19th Century Oil on Panel Flemish Painting Landscape with Cows, 1870

Landscape with resting shepherdess, sheep and cow, Tschaggeny 1849, signed and dated lower right by the Flemish Romantic painter and engraver Charles Philogene Tschaggeny, Bruxelles 1815-1894. This antique oil on oak panel painting, set in modern carved gilt-wood frame, depicts a resting shepherdess seated in the shade of a tree, stroking a cow. In front of them sits a sheep with a little lamb. The foreground scene is framed by a rural landscape with architecture in the background. In excellent condition, set within a carved and gilded wooden frame, this antique Belgian painting...

Pair of whimsical surrealist oil on panel paintings in shadow boxes. Signed.

Pair of whimsical surrealist oil on panel paintings in shadow boxes. Signed.

Pair of whimsical surrealist oil on panel paintings in shadow boxes. Signed.

A Dutch 19th century oil painting on panel. A Dutch school ( Hollandsche School) painting, oil on an oak panel with a scene of a river landsca...

Veneto, Italy, early 18th century Oil on canvas 20th century frame carved and gilded in pure gold Dimensions: cm W 93 x H 78,5 x D 5.

Tuscan landscape with bridge over a stream and peasant women Signed "E. Donnini", bottom right Gilded frame Oil on canvas, cm H83,5 x W60 Emilio Donnini (Florence, 1809 - Florence, 1886) was an Italian painter. There is no information regarding Donnini's pictorial training, whose documented activity, exercised in his Florentine studio in via del Maglio, began in 1843, the year in which he participated in the exhibition of the Florentine Promoter Society with View of a river with a bridge. Regular frequenter of the Caffè Michelangiolo, the meeting place of Macchiaioli painters, he regularly participates in the exhibitions organized by the Florentine Promoter Society of Fine Arts, starting from 1845 with Country of invention and View of a mill near Pisa and in 1847 with a series of views of Versilia. In the same year, his friend Antonio Puccinelli portrayed him in the Portrait of the painter Emilio Donnini: with the Pisan, Donnini shares patriotic and irredentist ideals and in all likelihood participates in the uprisings of 1848. In this period he approaches the Markò family, with whom he frequently moves between the Island of Elba, the Lazio and Tuscan countryside to paint landscapes en plein air, in the Macchiaioli way. In 1848 he painted Glimpses of Vicopisano, in 1849 he participated in the Promoter with a View of the Valdarno near Docciola, in 1850 with Marciana, View in the outlines of Seravezza and Marciana Marina. In 1852 he painted a marina for the walls of the Caffè Michelangiolo, in 1853 he participated in the Promoter with the Porto Lungone beach, Civitavecchia beach and Tramonto di sole sul mare. Starting from 1854 he is part of the artists of the Scuola di Staggia with the Markò, Serafino De Tivoli, Carlo Ademollo, Alessandro La Volpe, Lorenzo Gelati and Saverio Altamura and, in the same year, he was awarded by the Promoter for the Marina di Livorno paintings at the Ponte alla Sassara, Marina near Marciana with sun effect and View of a lake with sunset. In 1855 he participated in the Promotrice with Marina with boats, A road of Mugello near Vicchio, The furnaces of Prince Corsini in the Valdarno and Lo stradone del Gombo, in 1856 with Campagne Senesi, in 1857 with Paese del Mugello with bather, in 1858 he was awarded the Silver medal with A morning on the sea, where he also exhibits Country near Pisa, The mountains of Marciana, Rio beach...

Antique late 19th century Victorian style oil on panel landscape painting. Small illegible signature at bottom.

Cow and Calf, oil painting, 19th century. Lovely oil rendering on board of a cow and newborn calf in a verdant landscape, in a restored gilt carved late 18th century Louis XVI frame ...

Oil on canvas, view from a mountain range with pines and fir trees on a flat river or lake landscape with farmsteads. (S-108).