Moroccan Wall Decorations

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Morocco Ready to go on a wall....

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Morocco Ready to go on a wall....

- Handspun and handwoven woo - 2025 - Edition of 20. This tapestry is the result of a collaboration between memòri studio and all the spinners and weavers from the Feija tribe loca...

A beautiful antique North African Tuareg Sahara bag. Tribally hand crafted, dyed, embroidered, leather bag with long fringe. The Tuareg are Berber...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

Orientalist Moroccan scene giclee painting of the King o Morocco. French orientalist reproduction painting of Mohamed V coming back from exile with a ...

One of a kind Christmas stockings. These Christmas stocking were made using a vintage Moroccan Berber rug. The front is 100% pure luxurious hand-spun wool, the backing is cotton. Som...

Oil on panel painting of a man's bust in profile, with a beard and a red fez, against a plain light blue background. The portrait, signed in the lower left corner, stands out for its...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C, Fez , Morocco Ready to go on a wall....

Original vintage travel poster for Morocco issued by the Moroccan Tourist Bureau Rabat featuring a great design of a shepherd with his flock of sheep next to grass on a lane by a small domed building, looking down from a tall building...

Moroccan Orientalist oil on canvas painting of a 19th century Moroccan market scene with an old men seating on a carpet selling old coins and a Moorish...

Abstract Painting Mixed Media in gray-white-rust-black by Hassan Bourkia Marrakesh 2008 Hassan Bourkia was born on December 19, 1956 in El Ksiba, near Beni Mellal. He is a writer, translator and visual artist. He has been teaching literature since 1982 and exhibiting in the main art galleries in Morocco and in various places abroad since the early 1990s. He recently participated in the Buenos Aires Biennial of Contemporary Art (Bienalsur), and his works are in several large private collections and museums. Hassan Bourkia has been exploring the field of memory for several years to speak about the drama of immigration and the suffering caused by the trauma of conflicts around the world. From his own life he draws the experience of an intimate apocalypse that leads him to work on collective wounds through archives and fragments. He lives and works between Beni Mellal and Marrakech. SOLO SHOWS « Splendeur de l’Incertain », Maison des jeunes, F.B.Salah, Maroc, Hommage au poète Abdallah RAJIAA. « La Nuit est aussi Soleil », Galerie Al Kassabah, Essaouira – Maroc, Travail sur Textes Mystiques. « Ivresse de la Terre », Galerie Vila Nova, Portugal. « L’Odyssée de la Terre », Galerie Al Manar, Casablanca, Maroc. « Terres d’Enfance… ici même) 1er Festival de : La Mémoire face à l’Oubli », Bibliothèque municipale, Béni Mellal – Maroc. « Chants de la Terre », Galerie Sanitas, Zurich – Suisse. « Être et…Illusion », Galerie Al Manar, Casablanca – Maroc. 1999 : « Mémoires Souterraines », Galerie Palacio D. Manuel, Evora – Portugal. 2000 : « Couleurs du Sud », Galerie Municipale, Payerne – Suisse. « Derniers Travaux », Galerie Wingy House, Solothurn – Suisse. 2001 : « Mémoires Souterraines 2 », Galerie Al Manar, Casablanca – Maroc. 2002 : « Mémoires Souterraines 3 », Bibliothèque Municipale, Béni Mellal – Maroc. 2003 : « Devenirs Vécus », Hommage à Mohamed Kacimi, Galerie Bleue, Marrakech – Maroc. 2006 : « Peindre l’air », Institut Français de Meknes, Meknes – Maroc. « Flammes et Cendres », Galerie Nationale Bab Rouah, Rabat – Maroc. « Flammes et cendres », l’Institut français de Marrakech, Maroc. 2008 : « Qana, ce jour – là », Galerie Noir sur Blanc, Marrakech – Maroc. 2007 : « Sur les cendres », Espace Souffle, Casablanca – Maroc. Galerie Venise Cadre, Casablanca – Maroc. 2011 : « L’Histoire ‘se- mêle’ », Villa Matisse, Marrakech – Maroc. 2013 : « Jardins Suspendus », Al Markhiya, Doha – Qatar. 2014 : « Couleurs des mots », Matisse Art Gallery, Casablanca – Maroc. 2019 : « Chemins croisés », Karla Osorio Art Galery, Bazilia – Brésil. 2020 : « Au noms des miens », Comptoir des Mines Galerie, Marrakech – Maroc. GROUP SHOWS 1985 : « Peintures », Bibliothèque Municipale, Béni Mellal – Maroc. 1989 : « Masques au Pluriel », Faculté des Lettres, Université Cadi Ayyad, Béni Mellal – Maroc. 1996 : « Itinérances : Art Contemporain Marocain », Université Toulouse Le Mirail – CIAM, Toulouse – France. « Plasticiens Marocains Exposent », Palais des Congrès, Marrakech- Maroc. « Itinérances, aux Portes de Marrakech », Galerie Bab Doukkala, Marrakech – Maroc. « Peintres d’Al Manar », Galerie Al Manar, Casablanca – Maroc. 1998 : « Poèmes de la Terre », 6ème Festival de la poésie Marocaine Moderne, Association Achouàla, Salé – Maroc. 2000 : « Partage », Galerie Bab Rouah, Journée Mondiale de la Poésie, Rabat – Maroc. « La Cinquième Saison », Borj Bab Marrakech, 2ème Édition Festival de Musique Gnaouie, Essaouira – Maroc. 2002 : Biennale d’Alexandrie de l’Art Arabe Contemporain, Alexandrie – Egypte. « L’Art comme Action », Société Marocaine des Droits de l’Homme, Dar el Mrini, Rabat – Maroc. 2003 : « À la Recherche de nos Atlas Secrets », Association AMRASH, Galerie ACTUA (BCM), Casablanca – Maroc. 2004 : « La semaine du Maroc », Palais de la culture, Abu Dhabi – Emirates Arabes Unies. « Petits Formats », Galerie Venise Cadre, Casablanca – Maroc. « À la Recherche de nos Atlas Secrets », Bab El Kebir, Rabat – Maroc. « Art contemporain Marocain », Salle de conférences, Hôtel de Ville, Aix En Provence – France. « La Grande Exposition Nationale des Arts Plastiques », Complexe Culturel, 1ère Édition, Cathédrale Sacré Cœur, Casablanca – Maroc. 2004 : « Terres, Mémoires, Nostalgies » Palais des arts, Lisbonne – Portugal. 2005 : EMAAR International Art Symposium, Dubai – Emirates Arabes Unies. Peintres Écrivains, 16? Congrès des Écrivains du Maroc, Théâtre Mohamed V, Rabat – Maroc. Galerie Al Maqâm, Hommage à Edmond Amran El Maleh, Tahannout, Marrakech – Maroc. Grande exposition nationale d’arts plastiques, Cathédrale sacré Cœur, 2? Édition, Casablanca – Maroc. La semaine culturelle du Maroc, Doha – Qatar. La Galerie Nationale, Lithographies, La semaine culturelle marocaine, Sao Paolo – Brésil. La Galerie Nationale, La semaine du Maroc, Mexico – Mexique. Journées Internationales du Désert, Association Tariq Bnou Ziad, Rissani – Maroc. Aspects, Galerie Mohamed El Fassi, Rabat – Maroc. Grande Exposition National, Cathédrale Sacré Cœur, Casablanca – Maroc. Exposition d’art plastique arabe, Rashaa, Jeddah – Arabie Saoudite. 2006 : Journée de la femme, Alliance Franco- Marocaine, Rabat – Maroc. L’Art Contemporain Marocain, Théâtre National, Bucarest – Roumanie. Académie des Arts, Centre Culturel et Artistique de Saba, Tehran – Iran. 2007 : « Sortir aux entrailles », Galerie Linéart, Tanger – Maroc. Hôtel de ville, salle Albert Camus, Cugnaux, Toulouse – France. Espace Fès Palace, La CDG, Fès – Maroc. Galerie Nationale, La semaine culturelle Marocaine, Alger – Algérie. « Convergences », La Société Générale Marocaine des Banques (Siège), Casablanca – Maroc. « L’art contemporain marocain », Galerie Chaabia, El Jadida (Maroc) ; Médiathèque Al Assad, Maison de la culture, Damas – Syrie. Salon d’Hiver, 1ère Biennal d’Art Marocain, Marrakech – Maroc. La Création Arabe Contemporaine ; Salle d’exposition Hôtel J.W. Mariott, Koweït City – Koweït. Loft Galerie, Casablanca – Maroc. Exposition Nationale, Galerie A. El Khatibi, El Jadida – Maroc. Forsight Gallery, Amman – Jordanie. « Zones sensibles », Association des Artistes Malgaches, Salle municipale des expositions, Monaco. Art Marrakech, Biennale internationale, Es Saadi Hôtel, Maroc. Venise Cadre, Casablanca – Maroc. Salle Nationale, Ouagadougou – Burkina Faso. 2011 : Seven, Galerie Agora, Marrakech – Maroc. Semaine de la culture Marocaine, Salle Nationale, Ouagadougou – Burkina Faso. Parcours Mobile, Hommage pour Edmond Amran El Maleh, Galerie 38, Casablanca – Maroc. Nature et paysage, La Société Générale, Casablanca. Hommage à Edmond Amran El Maleh, Bibliothèque Nationale, Rabat – Maroc. Marrakech Art Fair, 2ème Édition Marrakech – Maroc. Inspiring Morocco, Harold’s, London – Angleterre. Société Générale, Casablanca – Maroc. Top 25, Foire Internationale, Casablanca – Maroc. 2012 : Palais d’Expositions, Genève – Suisse. Regards Africains Croisés, Actua, Casablanca – Maroc. Espace d’Art Moderne, Assilah – Maroc. Bibliothèque Nationale, Las Palmas – Les îles Canaris. 5? Symposium de l’Art Moderne, Louxor – Egypte. Borj Bab Marrakech, Essaouira – Maroc. ArtSyriat, Institut du Monde Arabe, Paris – France. « 1000 sur Papiers », Galerie Bassamat, Casablanca – Maroc. « Sobre Paper », Galerie Antoni Pignol, Barcelone – Espagne. « Matière », Banque Al Maghrib, Rabat – Maroc. 5 Artistes pour Darna, Bab Marrakech, Essaouira – Maroc. L’art moderne marocain, Galerie Orfely, Amman – Jordanie. 2014 : Dessins, Petits Formats, Ambre Espace, Forum des Architectes, Casablanca – Maroc. Galerie Al-Alanda, Amman – Jordanie. Le Musée Mohamed VI de l’Art Moderne, Rabat – Maroc. 2015 : «Les Vertus de l Oiseau Solitaire», Hommage à Juan Goytisolo, Dar Chrifa, Marrakech – Maroc. Carte Blanche, CDG, Rabat – Maroc. Poésie et peinture, Hommage à A. Jouahri, Galerie Noir sur Blanc, Marrakech. 2016 : «Les Vertus…», La Maison Arabe, Séville – Espagne. Mail-Art, Hommage à Arthur Rimbaud, l’Ancien Tribunal, Florac – France. « Des Papiers et des Mains », Dar Chrifa, Marrakech. Al Makan d’Art Actuel, Gafsa – Tunisie. Mail-Art, Ambre Espace, Casablanca. 2017 : Art Moderne en Méditerranée, Maison Sébastian, Hammamat – Tunisie. Art Moderne Arabe, 1ère Edition, Qatara, Doha – Qatar. Espace d Art, Banque Cairo – amman, Amman – Jordanie. Art Moderne Arabe, Union des Artistes, Koweit – Koweit. Sculpture au Jardin des Arts, Marrakech. 2018 : « Traversées » Comptoir des Mines Galerie, Marrakech, Maroc. « Mare Nostrum », Comptoir des Mines Galerie, Marrakech. 2019 : « Poésies Africaines », Comptoir des Mines Galerie, Marrakech – Maroc. Maison Sébastian, Hammamat – Tunisie. Bab El Madina, Tunis – Tunisie. Maacal (Musée Al Maaden), Materials insanity, 2ème Édition International African Art Fair, Marrakech – Maroc. Salon du Maroc, Abu Dhabi – Emirates Arabes Unies. Bibliothèque des Emigrés, Musée de l Emigration, Buenos Aires – Argentine. 2? Biennale Internationale Art et Désigne, Brazilia – Brésil. 2020 : « Distance Ardente », Africa 2020, Musée Régional d’Art Contemporain, Occitanie – France. Art Contemporain en Amérique Latine, 1ère Biennale, Sao Paolo – Brésil. PUBLICATIONS Depuis 1982, publications de plusieurs articles (philosophiques et littéraires) dans différents journaux et magazines marocains et internationaux : Al Karmal, Al Quds, Horizons Maghrébins, Mediterraniènnes, La Revue Française, La Pensée Arabe Contemporaine, Arabes et Pensée Universelle. 1994 : « Le gai Savoir », F. Nietzsche (co-traduction, avec Mohamed Ennaji), édition Afrique Orient, Casablanca – Maroc. 1996 : « Crépuscule des Idoles », F. Nietzsche, (co-traduction/ Ennaji), édition Afrique Orient, Casablanca – Maroc. « Abner Abounour », Edmond Amran El Maleh, Récits (traduction), éd. Afrique Orient, Casablanca – Maroc. 2000 : « Dounia Hanya », succession narrative, Édition Afrique Orient, Casablanca – Maroc. Dont quelques nouvelles étaient traduites et éditées dans la Revue Française. « Le Gai Savoir », 2ème Édition, Afrique Orient, Beyrouth – Liban. « Éclat de l’écriture », essais critique sur l’art, la poésie et le roman marocains, Édition Le Suprême Congrès de la Culture, Le Caire – Egypte. 2001 : « Le Retour d’Abou El Haki », Edmond Amran El Maleh, Roman, éd. Afrique Orient, Casablanca – Maroc. 2002 : « Du Texte à l’Action, Essais d’Herméneutique », Paul Ricoeur, (co-traduction avec Mohamed Berrada), Édition Ein For Human and Social Studies, Caire – Egypte. 2004 : « Le Livre de la mère » Edmond Amran El Maleh (traduction), Édition Luxous, Tanger – Maroc. « Le Fond de la Jarre » Abdelatif Laabi, (traduction). 2005 : « L’empire de doute : Autour de l’œuvre de Juan Goytisolo », co-éd. Ministère de la culture, Rabat – Maroc. 2006 : « Par Delà le Bien et le Mal », F. Nietzsche (Traduction), éd. Afr. Orient, Casablanca – Maroc. « Morceaux de choix...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

Original vintage travel poster for Morocco issued by The Moroccan Tourist Bureau Rabat featuring a great image depicting a shell on a sandy beach by the sparkling sea water and a per...

1970s Decorative Wooden Window in Moorish Style Hand Painted in Red Colors

Early 20th century blue Moroccan Ceramic plate hand made in Fez. Handcrafted and glazed decorative ceramic bowl from Fez, Morocco. Featuring an elaborate hand-painted Moorish pattern...

Group of 6 colorful pages of a 19th century North African prayer book with expressive calligraphic script in black ink with red, green and yellow highlights. These are truly miniatur...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

- Handspun and handwoven wool, oil paint - 2025 - Edition of 20. This tapestry is the result of a collaboration between memòri studio and all the spinners and weavers from the Feij...

Rare and remarkable Moroccan wall shelves handcrafted in mahogany featuring parapet tops, architectural nooks, finials, balustrades, stick and ba...

- Handspun and handwoven wool using natural dyes - 2025 - Edition of 20. This tapestry is the result of a collaboration between memòri studio and all the spinners and weavers from ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

78447 Vintage Berber Moroccan Tribal Textile, 01'04 x 01'08. Emanating nomadic charm and steeped in ancient Berber history, this handwoven Moroccan fragment is a captivating vision o...

- Hand-spun and hand-woven wool tapestry - 2020 Dimensions: 250 H x 145 W CM 98.4 H x 57 W IN MADE IN COLLABORATION WITH ODU WORKS EDITION OF 3 + 1 ARTIST’S PROOF WOOD FRAME BY EL...

- Handspun and handwoven wool - 2025 - Edition of 20. This tapestry is the result of a collaboration between memòri studio and all the spinners and weavers from the Feija tribe loc...

Large hand crafted iron scroll design wall bracket. Wrought iron handcrafted wall-bracket for lanterns or signs. Perfect for hanging lights or plants outdoors. Scrolling wall-mou...

Oil on canvas framed in a gold molding depicting a seated Ethiopian woman in an interior setting with a geometric background. The figure is dressed in traditional clothing and poses ...

Original vintage travel poster for Morocco issued by the The Moroccan Tourist Bureau Rabat featuring a great design of a shepherd with his flock of sheep next to grass on a lane by a...

Antique 1900s Moroccan hand-hammered brass tray, intricate artwork, very fine Islamic metalwork brass hand etched designs with a five pointed star in the center. Handcrafted decorati...

- Handspun and handwoven wool, oil paint - 2025 - Edition of 20. This tapestry is the result of a collaboration between memòri studio and all the spinners and weavers from the Feij...

Antique Moroccan Moorish Silk Textile Tapestry Wall Hanging Hiti Ottoman voided silk velvet wall covering. Silk velvet cut designs, light browns, yellow, cream and blue, the panel consist on two arches with Islamic floral designs. Antique textiles from early 1900s. Each arch panel is 62" height X 26"5 wide Antique silk...

Moroccan exotic metallic brocade caftan gown, circa 1970s. The luxurious kaftan is designed with brilliant gold metallic fabric. The front of the elegant caftan gown is embellished with woven gold buttons and loops that run down the centre to the hemline. The cuffs and border seams are accented with handmade applique trim. This exotic Arabic caftan gown makes a very extravagant garment for formal attire transitions effortlessly to casual wear Measurements The gown length from the collar to the hem 52" 1/2 inches The bust measured flat side to side 18" 1/2 inches The complete bust measures 37" inches The shoulders measure 15" 1/2 inches The outer sleeve length measures 24" inches The waist section measured flat 20" 1/2 inches The hip section measured flat 24" 1/2 inches Size small to Medium. Elegant vintage Moroccan caftan lime green and silver lame metallic floral Moorish brocade Kaftan, circa 1970s. This vintage long maxi dress kaftan is crafted in Morocco and tailored for a relaxed fit with wide sleeves This long maxi dress kaftan is embroidered and embellished entirely by hand. One of a kind evening Moroccan Middle Eastern gown. The kaftan features a traditional neckline, embellished sleeves It is a slip on, the button does not open. In Morocco, fashion preserves its traditional style inherited from great civilizations that found their way to Northwest Africa, such as the ottomans and the moors. Moroccan fashion has been recognized for its style and has garnered a reputation, winning awards in international fashion shows throughout Europe. Marrakech Bohemian, Yves Saint Laurent style. The Moroccan kaftans are worn by men and women, at home or at Moroccan wedding or traditional ceremonies. You can wear this traditional Moroccan caftan for your next Moroccan party, at the beach or to relax around the pool. Unisex long Moroccan robe...

- Handspun and handwoven wool, oil paint - 2022 - Unique piece - Framing by Laetitia Verchere - Edition of 10. Dimensions: 40 x 40 in // 100 x 100 cm.

Antique Moroccan Kilim rug with beautiful geometrical and tribal design and nice red field color, entirely handwoven with wool on cotton foundat...

Suffused with the soft, rich colors that Jacques Azéma was known for, this view of a Moroccan landscape ("Les Champs" in French) includes a seated male y...

Amazing use of color here, hand woven by a berber lady early 20th century, gives me the feeling of contemporary art... in very good condition, can be used as wall hanging or on the f...

A magnificent pair of antique Moorish corbels, hand-carved in wood and richly polychromed. Their architectural design, with interlaced arches and geometric details, reflects Mudéjar ...

A rare find this 19th century green velvet and goldthread ceremonial jewish cape, from Morocco.

A North African likely Taureg Moroccan large charger. It is carved out of a native wood and the covered in a hand hammered copper and brass sheet decorated with all sorts of symboli...

Antique Moroccan Moorish Silk Textile Tapestry Wall Hanging Hiti Ottoman voided silk velvet wall covering. Silk velvet cut designs, light browns, yellow, cream and blue, the panel consist of two Moorish arches with Islamic floral designs. Antique textiles from early late 19th century. Each arch panel is 63" height X 26"5 wide Antique silk tapestry...

Oil painting depicting an urban passageway covered by an imposing architectural arch, characteristic of North African medinas. The composition features multiple figures dressed in tr...

Beautiful hand crafted iron scroll design wall bracket. Wrought iron handcrafted wall-bracket for lanterns or signs. Perfect for hanging lights or plants outdoors. Scrolling wall-mou...

Gordon B. Coutts (Scottish/American, 1868-1937) A very fine and large orientalist oil on canvas titled "Ashura Rituals, Tangier" (Arabic: عاشوراء‎ ʻĀshūrā’ - Urdu: عاشورا‎ - Persian: عاشورا‎ - Turkish: Aşure Günü). Signed and inscribed: 'Gordon Coutts/TANGIER' (lower right), circa 1920. Provenance: The Fisher Art Museum, University of Southern California. Gordon Coutts led a peripatetic career, born in Aberdeen, Scotland, he then studied and travelled to Glasgow, London, Paris and Rome before settling in Melbourne, Australia in 1891. In 1896 he moved to Sydney, where he taught at the Art Society of New South Wales, before returning back to Europe in 1899. With the climate of northern Europe detrimental to Coutts' poor health, he moved with his wife, Alice Grey, to the United States where he became a frequent exhibitor at the Bohemian Club in San Francisco. In 1920 he travelled to Tangiers, Morocco where, dressed as an Arab, he passed from tribe to tribe observing the lifestyle, customs and practices of the the village people and Bedouins. The present work depicts the celebration of Ashura. The day of Ashura is commemorated by Shi'ite Muslims; "A day of pain, pilgrimage and pageantry, it is one of the holiest in their religion. The word Ashura means 10, and refers to the tenth day of Muharram, the first month of the Islamic calendar. This is a period of mourning and cleansing, which marks the martyrdom of Hussein, grandson of the Prophet Muhammad...

Fabulous Moroccan Moorish hand-hammered brass tray, intricate multi dimension artwork, very fine Islamic Metalwork brass repousse designs. Handcrafted wall hanging decorative brass tray with a copper...

Hand crafted iron scroll design wall bracket. Vintage wrought iron handcrafted wall-bracket for lanterns or signs. Perfect for hanging lights or plants outdoors. Scrolling wall-m...

A stunning pair of vintage hand painted Moroccan spice shelves or racks. The shelves are finely hand painted featuring fine moorish and arabesque motifs, painted in Green and decorat...

Original vintage travel advertising poster for Morocco Royal Air Maroc Moroccan International Airlines featuring stylized artwork depicting traditional...

Antique early 20th century Moroccan Kilim rug, with two central diamond medallions, made in simple flat-woven or tapestry technique, in which the pattern is produced by horizontal wefts that cover the vertical warps. The ground is a denim blue color with browns, greens, beiges, pinks and blues woven into the border decoration and diamond medallions. The desire for the ‘exotic’ rug family in Western culture played no small part in the entrance of Moroccan style to the world stage and the gradual western influence on the style we see today. Given their thinner, supple structure, Kilim rugs are usable not only as decorative floor covering, but also as wall hangings and on furniture or bed coverlets...

This classic and important drawing by Jacques Azéma depicts two Moroccan male youth in the hammam or bath house, relaxing in the nude and imbibing in tea...

This striking vintage Moroccan Boucherouite tapestry rug, hand-crafted circa mid-20th century, is a vibrant celebration of artistic expression and cultural heritage. Woven from a mix of recycled textiles, this one-of-a-kind piece features a bold, ultra-modern geometric composition in brilliant shades of red, pink, blue, green, purple, yellow, and earthy browns. The abstract design evokes the spirit of mid-century modern art, drawing visual parallels to the works of Josef Albers and Paul Klee, as well as the storied textile traditions of the Gee’s Bend quilts from Alabama. With its dynamic asymmetry, saturated palette, and raw textile beauty, this rug functions equally well as a decorative wall tapestry or as a centerpiece in a contemporary interior. Ideal for eclectic, bohemian, or art-forward spaces, it exemplifies the spontaneous creativity and rich folk artistry of Morocco’s Berber weaving traditions. Dimensions: 5’ 8” x 7’ 2” Date of Manufacture: 3rd Quarter 20th century Place of Origin: Morocco Material: Cotton, Wool Condition: Wear consistent with age and use The Persian Knot Gallery, SKU 1487 Moroccan Boucherouite, Vintage Moroccan Rugs, Vintage Berber Rugs, Vintage North African Rugs, Mid Century Modern Rugs, Vintage Moroccan Kilim, Vintage Berber Kilim, Boucherouite Rag Rugs, Moroccan Rugs Boucherouite, Moroccan Tribal Rugs, Abstract Mid Century Rugs, Nomadic Rugs, Berber Tribal Rugs, Vintage Boucherouite Rugs, Vintage Rag Rugs, Moroccan Rugs, Moroccan Kilims, Josef Albers Rugs...

Hand crafted iron scroll design wall bracket. Wrought iron handcrafted wall-bracket for lanterns or signs. Perfect for hanging lights or plants outdoors. Scrolling wall...

Drawn with great economy, yet highly sensual, this depiction of two nude male figures in tight embrace was made by Jacques Azéma, the French artist who spent most of his artistic lif...

Large vintage Moroccan round brass tray, wall hanging decorative platter. Circa 1950s. Engraved and embossed large 38 inches round midcentury...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

Large Moroccan Silk Handmade Tassel Passementerie Curtain Tieback in Olive Green. A beautiful large Moroccan silver metal and silk handmade tassel pa...

Nice Moroccan flat woven rug with geometrical tribal design and beautiful colors, entirely hand woven with wool and silk on cotton foundation. ✨✨✨ "Experience the epitome of luxury ...

78448 Vintage Berber Moroccan Textile, 01'03 x 01'04. Emanating nomadic charm and steeped in ancient Berber history, this handwoven Moroccan fragment is a captivating vision of woven...

A very finely woven wool veil used as a head cover in the wedding ceremony among the Ait Abdellah Berber people of the Moroccan Anti Atlas region. The pattern is obtained with the re...

Presenting a lovely limited edition etching, namely, “The Souk” limited edition etching by Azoulay Guillaume. From 1982 the etching is numbered an...

Large antique Islamic brass tray with fine geometric engraved designs measuring 37 1/2 inches across. Likely of Morrocan or Egyptian origin.