English Wall Decorations

Untitled, mix media, 1968 Additional information: Style: mixed media Label to verso Dimensions: 23 x 28 cm This work has been part of a private collec...

Fernand Blayne (1853-1892) studied painting under Alexandre Cabanel (1823-1889). He specialized with portraits and genre painting depicting everyday-life scenes. F. Blayn exhibite...

'Spring Lovers' by Dora Holzhandler (1928 - 2015) , Oil on board and framed. Signed 'Dora Holzhandler 2006'

A set of 4 antique dust-pressed ceramic tiles by Minton Hollins (stamped) creating a decorative blue and white glazed frieze panel depicting a renaissance style winged cherub playing...

A beautiful lithographe, John Knox administerine the first protestant sacrament, during the siege of the castle of st Andrew 1547, printed by William Bonner esq. Royal Scottish A...

Harry Newman's Derelict cottages, Stagsden 1986 Watercolour, ink, crayon, gouache Signed lower right : Clifford Knight 1986 label verso : Ghosts & Silent Witness Exhibition, North...

Montague Dawson: ‘Six Metre Class boat by the Lymington Spit’, a watercolour showing a white hulled Six Metre yacht sailing away from a racing buoy, running downwind with reduced goo...

Artwork by Gordon Cheung, "New Order Still Life with Flowers and Fruit (after Jan Evert Morel I, 1800-1808)", 2021, giclee on canvas This pieces is ...

Early 19th Century Oil Painting of Wakefield Cathedral, Yorkshire — Attributed to John Cawthorn Oil on canvas Attributed to John Cawthorn (British, active early 1800s) Circa 1810–1...

An antique W. B. Simpson & Sons tile panel depicting a Neoclassical design. The set of four hand painted tiles form a beautiful decorative panel of a classically styled vase with sc...

We are delighted to offer for sale this stunning original 1893 F.Labatino oil painting of the Bar Pantheon This piece is exceptionally well executed, the colours, the strokes, ev...

Alan Davie (1920 - 2014) Oil on Canvas Title: Transformation of A.D No.1 England Signed, dated and titled twice Size: 152cm x 183cm - 59⁷/₈ ins x 72 ins Provenance: Gimpel Fils, Lo...

Framed Oil on Canvas by Brian Glidden. We love the contrasting shades of blue oil in this perfect little oil on canvas landscape by Brian Glidden. Signed and dated ‘75. Framed 38c...

Featuring David Hockney's 1975 "Detail of Bedlam" from the set created for the scene in the Igor Stravinsky opera "The Rake's Progress", this poster was created in 1982 for the San F...

A Fine Farmyard Scene Sand Picture by Benjamin Zobel, Inspired by the Work of George Morland The scene set in a farmyard and featuring a charming donkey, bull and a pair of pigs lyi...

A very impressive 19th century oil on canvas painting of an English landscape in winter, depicting a frozen river to the centre and two men hunting to the side of the river, a church...

Ian McKeever (British, b. 1946) "Colour Etching B" etching depicting similar organic rectangular forms with rounded appendages detailed with gestural gridded linework. "Colour Etchin...

A collection of six copper plate engravings from John Stalkers "A Treatise of Japanning & Varnishing" 1688. Framed in modern faux bamboo frames, e...

Chart of the East Coast of England, from Dungeness to Flamborough, including the entrances to the Thames River. Drawn by hydrographer J.W. Norie in 1841. Includes Kent, Essex and Suf...

Signature on lower right, vibrant and beautiful palette. Technique is wonderful and textured.

Brunschwig & Fils blue floral Chiltern "Tring" wallpaper hand-printed in England, 1989. Three rolls as pictured. Two rolls are in unopened packaging, noted as 11 yards by 20.5". Thir...

Boat Scene, Sorrento, pencil. Provenance (label at back of Drawing), William Drummond St. James's, London.

Framed oil painting by H M Livens Oil on paper laid on board ‘Thames Bridges’ Label to reverse Circa 1920 Framed Height 36cm Width 31cm Depth 6.5 cm Painting size: 18cm x 13cm ...

Vintage English Engraving Print after Richard Barrett Davis / Engraved F Bromley Removed from frame. Condition of print is quite nice outside of the wavering of the paper. The color...

Original oil painting stretched, signed on back and framed by UK painter Perry Trollope.

Basil Nubel ARCA, British 1923-1981 : Village in the Rain Signed & Dated 1969 lower right, reverse canvas inscribed 1.12.69 and varnished In the original wooden box frame The reverse bearing remains of Gallery Petit, Marble Arch, London W1 - Colourful, decorative, impressionistic work capturing the refreshing quality and colour refraction of light rain - The composition is beautifully balanced the houses either side of the lane, with a strong foreground and light background recreating the visual depth of the landscape - The purple, blue, green, pink, and earth tones of the palette create liveliness and softness within the work and the light tones of the water on the lane have the strong reflective quality of a water - Injecting colour and atmosphere into the interior Height: 24.81 in. (63 cm)Width: 30.71 in. (78 cm)Depth: 1.19 in. (3 cm) Basil Nubel was a landscape painter in oil and watercolour born in Great Yarmouth, Norfolk, to an English mother and German father. Nubel studied at Leeds College of Art under Alfred Daniels and Maurice de Sausmarez, then at the Royal College of Art under Carel Weight, Robert Buhler...

Shamrock 1927 powered up on piers tack – Part of a collection of 5 original gelatin prints by Kirk and sons of the famous j class yacht Shamrock. Part of a collection of 5 original ...

J class K3 (shamrock) and k2 racing in light airs. A collection of original gelatin prints by Kirk and sons of the famous j class yacht Shamrock. Part of a collection of 5 original ...

Shamrock becalmed – A collection of r original gelatin prints by Kirk and sons of the famous j class yacht Shamrock. Part of a collection of 5 original gelatin prints by Kirk and so...

This exquisite pair of hand-painted Wedgwood porcelain plaques, painted by Thomas Allen, is a beautiful example of the Aesthetic Movement. The delicate, intricate designs and vibrant...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

A lovely pair of early 19th century paintings of flowers within a gilt and red border, some paint loss and in later frames but very decorative, circa 1820.

Signed lower left corner: M. Sinclair; (Monogram and Title on Verso). By: Max Sinclair, British, flourished 1880-1900. Late 1800s, measures: 19" H x 26" W.

'Beside the River' by Margaret Green (1925 - 2003) , oil on canvased board and framed.

This oil-on-canvas is one of a kind. It features a beautiful rural Italian town with terracotta buildings. In the distance, the local church towers over the other structures. This pi...

The gilded, stylised scrolling foliage design is embossed into the grey leather enhancing the effect of the relief. The eighteen panels were pressed from moulding blocks which were m...

A large beautifully hand painted oil painting of an English gentleman, possibly a lord or duke. Set in the country side with trees and foliage, typical English landscape. Surrounded ...

Victorian copper cake mold, made by W M Still & Co in London, dated 1903 and marked with the British Broad Arrow no. 53. This symbol indicates that the item is government property. T...

Arthur Wellesley Duke of Wellington. Etching engraved by H.T Ryall, from the original by Sir Thomas Lawrence, president of the royal academy. In it’s original frame by Paul & Domini...

Pair of framed Wedgwood circular plaques, circa 1875. Marked 'Wedgwood' on the verso.

Antique 19th century English oil on canvas marina painting with giltwood frame Frame measurements: 29 x 24 x 1,5cm.

A wonderful pen on paper drawing or etching of horses - the fluidity and bold attention to details in the bodies are exquisite. The piece has been...

19th Century coastal landscape water colour, monogram lower right. Delightful picture capturing the softness light and colours of the English coast on an overcast day Wide compo...

This black-and-white photograph captures the intricate Italian architectural details, focusing on a central seated sculpture of a Roman warrior, whose reflective gaze adds a meditati...

'Hong Kong, Morning' by John Stanton Ward (1917 - 2007) , Watercolour & Pencil, framed. Signed and dated '1982'

A fine ink and hand tinted etching by Peter Jacques Little is known about Peter, he was a printmaker, working in etching and watercolour, who studied...

Abstract Minimalist Diptych Black White Panel Painting Erik Atkinson Icon 1971. Acrylic on board with mirror and plexi glass in 2 pieces, overall 1...

Artist: William Shayer Senior (British) 1787 - 1879 Medium: Oil on canvas in original gilt frame Framed Size: H: 34 in / 86.3 cm ; W: 51 in / 129.5 cm Artists Biography: William Joseph Shayer senior was a self-taught artist, who began by painting decorations on rush-bottom chairs, and moved on to painting carriages in the town of Guildford, after which he started doing heraldic painting...

Decorate an office or a den with this elegant framed dog painting. Created in England circa 1880, and set in the original carved frame, the drawing depicts a cocker spaniel poodle mi...

This extremely large Faience pottery plaque is the epitome of the "Aesthetic Movement" style at it's best! Thick impasto enamels create a 3-dimensional effect of flowers rising out o...

"Migration (Screw #4)", 2014, Financial newspaper collage, acrylic on canvas and board, 50 x 40 x 2.5cm by Gordon Cheung Screw Paintings Begun around 2014 they were originally throwaway byproducts from my paintings where I masked out areas for spray painting. Often I found the visual effects of screwed up newspaper fascinating and eventually was compelled to turn them into works of art. I came to understand them as a fascinating space to think about the actual and the virtual. Although I am too close to them to be able to see, some have told me that they look like aerial photographs of landscapes; a moonscape or perhaps the stargate sequence from Stanley Kubirck’s 2001. They are collaged newspapers...

Artwork by Gordon Cheung, Mother, 2009, Laser pyrography, vaporised stock listings on plywood, 21 x 17 x 2cm The laser pyrographic etchings are layered with financial newspaper be...

Antique English engraving on Architecture: rare and very interesting, especially for an Archituctural Study. I can frame it upon request. ref. ST/382.

JOHN PIPER CH (BRITISH,1903-1992) :CHIESA DELLA SALUTE, VENICE Screenprinted fabric, printed by Sandersons, 1959 In the late 1950's to the early 60's there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked colour "The monumental grandeur of many artists' textiles in the early 1960's was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics". The painterly design is one of five fabrics designed by John Piper (1902-1993) for A Century of Sanderson 1860-1960, Sanderson's prestigious Centenary Collection. This study of the Chiesa della Salute church in Venice was taken from Piper's 1959 travels when he was commissioned by the Arthur Jeffress Gallery in London. He then regularly made paintings of the city, and drew illustrations for an edition of Adrian Stokes...

Victorian copper jelly mold, made by W M Still & Co in London, dated 1903 and marked with the British Broad Arrow no. 53. This symbol indicates that ...

Few coach panels survive. This is a striking example with the double headed eagle, gilded armorial and burgundy background. The closest I can find to ar...

F. wood painting, signed and dated 1907. The dimensions below are with a frame. The dimensions without the frame are: 23.5" x 17.5".     

Linocut by Ursula Foulkes (Great Britan) with dramatic color, form and mood. Dimensions: 8" x 10". References: Modern and Contemporary Art, Fauvism, Expressionism, Blue Rider ...

A fine pair of English George III-period silkwork pictures, dated 1797. These are charming Georgian (late 18th century) needleworks of children play...

John Piper (British,1903-1992) : Stones of bath, blue screenprinted fabric, by Sandersons, London, 1962 In the late 1950's to the early 60's there was interest in painterly textiles...