Canvas Wall Decorations

1974 Mid-Century Modern abstract artwork by Jonas Gerard.

This exquisite and large still life oil-on-canvas painting portrays an abundant range of food items carefully arranged on a table against a dark backdrop. At the center, a large fish...

This is an original impasto oil painting of a Parisian Street scene. It is most likely painted in Montmartre with the Sacre Coeur Basilica in the background.

George Mears (British, active 1860–1895) Portrait of the Steamship "Rouen", 1888 Oil on canvas, signed and dated lower right Canvas: 26" w x 16.25" h Frame: 31.5" w x 21.75" h A cri...

This is a small antique Continental School painting. A framed oil on canvas European landscape, dating to the early 20th century, circa 19...

Frederick Arthur Bridgman La Fête des Bois, Les Bacchantes signed F.A. Bridgman (lower left) oil on canvas Dimensions: Height: 73" Width: 150" ( 185.4cm x 381cm) La fête des bois, les bacchantes imagines a celebratory procession of flower-crowned revelers parading joyfully through the woods. Bridgman exhibited a near identical version, approximately one third of its size, at the Paris Salon of 1896, no. 311 (for illustration, see Sotheby's, February 12, 1997, lot 71). The painting certainly raised eyebrows and stirred feisty commentary when it was exhibited at London's Royal Academy. As one critic wrote in the Atheneum: Provenance Sale: American Art Association, New York, The Works of F. A. Bridgman, March 14, 1899, lot 72 William Randolph Hearst (offered, his sale, Gimbel Brothers...

Mid-Century Danish Abstract Painting Osmund Hansen (1908 - 1995) This captivating piece by the Danish artist Osmund Hansen, entitled "Abstract Fish Painting," is a mesmerizing ble...

Signed lower left P. Fiordalisi (1904-?). Peter Fiordalisi was born in Union City, NJ and produced this fine abstract oil paint on canvas circa 1969. The artist uses segmented color,...

Original oil on canvas painting of Biblical or historical motif with what appears to be an aging king surrounded by attendants. Unknown artist, no signature. Old label on back of pa...

This painting is a replica of a painting of a museum potriat painting The portrait showcases the style of the 18th century. ) Kurfürst von Hessen. The framed portrait The image is ...

A beautiful painting by Leonard Maurer (1912-1976), titled "Winter Garden #2", 1959. A captivating landscape in a loose, expressive style, masterfully d...

These two extraordinary 18th century oil on canvas paintings are done in the style of the French painter Jean-Honoré Fragonard whose late Rococo manner is renowned. Depicting landsca...

Outstanding 19th century Italian raised gilt gesso and oil painted panel. Very pretty images of leaves, flowers and urns. An exceptional piece!

A large and impressive oil on canvas by Lee Reynolds Burr for Vanguard Studios. Heavy impasto brushstrokes on canvas with fire engine reds, black, white and yellow. Framed in a perio...

Unique abstract modern art wall sculpture by contemporary Michigan artist Jon Parlangeli circa 2016 Titled "The Red Window" and executed in ...

A late 19th century Baroque revival style Beaux Arts period oil on canvas laid down on board. Most likely this was part of a larger mural at one time. Elaborate still life, beautifu...

The cottagecore Jung Koch Quentell rollable close up depicts the crayfish in the water and its anatomy. Used as teaching material in German schools. Colorful print on paper reinforce...

Three lions concealing the drainpipe, cast iron and terracotta façade decorations, circa 1880

Mother and Colt Horse painting. Signed and dated 1971.

Oil on canvas, estate sigend on the reverse, presented in a simple frame measuring 21.375" x 24.375" overall. William Sharp was born on June 13, 1900, in Lemberg, Austria, where h...

A Barbizon stylle scene painting of a bucolic scene with an old painter painting a lady on an easel from the 19th century. Painting signed Pierre Morinville. Frame 61 x 47 cm Canv...

English oil on canvas horse portrait in burl walnut giltwood and beaded molded edge frame. Signed & Dated by Artist "J. Brown Coventry 1866"

Peer Lorentz Dahl (1915-2005). 'Sealandscape with persons. Oil on canvas 1950s-1960s. Signed Peer Lorentz Dahl. Original framed. Norwegian artist. Provenance: Danske Bank Denmark

This striking vintage oil portrait on canvas captures a timeless expression of character and emotion. Featuring a young man in military attire against a muted green background, the p...

Leopoldina Zanetti Borzino (Italian 1826-1902). Born in Venice, Leopoldina was the niece of Daniel Manin, a hero statesman, who would become the President of San Marco, a revolutiona...

This impressive, monumental painting, dating from the early 19th century (circa 1810–1840), is a remarkable piece of wall art. Painted in oil on thick canvas, it depicts an atmospher...

Oil painting of yellow roses in a bowl by John Califano (1864-1924) Gilt wood frame, ready to hang Size: 28-1/2” W x 20-1/2” H 2-1/4” D.

An exquisite Italian early 18th century still life oil on canvas Roman painting in its original giltwood frame. The striking painting depic...

FLEMISH SCHOOL 18th century "Resting on the Bluff" - a Pair Circle of Pieter van Bloemen (Flemish, 1657-1720) unsigned later engraved attribution plaque on each frame executed in oil on canvas Item # 911TRM16W A vibrant and complex pair of Italianate landscape scenes of travelers resting on a bluff overlooking the valley and cities beyond, they are a powerful presentation with exquisitely painted animals. Notable influences of anthropomorphic Romanticism in the features of the horses lend a certain humor and lightheartedness to the scenes; in one a cheery rider arrives on a donkey and engages a resting woman and her child...

French 19th Century Still life Oil on Canvas. Fruit, Vase, Medal and a spray of Flowers. Indistinct Signature lower R/H. Follower of Henri Fantin-Latour 1836-1904. 80cm x 65cm.

Original oil on canvas painting of St. Anthony of Padua and the Christ child, just under 3' tall. Unframed, no signature/unknown artist. Canvas has heavy craquelure, old cracks/crea...

This 18th century English School portrait of a gentleman attired in garb befitting an earl is a fine example of aristocratic portraiture, a ...

This impressive monumental painting, dating from the mid-19th century, is a remarkable piece of wall art. The oil on canvas work depicts an atmospheric Mediterranean scene with the P...

17th century Dutch Old Master painting with provenance, Barnyard with farm animals and peasants. This Dutch oil on canvas painting is a jewel among the g...

An outstanding and grand scale oil on canvas painting of a nude male. Entitled "La Vittoria Della Verita' Sull'Insidia" - "The Victory Of Truth Over The Trap"..... Expertly executed ...

Antique Italian painting from the 18th century. Artwork oil on canvas (glued on a board) depicting a pleasant caprice, view with architectures and characters of good pictorial qualit...

This richly detailed still life oil painting features an abundant arrangement of assorted fruits. Earthy tones and soft light lend the composition a warm, rustic elegance. The artist...

1960s abstract modern painting original oil on canvas art. In the style of Francis Bacon. Dominant colors red and black. Unframed. Unsigned. 43.5 l x 29.75 x 1.75 Original unrestored...

George Hedley (British), 1855 Still Life with Fruit signed 'G. HEDLEY / 1855' (lower right) oil on canvas 55 x 55 cm (21 5/8 x 21 5/8 in). framed 74.5 x 74.5 x 4.5 cm. (29 1/3 x 29 1...

For your consideration is a vivid, framed oil painting on canvas, depicting nude men on rocks by the sea, hand-signed by August Torsleff. In excellent ...

Original oil painting self portrait of the late Donald K Ryan. Donald K Ryan’s work spans mostly from the 80s to the early 2000s. Throughout...

1600s Guercino Follower Italian Religious Painting Beautiful oil painting on canvas depicting the Penitent Magdalene. This important painting is unique in that it shows Magdalene wit...

This painting by artist Kenneth Joaquin (b. 1948) titled Hiding in the shadows is a study in modernism, with a subtle vibrant colors palette. Signed in the lower right. Joaquin's ...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A vintage French still life painting, signed and dated by the artist "D. Roland '56". This oil on canvas painting depicts a spherical vase of brass-tone filled with a colorful and ex...

Beautiful oil painting on canvas from the early 1700s depicting a Venetian landscape with port, figures and castle. The manufacture is Venetian and can be attributed to the school of Jacob De Heusch...

A French giltwood framed oil on canvas still-life painting from the 19th century depicting a bowl of fruits. Born in France during the 19th century, this horizontal oil on canvas still-life painting depicts a delicate arrangement of mouth-watering fruits standing out beautifully on a brown-toned neutral background. Our eye is immediately drawn to the yellow and red grapes displayed...

Original oil on board; 5" x 7". Painting portrays a Native American teepee camp scene in a desert clearing. A stunning colorful sunset frames the scene, featuring colors of blue, pin...

Exciting painting of jockeys in a race where you can practically feel the wind going by as the horses speed by. Signed Ninetta Butterworth 1922-2010 Listed English artist Custom Fra...

Belgium / 1960 / Painting / Theo van Rintel / canvas, wood / Mid-century / Vintage Oil painting by the Belgian artist Theo van Rintel, of a potted plant gracefully positioned in fro...

Etienne Roger appears to have been in his "blue period" when he created this quirky and whimsical oil on canvas portrait. It has a historical feel. The work is an oil painting on can...

Fitger Hermann - Vase of Flowers with Fruit Measures: 32cm x 44cm - frame excluded 50cm x 62cm - with antique fir frame oil on canvas applied to cardboard - 1946 20th cen...

Framed, figurative oil painting by French painter Jean-Théobald Jacus depicting an elegantly dynamic soirée scene with dancing, musicians, and partygoers painted in an Art Deco cubist style. The painting's gilded frame is creatively detailed with collaged clippings of spirits and wine bottle labels...

A lively and vibrant work featuring shapes rendered in blues. In original frame in very fine condition. Unsigned but documented as a work by artist Dan Constant. Nice, usable size 48...

Beautiful original plein air impressionistic and realistic style, oil on canvas painting, features a wooded landscape, with magnificent trees which dwarf a woman and child, who are w...

The artwork features a unique three-dimensional texture that creates a sense of depth and movement, drawing the viewer's eye to the figures depicted. The two figures, one appearing t...

Italian painting from 18th century. Oil painting on canvas, already backed again, depicting a subject of sacred art, Saint Francis of good pictorial quality. Large impact painting, a...

A French oil on canvas painting of two colorful vases with red and white anemones, flowers painted by Victor Charreton, in good condition. The blue and cream vases are standing on a wooden working...

A large and beautiful three quarter length portrait of a partly seated lady her hat over one arm holding a bouquet of flowers, the other arm held upward holding a branch of a tree. This original oil on canvas by the British artist Laurence Koe, (1863-1913), is signed on the lower right and dated 1905. Lawrence E. Koe was a portrait painter and sculptor. He is listed as living in Brighton when he first exhibited at The Royal Academy in 1891, but by 1894 he had moved to London where he appears to have settled for the remainder of his life. Koe exhibited widely; over twenty times at The Royal Academy, but also at the R.O.I, The Royal Society of Artists in Birmingham and the Walker Art Gallery in Liverpool. Most of his exhibited works were portraits, and among his sitters were the wives of fellow artists Harold Speed RP (1872-1957) and Harold Piffard (fl. 1895-1899). In 1896 Koe exhibited “Venus and Tännhauser” at the Royal Academy, now in the permanent collection in the Brighton Museum and Art and he showed a painting of Sappho two years later. He clearly shows the influence of other artists working at the same time, notably Singer Sargent, Arthur Hacker RA (1858-1919) and Herbert James Draper...

Large acrylic painting on canvas with butterfly in center. Artist signed Andersen in bottom right corner.