19th Century English Oil Painting "The Gleaners" Signed J. E. Meadows Dated 1874

This charming pair of 19th-century French marine oil paintings was executed on panel circa 1870. Each small-scale composition (11.5" W x 10" H including frame) captures coastal life ...

Decorate an office or study with this large antique oil on canvas painting. Created in France circa 1890, and signed by French artist, E. Laval, the artwork is set in the original ca...

Decorate a study, office or den with this beautiful and colorful antique oil on canvas painting! Painted in France circa 1890, the artwork is set in a 19th century carved gilt wood f...

Decorate a study, living room or den with this beautiful and colorful antique painting! Painted in France circa 1890, the artwork on canvas is set in a 19th century carved gilt wood frame and illustrates a picturesque, countryside scene in rural France depicting a farmyard at the edge of a village; the painting is signed in the lower right corner by the artist, E. Kermanguy, one of the pseudonyms of Eugene Galien-Laloue (1854-1941). The pastoral painting, which has been relined, is in excellent condition with rich, realistic colors in a post impressionist style; throughout the painting, the viewer can get a sense of the artist's expertise in the rendering of space, light and a beautifully hazy atmosphere. We thank Mr. Noé Willer for confirming the authenticity of this work, which appears in his archives of the artist. Eugène Galien-Laloue (1854-1941) was a French artist of French-Italian parents. He was a popularizer of landscapes, marine and street scenes, usually those illustrating autumn or winter settings. His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris during la Belle Époque. His paintings regularly include horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th century art, but for the actual historical content which they document. His work can be seen at the Musée des Beaux-Arts, Louvier, Musée des Beaux-Arts, La Rochelle, Mulhouse, France. Some artists or writers are content to have a pseudonym so as to disguise their work. Eugène Galien Laloue was particularly adept at establishing many identities, since over the course of his career he worked under three main pseudonyms: J. Lievin – after a soldier he met during the Franco-Prussian war, E. Galiany – an Italianized version of his own names, and L. Dupuy – after Dupuy Léon who lived in his same area. Even his name “Galien” is questionable, since on occasion he spelled it with one “l” and on his birth...