German Wall Decorations

Battle of Saint-Quentin 1914 – WWI German Illustrated War Print, Color Lithograph This vivid color lithograph depicts the Battle of Saint-Quentin on 27 August 1914, one of the early...

The Nativity, c.1900 German Chromolithograph “The Birth of Jesus” (Printed in Germany) This beautiful early 20th-century German chromolithograph of “The Birth of Jesus” is a richly detailed devotional scene showing the Nativity as it appeared in the finest German religious prints of the period. Produced around 1900–1920 by a major German devotional press, the work exemplifies the warmth, luminous colour, and emotional clarity that made these chromolithographs treasured in Catholic households across Europe and the Americas. The composition presents the Virgin Mary and Joseph watching over the Christ Child, who lies upon a bed of straw illuminated by a radiant divine beam. Shepherds kneel and bow in reverence, offering homage with humble gestures and simple gifts, while others approach from the right carrying lambs. The soft modelling of the figures, the golden haloes, the warm earth tones of the stable interior, and the vivid reds and greens of the shepherds’ garments all reflect the layered stone-colour technique of true chromolithography. Each hue is built from multiple ink plates, creating the velvety gradients and luminous highlights that distinguish authentic chromolithographs from later reproductions. Along the lower left margin, multilingual titles identify the subject for international distribution: “Die Geburt Jesu. The Birth of Jesus. La Nativité. La nascita di Gesù. El nacimiento de Jesús…” This multilingual caption is typical of German religious publishers who exported devotional art worldwide during the early 20th century. The imprint “Printed in Germany” further confirms its origin in one of the major German chromolithographic centres such as Munich, Dresden, or Cologne, all of which specialised in high-quality Catholic imagery during this period. This piece is unquestionably an original chromolithograph, not a modern reproduction. The print displays the characteristic stone-layered pigment structure, stippled textures, and warm matte surface associated with genuine chromolithographic production. The natural toning of the paper, the crisp plate text, and the nuanced colour transitions further confirm its authenticity. These Nativity scenes were often framed near family altars and are now increasingly sought after for both devotional use and interior display. Condition Report: Very good condition. Colours bright and unfaded. Minor edge toning and small handling traces consistent with age. No tears, losses, creases, or repairs. Caption and imprint line remain sharp and fully legible. Best displayed in a gilded or walnut frame to enhance the golden haloes and warm palette of the stable scene. A cream or ivory mat will complement the tender atmosphere and highlight the luminous tones. A slim black frame with a wide mat offers a modern gallery presentation while preserving the devotional character. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 nativity birth of jesus die geburt jesu adoration of the shepherds holy family christ child virgin mary st joseph shepherds catholic art religious art devotional print chromolithograph german chromolithograph printed in germany antique lithograph early 20th century religious print christian iconography christmas art epiphany art holy family scene fine chromolitho religious ephemera antique christian art...

Wonderful poster from 1977 with fantastic graphic artwork from Axel Bengs depicting antelope for the Tierpark Berlin. Founded in 1955 in Friedrichsfelde, the zoo was set up to rival ...

A beautiful set of framed pictures portraits of people of the victorian era on porcelain plaques. Frames made of wood, ebonized. With light sign...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War during the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin...

The Good Shepherd, c.1900 German Devotional Chromolithograph (Printed in Germany) This early 20th-century German chromolithograph presents one of the most iconic and comforting Christian images: Christ as the Good Shepherd. Produced around 1900 by a major German devotional press, the print exemplifies the luminous colour layering, soft modelling, and serene atmosphere characteristic of high-quality chromolithography from this period. These works were widely distributed throughout Europe and the Americas and became treasured objects in Catholic homes, chapels, and pastoral settings. Christ stands barefoot in a verdant landscape, gently holding a lamb to his chest while a flock gathers around him. The rich red cloak, delicate golden halo, and pastoral backdrop are rendered with exceptional detail and depth, achieved through multiple stone plates typical of fine chromolithographic production. The artwork conveys both theological symbolism and emotional warmth: the shepherd guiding and protecting his flock, the gentle lamb symbolising innocence, and the tranquil landscape offering a sense of peace and reassurance. The lower margin features multilingual titles identifying the subject for international Catholic distribution: “Der Gute Hirt. The Good Shepherd. Le Bon Pasteur. Il Buon Pastore. El Divino Pastor.” This multilingual caption format is typical of German devotional publishers active from the late 19th into the early 20th century. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms that the image was officially approved for devotional use by the Catholic Church. The imprint “Printed in Germany” situates the work within one of the major German chromolithographic centres, likely Munich or Cologne, renowned for their beautifully saturated and technically refined religious images. This is unquestionably an original chromolithograph, not a modern reproduction. The velvety colour fields, warm matte lithographic paper, subtle stippling, and natural toning all align with authentic early 20th-century stone-based printing. The crisp border text and preserved pigments further confirm its originality. The Good Shepherd was among the most cherished devotional themes of the period, and examples in this level of condition are increasingly rare and desirable among collectors of sacred art. Condition Report: Very good condition. Colours bright and unfaded. Minor age toning and small, expected handling marks at the outer margins. No tears, creases, losses, or repairs. The plate text and imprimatur are sharp and fully legible. Tips for Framing: Ideal for framing in a warm walnut or gilded frame to enhance the halo and red cloak. A cream or ivory mat complements the pastoral greens and highlights the central figure. A clean black frame with a wide mat offers a more contemporary presentation while keeping the devotional character intact. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 the good shepherd christ the shepherd jesus with lamb pastoral christ catholic art devotional art religious art german chromolithograph printed in germany antique lithograph chromolithograph imprimi permittitur church imprimatur holy shepherd pastoral scene sacred art early 20th century religious print fine chromolitho religious ephemera christian iconography christ among the sheep antique christian art...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Adoration of the Magi, c.1900 German Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting. The composition presents the Virgin Mary seated with the Christ Child, Joseph beside her, and the Three Kings kneeling in reverence as they present their gifts of gold, frankincense, and myrrh. A young attendant appears in the doorway holding another offering. The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the golden cloak of the standing monarch. These chromatic effects were achieved through multiple lithographic stones, a technique that reached its peak among German devotional publishers during this period. The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Anbetung der Könige. Adoration of the Three Kings. L’adoration des rois mages. L’adorazione dei Magi. La adoración de los Reyes Magos. Pokłon Trzech Króli.” This reflects the broad export networks of German publishers who supplied churches, monasteries, and private devotional homes throughout Europe and the Americas. The note “Printed in Germany” confirms its origin, consistent with presses in Munich, Dresden, Cologne, and Limburg, known for producing richly colored religious chromolithographs from the late 19th to early 20th century. This work is unquestionably an original chromolithograph, not a modern reproduction. The image shows true stone-layered color rather than digital or offset dots, and the paper retains the matte texture, subtle toning, and characteristic stippled pigment structure associated with genuine early 20th-century chromolithography. The presence of the multilingual caption, period typography, and the “Printed in Germany” imprint further authenticate the piece. Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible. Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 Keyword Block: adoration of the magi three kings epiphany art christ child holy family mary and jesus st joseph devotional art catholic art religious art chromolithograph german chromolithograph printed in germany antique lithograph german devotional print early 20th century religious print nativity scene christian iconography epiphany print anbetung der könige fine chromolitho religious ephemera magi kings christmas art holy family scene antique christian art...

Oil painting battle scene of Adam Eugen (1817-1880). Oil on canvas. Military scene from the time of the Spanish War of Succession, signed and dated Eugen ...

Monumental sized kinetic wall art sculpture designed and made by Christoph Bollinger in his own workshop in Germany, 1974. This amazing sculpture i...

Vintage German Ceramic Wall Plate from Keramik Manufaktur Kupfermühle, 1970s, in Very Good conditions. Designed 1970 to 1979 official proof of authenticity such as vintage catalogs, ...

Capriccio from Jeremias August Urlaub, born 1784 in Hanau, death 1837 in St.Petersburg belongs to an important franconian painter family. Original magnificent and special frame, o...

Etruscan Antiquity Plate with Warriors, Banquet and Dancers, Wasmuth c.1910 Description: This original early 20th-century plate presents a refined study of Etruscan antiquity, publi...

Antique musical oil painting Carl Friedrich Koch (1856-1941) Oil on canvas. House concert with two women and a listening man. Golden stucco frame. S...

Extraordinary collection of 5 Artists-Plates by Rosenthal, Germany. Ranging from 1971 to the mid 1980s, this series of their ''Artists Studio-Line'' features designs from artist rang...

"Metamorphosis of Surinamese Insects by Merian" This exquisite original engraving is Plate 32 from Maria Sibylla Merian's seminal work, "Metamorphosis Insectorum Surinamensium...

Monochrome Space Age serigraph by Max H. Mahlmann. The serigraph is unframed and will be sent in a roll. The picture is signed and dated in pencil. It is piece no. 78 in an edition of 100. Mahlmann worked from 1934 to 1938 as a student of Richard Müller...

Medieval European Warriors Plate 800–1300, Antique Hand-Colored Print This impressive antique costume plate presents a richly detailed study of European warriors and military equipm...

Vintage German Ceramic Wall Plate with Bird Decor from Keramik Manufaktur Kupfermühle, 1970s, in Very Good conditions. Designed 1970 to 1979 I have official proof of authenticity suc...

Title: Italy circa 1500, Antique Hand-Colored Renaissance Costume Print Description: This striking hand-colored costume plate presents a vivid and engaging view of Italian dress aro...

These beautiful Baroque plaster cherub angel heads are an antique from Italy. Made of plaster and hand painted, these cherub angel heads feature intrica...

Introducing "Composition, Trilogy Blue" by renowned German artist Max Hermann Mahlmann (1898-1971), a leading figure in the influential Bauhaus movement. Mahlmann's artistic legacy s...

Original vintage advertising poster a Woche des Buches / Book Week held from 23-29 October 1961 featuring an illustration of a couple reading a book wit...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

An exceptionally fine and quite larege Meissen hand-painted porcelain plaque depicting four royals hunting in the woods with a hunting dog and rifles. This is the finest quality of a...

Hand-Colored 1900 Print of Ancient American Figures, Pre-1500 Indigenous Art Description: An original early 1900s chromolithograph published by Ernst Wasmuth A.-G. in Berlin, illust...

Upper Austrian Peasant Couple, 1626 – Historic Costume Prints, Berlin 1877 This matched pair of hand-colored costume prints depicts a peasant woman and man from Upper Austria (Oberö...

With charming artwork by G. Hotop depicting a person joyfully enjoying the snow on a sledge, this wonderful mid century modern poster was created to promote tourists and visitors to ...

Ancient Scythians and Asia Minor Costumes – Antique Ethnographic Print, c.1905 This original early 20th-century ethnographic plate presents a detailed depiction of Scythian and Asia...

"A Fashionable Beach" an oil on canvas by German painter Carl Albrecht. (1862-1826). Signed.

German Majolica plate with morning glory on a blue basket weave and a brown border, circa 1900.

German Majolica plate with morning glory on a blue basket weave and a brown border, circa 1900.

Venice 16th-Century Costumes, Doge and Nobility, Antique Wasmuth Plate (c.1880) Description: This original early-20th-century costume plate presents a richly detailed depiction of c...

Beautiful petite gilded tole wall shelf Hollywood Regency style, vintage, Germany, 1930s. Nice addition to any room or hall entry.

Orientalist porcelain plaque in the style of KPM German, 20th century Measures: Frame: Height 64cm, width 53cm, depth 4cm Plaque: Height 54cm, width 43cm, depth 0.5cm This fine and exceptionally large porcelain plaque...

Material: Silver plated We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the butto...

Small German Majolica apple plate, circa 1900. Measure: 7.3" diameter.

Transport yourself to the Biedermeier era with this exquisite and rare original lithograph from the book "Neue Bildergalerie der Jugend." Published between 1831 and 1835 by Carl Hell...

Arno Lemke - Waxenstein and Alpspitze Technical information: Period: mid-20th century Artist: Arno Lemke Origin: Bavarian Alps Technique: oil on canvas Height: 60 cm Width: 90 cm ...

Antique Roman Military Costume Plate, Hand-Colored Print c.1880 This striking antique costume plate presents a detailed and authoritative visual survey of Roman military dress, rend...

Late 19th century KPM. The plate is 7.75" W x 9.75" H.

Original vintage Germany travel poster - Munchen Das Tor zum Suden / Munich The Gateway to the South - featuring a view of bikes and cars driving through a stone arch of the historic...

Beautiful wooden wall plaque relief sign, made in the Brutalist style in Germany in the 1970s. This is a wonderful Zodiac sign. This can be used as a Wall decoration or as a decorati...

Antique entomological illustration plate showcasing a wide variety of insects and arthropods, printed in Germany and featuring original German scientific nomenclature. Likely produce...

This pair of Anatomical pictures are part of a series called the Naturalien and Lehrmittel Anatomies and Biologie, by Tanck & Wegelin and considered to be the most accurate anatomica...

This original copper engraving, extracted from the scarce German edition of Arnoldus Montanus' "Die Unbekante Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes", ...

Along the Avon at Bath — Early 19th-Century English Cityscape, 1824 This finely engraved early-19th-century city view presents the historic city of Bath as seen from the River Avon,...

A magnificent hand painted Bjørn Wiinblad Rosenthal platter made for the studio line ceramics. Signed Bjorn Wiinblad. Decorated in 24-karat gold with an iridescent pattern. A fantastic collector’s item. Please note: This plates are heavy, weighing about pounds. It will be very well packed to ensure safe arrival. Including a rectangular platter...

Georg Karl Pfahler (1926 - 2002) “untitled” Color silkscreen on wove paper, versa signed, numbered and dated by hand Creation 1989 EX. 23/50 framed behind glass Dimensions: 70 x 70 cm Georg Karl Pfahler is considered the only important representative of the Hard Edge in Germany; he was a guest at the Biennales in Venice and São Paolo, taught in Nuremberg and Salzburg and was awarded numerous prizes. Georg Karl Pfahler was born on October 8, 1926 in Emetzheim, Bavaria. He spent his childhood and youth on his parents' farm, far away from any art. Nevertheless, he loved painting and drawing from an early age and cultivated it intensively as a childhood pastime. However, Georg Karl Pfahler only received the impetus to study art in 1948 when he met students from the Nuremberg Art Academy and accepted their invitation. His parents, good but simple country folk, had no interest in their son's newly awakened passion, and the young man was also met with incomprehension in his home village. However, Georg Karl Pfahler did not let this put him off, but attended the Academy of Fine Arts in Nuremberg for two years, where he came into contact with original art for the first time and became acquainted with the works of Marc Chagall and Paul Klee. After two semesters, he moved to Stuttgart to study under Willi Baumeister, Gerhard...

Marine Mammals Print: Whales, Seals, Narwhal & Dolphin – Antique 1867 This beautiful antique print depicts a variety of marine mammals including whales, seals, dolphins, and a narwh...

Saskia smiling with feather bar (circa 1633). Oil on canvas. Exceptionally beautiful copy after Rembrandt, back titled - copy after No. 1556, the royal pai...

Antique seascape painting by Conrad Eilers, around 1890. Oil on wood. Finely painted seascape probably East or North Sea. Signed by Conrad Eiler, ...

German school, 20th century, oil on canvas, signed, inscribed and dated "Hans Muenchen 19." Size without frame: 27 x 24 inches. Wood frame included.

Beautiful print after Paul Wunderlich's painting "Blume für Olympia" or flower for Olympia. "Blume für Olympia" (A flower for Olympia), makes references to Manet's famous work from ...

Antique etching: German village, shepherd & flock, signed ‘Conrad Rau’ A richly worked etching of a narrow German street framed by tall half-timbered houses. In the foreground a she...

Black Storks by the Water – Elegant Antique Bird Chromolithograph c.1880 This refined late 19th-century ornithological chromolithograph depicts a pair of black storks (Ciconia nigra...

Wood Pigeons in a Spring Landscape – Elegant Antique Bird Chromolithograph c.1880 This refined late 19th-century ornithological chromolithograph depicts a pair of **wood pigeons** ...

Seabirds on a Northern Shore – Elegant Antique Guillemots Chromolithograph c.1880 This atmospheric late 19th-century ornithological chromolithograph depicts three guillemots (Uria s...

Wild Geese on a Rocky Shore – Elegant Antique Bird Chromolithograph c.1880 This atmospheric late 19th-century ornithological chromolithograph depicts a pair of wild geese standing along a calm, rocky shoreline, with shallow water, scattered stones, and distant landforms creating a serene coastal backdrop. One bird is shown upright and alert, while the second rests lower to the ground, forming a balanced and natural composition that conveys both companionship and quiet observation. The geese are rendered with careful attention to plumage pattern, posture, and proportion. Warm brown and ochre tones dominate the bodies, contrasted by softer greys, muted greens, and subtle white markings on the wings. The surrounding landscape is treated with restraint, allowing the birds to remain the focal point while still grounding them convincingly in their natural habitat. Such scenes were characteristic of late 19th-century bird illustration, where natural history was presented not only as scientific documentation but also as refined visual art. Printed using chromolithography, this work benefits from smooth color transitions and layered tonal depth. The calm blues and greens of the water and sky harmonize beautifully with the earthy colors of the birds and shoreline. Fine detailing in the feathers and gentle reflections in the water demonstrate the high technical standard of chromolithographic bird prints from this period. This print is well suited to collectors of antique bird prints, waterfowl imagery, and natural history illustration. It also works exceptionally well in interior settings such as country houses, coastal homes, studies, or contemporary spaces seeking a calm, nature-inspired focal point with historical character. Condition report Good antique condition. Light foxing and mild age-related toning visible, mainly in the margins, consistent with chromolithographs of this period. The image area remains clean and well colored, with no major tears or losses observed. Framing tips Best presented with a wide off-white or soft beige mat and a simple natural wood, walnut, or black frame. This enhances the subtle color palette and gives the print a timeless, museum-style appearance. Keywords antique bird print, wild geese illustration, waterfowl art...

Majestic Common Crane in Wetland Landscape – Antique Bird Chromolithograph c.1880 This striking late 19th-century ornithological chromolithograph depicts the common crane (Grus grus...