which took place in New York from 1964 to 1965. Printed in the USA in 1962. Framed with a passepartout in a natura...

An original pink and white modern abstract painting in an elegant vintage gold frame created by Houston artist, Shannon Weir.

FI Gallery original one-of-one hand created & signed art piece by Tammy Price. Premium solid wood glass encased frame in matte black with gold accent. Multi shades predominantly of e...

Contemporary New York artist Elena Lyakir's Diptych, Destiny and Fate, were photographed in 2013 and are part of her Land and Sea Series. This is a meditation on the essence of seein...

Dan Witz (USA 1957) Female nude Acrylic on canvas Dan Witz, New York based street artist Origin: Semaphore Gallery New York Provenance: belgian.private collection Signed: front...

Canvas painting with geometric decoration in shades of red and yellow, 1962. measures: h 199x50 cm

Contemporary Oil on Canvas Original Painting in Wooden Gold Leaf, "Mermaids" An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travellers o...

About the Artist: Cometabolism Studio is a design studio based in Shanghai, founded by Zhang Ning and Yang Yafei. Zhang Ning graduated from the designer maker program at Camberwell...

Contemporary painting, Bestiary I, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21×27 (H) cm Frame: 36 x 3.5 x ...

Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...

The copolymer selects components images of Taobao shop to generate motifs according to the mathematical logic of traditional decorative motifs, which are then alienated into purely d...

In this John Brevard painting, we see strange and surreal creatures that seems to inhabit a multidimensional world. The overall theme of the painting ...

Very dynamic and modern painting with rich colours, natural wooden frame. Need we say more? This is a very radical expressive work done by a German artist. We have not been able to ...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then...

Randy Wray (°1965): 1997, mixed technique on canvas. Painter and sculptor, abstract works with sometimes found and recycled materials. A work from the american artist. Procured in a...

Based on the research of large industrial equipment and architectural imagery from the 1960s, the rough and rustic forms of the early space age were abstracted to form a monument sha...

Immerse yourself in the artistry of this Signed Abstract Landscape Lithograph. Numbered 84/285, this limited-edition piece captivates with its vivid mountain-scape and colorful sunse...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then ...

Renée Smith Odou painting on panel - Belgium Wear consistent with age and use. Carnival - Belgium painting artist

Belgian intimist painter and draftsman, Jan Hoogsteyns (1935), is best known for his dreamlike and foggy work using gray and greyed down poetic colors and tonalities. With mist-grey,...

This original untitled abstract painting on paper by Cole dates to the 1990s and presents a compelling blend of figurative and abstract expression. The composition centers on a styli...

About the Artist: Cometabolism Studio is a design studio based in Shanghai, founded by Zhang Ning and Yang Yafei. Zhang Ning graduated from the designer maker program at Camberwell...

Contemporary Oil on Canvas Painting in Wooden Frame 24K Gold Leaf 'Wounded Lion' An incredible and mystical collection of paintings, after a unique artist - “Travellers of Civilisat...

About the Artist: Cometabolism Studio is a design studio based in Shanghai, founded by Zhang Ning and Yang Yafei. Zhang Ning graduated from the designer maker program at Camberwell...

Edward McHugh I'm In Touch With Your World, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard Measurements: 47 x 38 x 3 in

Edward McHugh Life's The Same, 2020-21 Acrylic, ink, thread, iron oxide, polyester resin on double-refined fiberboard Measures: 40 x 34 x 3 in

"Nidos" 2003 Felicidad Moreno Mixed technique of acrylic, enamel, varnish and acrylic spray on canvas.

Edward McHugh Centerfold, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard 45.5 x 56.5 x 3 in

The painting depicts a man dressed in a waterproof coat standing in a rainy night illuminated by yellow light from the street. The author of the work i...

Interested in collapsing the contradictions between form and formlessness, Daniele Albright's work focuses on the immaterial as the indeterminate and shifting space between perceptio...

A contemplative study in balance and texture, Diversion is a signed abstract mixed-media painting by American artist Louis Shields. Created as part of the 2018 Millennium Series, thi...

Painting by Sophie Tottie, Sweden. 1990s. Mixed media. Dimensions: H: 124 cm/ 4' 3/4'' W: 103 cm/ 40 1/2''

An art-object titled "Bajo el Volcán" (Under the Volcano): an acrylic landscape on a wood suitcase that includes a toy train, rails and signals by Mexica...

"Defender" Oil on Canvas Original Painting in Wooden Gold Leaf Frame, 2005 An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travelers of Ci...

Title: Infinite Mirrors of the Unified Unconscious Medium: Acrylic and Mixed Media on Canvas Size: 152cm x 152cm Caption: Lose yourself in the infinite expanse of mirrored realities,...

Richly colored, signed and dated, abstract figurative, acrylic-on-paper artwork by listed, Quebecois Expressionist painter, Gisele Leclerc (1931-2019). Her work appears in the presti...

A group of five European paintings of the Virgin Mary over white bone. Each piece is mounted on a hand-painted black panel and framed individually with a gold gilded frame. The grouping is mounted on a Lucite panel, and framed with a coordinating gold gilded frame. Left top: 18th Century Italian painting of Virgin Mary...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

In this painting, the viewer is transported to a world where the past and future collide. At the center of the painting, we see a female medieval character, dressed in ornate armor a...

Raoul Morren, a self-taught artist and curator, explores a spectrum of artistic mediums, including collage, painting, photography, sculpture and video. Drawing profound inspiration f...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then ...

Acrylic on canvas. Signed and dated. Measures: H 200 cm / 6' 6 7/8" L 210 cm / 6' 10".

Signed at the reverse monogram 70. Double-sided painting - one scene on front and one scene on the back. William Hansen was a Danish painter who...

This amazing whimsical painting of a Roman Soldier with a Fountain Pen head. The artist, Pier Gustafson, thought it would be fun to replace Fountain Pen...

Title: Cosmic Mirage: Unveiling the Illusory Nature of Reality Size: 60''x60'' Medium: Acrylic and Mixed Media on Canvas Description: The illusory nature of reality is unveiled, beck...

Very cool modern abstract painting made of acrylic and hood lead signed by artists titled “Frenchy”.

Fornasetti panel, printed silk enclosed between 2 Plexiglas panels, Compagnia del Tabacco 1990. Below left the Fornasetti brand and Tobacco Company.  

The Displacement Collection is a brand new long-term art program by Cometabolism Studio. As an expansion from the concept, mixing public and private spaces and blurring the boundary ...

“Nous” is an original, one of a kind contemporary, acrylic on linen Abstract Painting. Vibrant pops of color work in harmony to create this unique, contemporary work of art by Yohann...

16th Century Spanish carved-wood and polychromed sculpture and altar of Saint Isidore, Patron of Farming and Gardening. He is standing in a red velvet line niche. The altar is adorne...

Gouache paintings, "The Circle Series" we actually have four. Price individually @ $ 2600 each. We have 4 altogether sold individually.

Volumetric piece We present you a one of a kind wall artwork, looking along the sea coastline length, “Aqua Blocks” can become a center piece to any interior. It’s fractured structu...

Set of three oil on canvas paintings of saints: one full-length one of Saint Peter holding the keys to heaven and two smaller ones. Would make a fabu...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

'Boys ball' by Peter Bonde, 1987. signed, titled and dated on reverse. mixed media on board. Encaustic wax surface. Approx. 48" square.