Canvas Wall Decorations

nr. 688 - An interesting antique French Aubusson tapestry, with non-binding sizes, therefore easy to fit into a modern home: perhaps a sliding door (wh...

St Ives Water Colour Painting Cornwall 19th Century England by Maurice Randall (1865-1950) Fisherman gathered around the notice board on Smeatons Pier, Saint Ives, Cornwall showing b...

This Vintage Regency Original Floral Oil Painting on Canvas exudes timeless elegance and charm. Featuring meticulously detailed blooms in a soft, romantic palette, the artwork showca...

A rare set of four Italian 18th century panels, gouache on canvas from the music room of an historical Villa in the Lucca region. Depicting biblical scenes in airy composition and d...

Mid Century Abstract Landscape Acrylic Painting on Canvas This painting measures: 86.75 wide x 1.25 deep x 27 inches high We take our photos in a controlled lighting studio to show...

Painting of flowers in glass vase Made in the late 20th century Beautiful coloration Gold leaf square frame This painting would add a burst of color and sunshine to any room.

Large oil on canvas painting by M J MYERS... depicting bar scene,, Amazing use of color ,space and texture,,, Born in Buffalo, NY and raised in the city of Tonawanda, MJ Myers attended the State University at New Paltz where he received a Bachelors of Fine Arts with a concentration in Drawing and Painting and a minor in Art History. Deeply embedded in the Buffalo art world, Myers works as an art handler for the Albright-Knox Art Gallery, UB Anderson Gallery, and Frank Lloyd Wright's Darwin D.Martin house. His work has been shown at multiple galleries as well as in many performances by the Buffalo, NY performance troupe Torn Space Theater. In 2014, MJ performed his first wedding painting...

Portrait of Charles Trelawny, Esq., Master of the Dartmoor Hunt, on his favourite hunter Grimaldi, with the hounds Conqueror, Lounger and Windermere). After Francis Grant. Dimens...

Artwork Sitft Klosterneuburg painted by Max Kahrer 1919 Classical Modernism oil on canvas signed Max Kahrer studied at the Vienna Akademy of fina arts un...

This large antique origina painting was done by well known Anoine Blanchard of France in approximately 1920 in his signature Impressionistic style. The painting is done with oil pain...

Ronald D. "Ron" Moody studied under noted artist, Roger Winter at Southern Methodist University (SMU), receiving his BFA in 1973. Two years later, he received his MA from the Univers...

From an amazing time capsule residence in Rancho Mirage, Calif. I was told by the heirs of the estate that the painting was commissioned for his parents in the foyer of their beautif...

Oil on Canvas; 30" x 40". Unframed. Painting portrays a Native American warrior standing on a rock with bow at the ready. He is framed by an autumnal aspen forest with bright yellow ...

A sensational Dutch 17th century Oil on Wood painting in the manner of Frans Francken. The painting depicts the scene of a feast with a young male and female enjoying a feast while musicians are playing music in the background. To the left of the table that are spectators who are turning their heads away from two guards killing a traitor seated at the table. In the background you have architectural buildings and additional figures. At the bottom center is a pet monkey...

Very unique and large scale oil painting on board -Blue lady in chair signed Portier. I love the unique style of this well painted lady. I also think the size and proportion will set...

French School, 18th century Young lion Oil on canvas, 28 x 42 cm Bearing inscription on the back of the frame "M Lepescheux" and dealer's label A LA PALETTE D'OR The work that we...

Venetian School, second half of the 16th century Tobiah and Sarah led to Nineveh by the archangel Azariah Oil on canvas, 48 x 56 cm - Framed, 58 x 72 cm The present canvas, made w...

Monumental oil on canvas painting / portrait, 19th century High quality oil painting from the 19th century. Wide gold frame. Illustration o...

Oil painting on canvas with a costumbrist scene framed in Bamboo.

19th century American portrait of a gentleman in a wood frame.

John J. NAPIER - English School late 19th century This paintings illustrates the Parable of the Wise and Foolish Virgins or the Parable of the ten bridesmaids, is one of the parables...

Antique 19th-century Italian painting. Oil on canvas artwork depicting a man in a tavern with a dog, well-crafted. A finely sized and attractively decorated painting, signed lower ri...

Miroslav Krofián "La victoire de l'Idéologie" contemporary painting - czechia Contemporary painting Measures : 50cm H:70cm Wear Consistent with age And Use

Exciting, extremely rare, XXL Monumental framed Letterman signed painting of a sail boat and crew on a sunset cruise in the San Fransisco Bay The realism is amazing The piece is ...

Oil painting of a cow with target, in shades of white, off-white and brown, by English painter John Marshall. Oil on canvas over a wooden stretcher. Signed and dated 2000. Good vin...

Four paintings depicting the seasons, circle of Noel Coypel, second half of the 17th century Oil on canvas Measures: cm W 37 x H 46 x D 2 cm (canvas) The four paintings, presented in...

An elegant and extremely decorative French late 18th century Oil on Canvas and Giltwood Grisaille painting. The wonderfully detailed painting depicts a charming scene of four women a...

This late 17th-century oil on canvas from Peru, depicting the Virgin Mary and baby Jesus, is a striking example of Spanish Colonial art. The work reflects the deep religiosity and de...

Abstract composition by Hans Osswald (1919 – 1983), oil on cardboard. Palette of monochrome tones with yellow accents on textured and layered oil paints.

Abstract figural painting in original frame by Vladimir Cora, titled "Amantes III", dated December '79. Oil on paper laid down on canvas. Original paper...

Mixed media on canvas from mid-century Italy. This piece is signed by the artist, attributed to Danilo Pacchiotti’s entourage. It is titled “Di Stelle Cadenti”; translating to “Of Sh...

Dynamic geometric abstract painting on canvas by Dutch artist Eric Pool 2009 titled; 'T.H.E. Typical Heroic Exclusive'. The geometric pattern is looking like a quilt or patchwork of ...

Antique 19th Century Italian Oil on Canvas Cow Painting Set in Fine Gold Leaf Frame, Signed "Vitollo."

Depiction of a procession in oil on recycled curtain vinyl by acclaimed Miami street artist Purvis Young. Gustavo Olivieri sourced directly from Mr. Young while he was alive and enjo...

Intimite expressive female portrait painting on canvas by M.Simon, France 1940-50's. The painting is framed in a tri-colour frame.

Antique painting Martyrdom of St. Bartholomew, by northern European painter of the 17th century Oil on canvas 100 x 150 cm Painting based on a subject by Martin de Vos (1532-1603) a...

Beautiful and sensitively rendered oil on canvas by the French painter Jean d'Esparbès. Executed circa 1950–1960, this captivating work portrays a young woman gently holding a doll i...

Step into a vivid flashback to the 1980s, where neon beats and sharp geometry ruled the scene. This dramatic, large-scale canvas, signed boldly “Dana” in playful pink, is a pure embo...

Framed oil painting on canvas by Ewald Kreusch (1895-1960) is a delightful study of an old-growth forest with a footworn path leading on to adventures beyond the horizon. Kreusch has...

Mid-Century Danish Multi Charcoal Abstract by Uffe Christoffersen (1970s) A celebrated Danish painter and graphic artist, is a compelling piece that marries the minimalist allure o...

Beautiful pair of oil paintings on canvas, mounted on panel and framed in ebonized and gilded wood. The pictorial technique used favors chiaroscuro, with the representation of a vase...

J. Langlois (1855-1904) “Two Terriers” Oil on canvas, circa 1890, signed lower right “J. Langlois,” framed Dimensions: Height 14 (10) inches Width 18 (14) inches

A modern oil painting on canvas titled "Blue and Orange Still Life" by John Thomas. Signed bottom right. Created in 1958. A abstract expressionist painting with inspirations from col...

Darryl Hughto, (American, b.1943) had his first one man show at the prestigious Tibor de Nagy gallery in NYC in 1971. Vibrant color and energetic brushwork characterize Hughto's pai...

Peter Graham (1836-1921), Scottish painter. Oil on canvas. Scottish Highlands. Beautiful antique frame in 24-carat gold leaf. Approx. 1880s. Signed. Painting in excellent condition...

A beautiful large scale Italian 18th century oil on canvas painting in a giltwood frame. The painting depicts the lovely Italian countryside with charming personages dressed in class...

This monumental oil painting by Henry Arthur Elkins captures the breathtaking beauty of a Colorado mountain river at sunset. The painting portrays ...

Oil on canvas portraying the visit of Venus to the forges of Vulcan. French school of the 2nd half of the 18th century. Undoubtedly executed by a pupil of François BOUCHER; who died...

Dramatic and decorative 1980s hard edge abstract painting in yellow and black by Clarissa Mitchell. Acrylic on canvas. Unsigned but gallery tag remains in verso.

A dynamic 1980s Memphis-style mixed-media combine by Johnston, this sculptural wall work bursts with color, geometry, and dimensional energy. Layered plywood panels in vivid pink a...

Veneto, Italy, early 18th century Oil on canvas 20th century frame carved and gilded in pure gold Dimensions: cm W 93 x H 78,5 x D 5.

A charming framed Scandinavian still life oil on canvas of a domestic table scene covered in cabbages and a lemon. Painted in a slightly naive yet modernistic layout style in crisp g...

A beautifully executed and rare complementary pair of oil on canvas paintings depicting two of the moist famous and important counter reformation catholic saints St Francis Xavier and St Carlo Borromeo shown in scenes of what the respective saints are mostly famous for. St Francis Xavier for the conversion to Christianity of many S. E Asian countries notably India and St Carlo Borromeo shown asking the Virgin Mary to intercede for the cessation of the terrible plague of 1576. The paintings are presented in refreshed gilded carved wooden frames and are unsigned. St. Francis Xavier was born in Spanish Navarre in 1506 and in 1528, he met St. Ignatius of Loyola. He became one of the seven in 1534 who founded the Society of Jesus (Jesuit Order). In 1536, he left the University of Paris and joined St. Ignatius in Venice. He was ordained in 1537, and in 1540 after the Society was recognized by the Pope, he journeyed to the Far East. Francis Xavier first evangelized the Portuguese colony of Goa in India, then Travancore, Ceylon, Malacca, and the surrounding islands. From there he journeyed to Japan, where he gave Christianity such deep roots that it survived centuries of violent persecution. He died on Sancian Island in 1552, while he was seeking to penetrate into the great forbidden land of China. Despite language problems, lack of funds, resistance from the Europeans as well as the natives, he persevered. St. Francis converted more people in his life than anyone since the Apostle St. Paul. He baptized over 3 million people, converted the entire town of Goa in India, and he labored in India, Pakistan, Bangladesh, Sri Lanka, Malaysia, Indonesia, Singapore, and Japan. He was truly a missionary par excellence. St Carlo Borromeo (1538-1584), was a Cardinal of the Holy Roman Catholic Church and Archbishop of Milan from 1565 to 1583. He was described in the decree for his canonization, as “a man, even while the world smiles on him with the utmost flattery, he lives crucified to the world, spiritually, trampling earthly things, seeking continuously the things of heaven, emulating the life of the Angels on earth, in his thoughts and actions. The plague began in the month of August that year. Milan was celebrating joyfully the arrival of Don John of Austria, on his way to Flanders, where he had been appointed governor. The city authorities were abuzz with excitement in their desire to bestow the highest honours on the Spanish prince, but Charles, who had been Archbishop of the diocese for six years, was following with concern the news coming from Trento, Verona and Mantua, where the plague had begun claiming victims. The first cases exploded in Milan on August 11th, right at the moment when Don John of Austria arrived. The victor of Lepanto, followed by the governor, Antonio de Guzmán y Zuñiga, departed the city, while Carlo Borromeo, who was in Lodi for the Bishop’s funeral, returned in haste. Confusion and fear reigned in Milan and the Archbishop dedicated himself completely to assisting the sick and ordering public and private prayers. Dom Prosper Guéranger sums up his infinite charity in this way: “In the absence of local authorities, he organized the health service, founded or renewed hospitals, sought money and provisions, decreed preventive measures. Most importantly though, he took steps to ensure spiritual help, assistance to the sick and the burial of the dead. Unafraid of being infected, he paid in person, by visiting hospitals, leading penitential processions, being everything to everyone, like a father and true shepherd” St. Carlo was convinced that the epidemic was “a scourge sent by Heaven” as chastisement for the sins of the people and that recourse to spiritual measures was necessary to fight against it: prayer and penitence. He rebuked the civil authorities for having placed their trust in human measures rather than divine ones. “Hadn’t they prohibited all the pious gatherings and processions during the time of the Jubilee? For him, and he was convinced of it, these were the causes of the chastisement. The magistrates who governed the city continued to oppose public ceremonies, out of fear that the large gathering of people would spread contagion, but Charles “who was guided by the Divine Spirit” – recounts another biographer – convinced them by citing various examples, among which was the one regarding St. Gregory the Great who had halted the plague devastating Rome in 590. While the pestilence spread, the Archbishop then ordered three general processions to take place in Milan on the 3rd, 5th and 6th of October, “to placate the wrath of God”. On the first day, the Saint, despite it not being the Lenten season, placed ashes on the heads of the thousands gathered, exhorting them to penitence. Once the ceremony was over, the procession went to the Basilica of St. Ambrose. Charles put himself at the head of the people, dressed in a hooded purple robe, barefoot, penitential cord at his neck and large cross in his hand. The second procession led by the Cardinal headed towards the Basilica of San Lorenzo. The third day the procession from the Duomo headed for the Basilica of Santa Maria at San Celso. St. Carlo carried in his hands a relique of Our Lord’s Holy Nail, which had been given by the Emperor Theodosius to St. Ambrose in the 5th century. The plague didn’t show any signs of waning and Milan appeared depopulated, as a third of its citizens had lost their lives and the others were in quarantine or didn’t dare leave their homes. The Archbishop ordered about twenty stone columns with a cross at the top to be erected in the main squares and city crossroads, allowing the inhabitants from every quarter to take part in the Masses and public prayers - from the windows of their homes. One of Milan’s protectors was St. Sebastian, the martyr the Romans had recourse to during the plague in 672. St. Charles suggested that the magistrates of Milan reconstruct the sanctuary dedicated to him, which was falling into ruins, and to celebrate a solemn feast in his honour for ten years. Finally in July 1577, the plague ceased and in September the founding stone was laid in the civic temple of St. Sebastian, where on January 20th every year, even today a Mass is offered to recall the end of the scourge. St.Carlo Borromeo died on November 3rd 1584 and was buried in the Duomo of Milan. His heart was solemnly translated to Rome, in the Basilica of Saints Ambrose...

Antonio Calza (Italy, Verona, 1653-18th April 1725) "Battle between Christian and Turkish cavalry with castle" The painting depicts a bloody battle between Christian and Turkish cavalry. Characterized by dynamism, intensity of color and light, the main scene occupies the lower horizontal section of the canvas, optically interrupted by the black fumes of the shots from which emerge, on the left, the towers of a fortress. On the right, in the distance you can see the combat in progress in the countryside, beyond which you can see the pale presence of hills that create a fifth, marking the horizon. To frame the scene contributes to the left, against light and in the foreground, a portion of the wall. The painter, however, introduces a horse on the ground, of which we see only the back, a ruse to involve the observer making him become active and participate in the scene. In the foreground, lifeless bodies, wounded horses and, scattered on the ground, weapons and a drum enhance the drama of the clash. The excitement and expressive force, the intense chromatic range attentive to the conditions of light and the fine brushstrokes, decisive and dramatic, suggests the attribution to Antonio Calza, one of the most important painters of battles of the seventeenth century, excellent student and continuator of the greatest interpreter of the genre, Jacques Courtois called il Borgognone (Saint-Hyppolite 1621 - Rome 1676). Il Borgognone, although not having had a real school or direct students, places itself as a primary reference point by the Italian and foreign "battaglisti". The genre of battle painting found great success in the collections of the Italian and European nobility of the seventeenth and eighteenth centuries. The battles of the Italian Renaissance, in which the scene converged towards a precise protagonist, evolve towards a type of combat "without hero". The bloody realism of the details and the dynamic development of the narrative confuse the figure of the protagonist, when present, to give importance to the swirl of horses and armed fighters, among which, moreover, does not emerge a winner. The certain documents relating to the life and movements of Antonio Calza are scarce; it was equally difficult to reconstruct, from the critics, a catalogue of autograph works. Through paintings in private collections, in museums and paintings passed on the antiques market it has been possible to identify a copious corpus of works that can be traced back to his hand. The work of art historians, together with that of antique dealers, in conferring proper attributions in order to best outline the figure of Calza, continues but studies are still in progress. In this sense, the work of Giancarlo Sestieri should certainly be noted, who investigated the artistic production of the battaglisti and Calza, thus allowing the comparison of the numerous photographic works reported, to identify and recognize the stylistic qualities that distinguish the corpus of paintings assigned to him today. Antonio Calza was born in 1653 in Italy, in Verona and in 1664 he entered the school of Carlo Cignani in Bologna, dedicating himself to painting battles and landscapes. He then perfected in Rome, where he knew the works of the then undisputed head of the sector, Jacques Courtois called the Burgundian. In 1675 he returned to Verona and married an 88-year-old widow who, dying, left him a rich inheritance. Much appreciated by the nobility and the bourgeoisie, he received numerous commissions. Bartolomeo Dal Pozzo (Le Vite de' pittori, de gli scultori et architetti veronesi, 1718) praises "three great paintings of battles...

Painted canvas, or decorative panel, representing a Japanese samurai on a stylized geometric background. French contemporary work of artists. Dimensions: H 160 x W 100 cm Referenc...

Francesco Lavagna (Italy -Naples 1684-1724) "Still life with flowers and watermelon and hermas with garden in the background" The painting, beautifully made and in good condition, d...

Large oil painting by the Alsatian (French province) artist Fernand Dubich (1903 -1977). Still life in autumnal colors depicting a large bouquet of dried flowers in a copper cauldron...

77 x 39 abstract oil painting by Wolf Von Frise in custom frame.

Four Children and a Dog Playing 'King of the Mountain' on a snow pile, using snow balls, on a town street with a windmill behind, oil on mahogany beveled panel, initialed "WH" on bui...

The beautiful and intriguing 19th century portrait of John the Baptist, oil on wood, in style of Francisco Goya, signed lower left by French painter Saint Cyr Anduze. The painting i...