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1920 Snowy Landscape by Kusche Alfred

$1,562.47List Price

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Landscape with Trees  by Alfred Henry Maurer, New York School, Gouache on Paper, Circa 1915. A dynamic Modernist rendering of trees and a wall in a landscape setting in hues of green, violet, sienna and yellow. Signed in pencil in the lower left corner “A / H Maurer”. The image measures 20-3/4 inches x 17 inches. Simple wood frame and glazing measuring 21-3/4 inches x 18  inches. Condition: Slight yellowing of the paper and other minor signs of age otherwise excellent condition. Provenance: Private Collection, New York Biography from The Phillips Collection of American Art: ALFRED HENRY MAURER (1868–1932) One of the first American painters to reflect the influence of European modernism in his painting. Born in New York, Maurer studied in 1884 at the National Academy of Design, New York, where he became recognized as an accomplished painter of portraits inspired by those of James A. M. Whistler and American impressionist William Merritt Chase. From 1897–1914 Maurer lived in Paris where he became acquainted with fellow Americans Arthur Dove and Gertrude and Leo Stein. It was in the Stein’s salon, a well-known meeting place for Americans and modern French artists...
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Landscape with Trees  by Alfred Henry Maurer
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Still life Oil Painting, Gladiolus by Paul Kusche, 1920
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Kusche, Paul (1882-1952), flower vase with gladiolus Measures: 100 cm x 70 cm (frame excluded) 39.4 in x 27.6 in (frame excluded) oil on board, 1920 Ancient painting depicting...
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Young Women Portrait by Alfred Schmidt, 1920
Located in Vo , Veneto
Alfred Schmidt (1876 ????- 1956) – Portrait of the concert singer Caroline Naase Oil on canvas circa 1920 60 x 47 cm – without frame 78 x 65 cm – frame included Signed center right: Alf Schmidt. Alfred Schmidt 1876 Dresden – 1956 Graefelfing An impressionist at the Chiemsee The painterly mood content, which the artist Alfred Schmidt captured in countless variations on the canvas, occupies such an eminent and substantial position that it is inextricably linked to his oeuvre. “[…] Female creatures walking in the shimmering air […]”(1), who find their pleasure in the warm, golden tones of summer and the grey-silver shimmering water surface of the lake, correspond to the characteristic motif of the native of Dresden. One is inevitably reminded of the impressionist Christian Landenberger (1862-1927), to whom Schmidt was a friend and who painted canvas on canvas at Lake Ammersee, but “[…] softer, sweeter and more narrative, because he [Schmidt] often expands on that Nature and the human body come together to create a small, genre-like idyll”(2). His art is a commitment to plein air painting. He openly displays his impressionistic impetus. The originally anecdotal aspects of his painting, which he had experienced at the Karlsruhe Academy from 1886 to 1893, he gradually put aside both through the one-year study visit to Paris and Brittany in 1889 and through the influence of Landenberger and Swabian landscape painting. From this point onwards, artistic development is hardly noticeable. He had found his individual style and stuck to it. At the end of 1899, Schmidt came to the Swabian capital from Karlsruhe in the entourage of Leopold Graf von Kalckreuth (1855-1922), who was appointed to the Stuttgart Academy with Carlos Grethe (1864-1913) and Robert Poetzelberger...
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