19th Century Renaissance Style Painting of Ponte Vecchio, Florence 1 of 3 in Set

Peter Götz Pallmann (Berlin, 1908 - 1966) Santa Trìnita bridge in Florence Oil on canvas applied to wood, 35 x 40 cm Frame 45.5 x 50.5 cm Signe...

English Renaissance style (19th cent) ebonized framed oil painting portrait of 17th century lady in brown dress with scroll design.

This contemporary artist captures the style of 19th Century European masters so well. Her colors are vivid and rich and this painting feels like it could be over a 100 years old. See...

A late 19th Century Renaissance Revival profile portrait of a young man, Italian School, ca. 1880s. This atmospheric portrait comes to us from a prominent North Shore of Boston fami...

This splendid oil painting on canvas, in Neo-Renaissance style, depicts a young Florentine man from the Renaissance period. Its workmanship closely rese...

Le mobiler anglais du 19 eme siecle. 19th century English furniture By Alessandra Ponte Larousse. Text in French. Editor Larousse Publication date 1986 Collection Arts and style...

A set of eight original 19th Century Chinese watercolour paintings on rice paper of flowers, butterflies and other insects. From the studio of Yungqua Canton – Circa 1850. Yungqua (...

A rare set of 4 exquisitely executed gouaches of Naples and surrounding area, showing unusual scenes of the bays of Amalfi, Sorrento, the golf of Baja (Sardinia) and Tempi Di Pesti ...

**Set of 3, 19th Century Allegorical Reverse Glass Paintings** This captivating set of **three 19th-century allegorical reverse glass paintings** presents richly detailed narratives imbued with symbolism and classical themes. Each painting is executed in the traditional reverse glass technique, providing a smooth and reflective surface that enhances the vibrant palette and fine detailing. 1. **Painting 1 (Left Panel):** This scene portrays a dramatic encounter, likely a moment of judgment or persuasion, set against a distant landscape. A figure in a flowing blue robe gestures emphatically toward a well-dressed couple, perhaps symbolizing conflict, intervention, or moral decision-making. The background includes a sweeping view of the countryside, with figures in the distance adding depth and context. 2. **Painting 2 (Center Panel):** The central panel features a pastoral scene steeped in allegorical significance. A central figure dressed in red, resembling a shepherd, commands attention under a radiant sunburst. Surrounding characters appear in moments of tension and repose, including a reclining figure and a soldier-like character. This composition evokes themes of guidance, struggle, and divine providence, with the bright sky and natural elements reinforcing the allegorical tone. 3. **Painting 3 (Right Panel):** The final panel depicts an intimate interior scene, with two seated women engaged in conversation, one gesturing emphatically as a standing male figure observes. The setting includes detailed furnishings, such as a writing desk, a red draped curtain, and objects hinting at scholarly or domestic pursuits. This tableau may represent themes of wisdom, counsel, or moral reflection, supported by the characters' thoughtful expressions and elaborate dress. Each painting is framed in its **original dark wooden frame**, complementing the vibrant colors and enhancing their display value. The set embodies the **19th-century European fascination with allegory and storytelling**, making it a significant piece for collectors of reverse glass art...

A large 19th century oil on canvas of American Frontier Life, Possibly Missouri. Landscape with a cabin in foreground, cows, tree, pioneers. Also with rolling hills, a sailboat and farmers in distance. Very reminiscent of the Hudson River School but more in line with the Luminist Style of George Caleb Bingham (1811-1879). George Caleb Bingham, (born March 20, 1811, Augusta County, Virginia, U.S.—died July 7...