Paintings

Framed Lithograph of the original water colour painting titled Le Poney, cataloged as Inv. MCR 104 on page 55 of Marie-Christine Renauld's cabinet raisonne L'univers d'Alfred de Dreu...

Yamin Young, 1980s Serigraph Signed And Numbered "Sirens Song" 93/275. Serigraph Is Professionally Framed And Ready To Hang. The Substantial Frame Itself Enhances The Artists Artwor...

A finely executed Biedermeier oil painting from the 1820s, depicting a tranquil hunting scene with two dogs. Painted with meticulous detail, the composition captures the animals in a...

Here is a beautiful, large-scale abstract painting from 1992 by E. Hyman. The work features a lovely mix of colors and texture, with bits of impasto throughout. It measures an impr...

A Rare Pierre Alexandre Graziani (French, 1932–2020) 'La Colère des Hespérides' 1958 Oil on unframed canvas - Signed and dated lower right “Graziani ’58” Dimensions: Height: 100 c...

The oil painting depicting a nude female in a state of relaxation, her hair styled in the fashion of the Art Deco period, in period molded and ebonized frame with gilt rabbet.

Oil on canvas painting signed Hilgers bottom right. 1930s, depicting a young woman naked kind of Olympia in the Art Deco style.

Large stunning portrait of a beautiful seated woman in a red dress framed in a period carved giiltwood frame. Signed upper right R. Hinton Perry. Dated indistinctly 1931 or 1939. Roland Hinton Perry (1870-1941) was a sculptor and painter committed to the Beaux-Arts tradition. Born in New York, he studied in Paris at the Académie Julian under Henri Chapu and Denys Puech...

1958 Willy Mucha Abstract Oil Painting on Canvas, Signed Offered for sale is a 1958 Mid-century Modern abstract oil painting on linen canvas by Willy Mu...

This painting by Libertad Gomez, 1983 is a breath of fresh air. We like the use of colors and the artist's rendition of an outside in environment. Frame...

Original vintage mid century maritime oil on canvas Danish painting by Alfred Brændgaard (1901-) framed in a wooden frame. The motive shows a seaside small harbour with fishing boat...

[Authentic work] ◆ Gengetsu Yazawa ◆ Mountain and Lake Off Day ◆ box ◆ Landscape ◆ Nagano Prefecture ◆ Handwritten ◆ Paperback ◆ Hanging scroll ◆ Gengetsu Yazawa Art yearbook appr...

Painted Pompeii fresco panel depicting scene VIII from the "Sala di Grande Dipinto" in the Villa de Misteri at Pompeii on canvas. This is in the style of painted on canvas. Measures ...

Gotthard Sandberg (1890-1961), Swedish artist. Oil on board. Modernist landscape with horses in a meadow. Titled "Sommar" (Summer). Signed and dated 1960. In perfect condition. Visi...

This is an original unique oil painting by the artist Bernard Pothast, signed in the lower right corner, featuring a mother and her children sitting around the kitchen table. Prov...

Italian painting from the first half of the 20th century. Oil painting on canvas, first canvas, depicting tavern in eighteenth-century style with characters and horses. Very pleasant...

This is an antique etching by renowned Danish artist Emil Krause (1871-1945). The motive of this night-time image is an alluring moon shining behind the trees into silent waters. The...

Fantastic original oil painting of a man. Rich and moody tones dominate the composition. Signed by the artist, but I can’t make out the signature...

This bold modernist mixed media painting was painted by German / American artist Peter Robert Keil (b. 1942). Kiel was born in Züllichau / Pomerania and studied at the University of the Arts, Berlin. His first mentor was painter Otto Nagel. He admired the works of the Expressionists, Picasso in particular, whom he later met in Spain. The expressiveness of the vivid color opened a way to temporarily escape from the dullness and depression of everyday life in post-war Germany as Peter made his first attempts at visual art. He was also influenced by Juan Miro...

A Pair of Paintings Depicting Birds In the Manner of Melchior de Hondecoeter The large oil on shaped canvas paintings housed within ebonised frames with gilt slips; each canvas depi...

Pair of early Swedish Rococo Folk Art wooden paintings or table tops.

English Country maple framed lithograph of monkey playing with 2 cats with red and gilt trim glass matting.

Charming Art Deco Wire Haired Terrier Illustration from the 1930's. Wonderfully vibrant oil portrait of a wire haired terrier with immense personality. Possibly made as an illustrati...

Classic Italian romance oil painting signed Castiglione, circa 1940s-1950s The painting depicts a young man romancing a young woman with his...

Antique 17th-century Italian painting. Oil on canvas artwork depicting Saint Francis of Assisi in meditation, of remarkable pictorial quality. The saint is depicted in a cave, next t...

Atmospheric antique oil painting showing a small house and what appears to be the back door with small windows and an outhouse. All is kept in warm, darkened colours and provides the...

A beautiful Georgian or Regency style hand-painted framed oil on canvas lover's eye painting USA, Early 21st Century Measures: 11"W x 1"D x 9.75"H. Excellent original vintage cond...

Still life with flowers in a vase, oil on canvas, signed Manuela Bonati encased in carved frame. Dimensions Height 28 Inches Width 24 Inches Depth 2 Inches.

Vigorous Post-Impressionist Still-Life Oil Painting with 'Blue Carafe' made by Danish Modernist Karl Larsen. * Oil Painting on canvas with still-life of table with blue carafe. Gold...

Large Antique Floral Still Life on Board. Dramatic dark background with blue urn full of flowers. Housed in a worn gold gilt frame. Ple...

Les « p'tits poulbots », créés par Francisque Poulbot au début du XXe siècle, capturent avec humour la vie des enfants pauvres de Montmartre. Ces illustrations emblématiques ont évol...

Jean Geoffroy (1853–1924), a listed French artist. Oil on canvas. Beachside at sunset. Vibrant orange sky. Signed and dated 1923. Good condition, minor areas of paint loss. Dimension...

Vivid and bright Dutch floral still life oil painting Brushwork so detailed and this really has a lot of verve and energy, would definitly lighten up any ...

Presenting a Peruvian Cusco School Revival painting from the mid 20th century, depicting the beloved figure of San Isidoro, the patron saint of farmers and laborers. This exquisite ...

A decorative, moody, quality portrait. Very sought-after. All the rage in interiors right now. This antique oil painting on stretched canvas has been sourced in France. It is signed ...

This is a vintage landscape painting. An Austrian, gilt framed oil on canvas, dating to the late 20th century, circa 1970. Delightfully presented oil painting, with a serene Alpine...

JAMES WARD, R.A. (1769-1859) A KING CHARLES SPANIEL ON A RED CUSHION signed with monogram and dated 'JWD 1809' Oil on canvas.

Oil on canvas, signed and dated in the lower right. Measures 28" x 32" including the frame. A view of the village of Ceret in France. Pinchus Kremegne was a Latvian painter and ...

Alain Le Yaouanc (1931-2012) was a French painter and printmaker associated with the abstraction movement of the mid-twentieth century. He was known for his...

1-128 large Italian frames with elaborate cast detailing. Overall size 40 x 34 x 1" Inside rabbit 30 x 24"  

French Louis XVI (18/19th Cent) portrait oil painting of young woman wearing a blue dress holding a pink ribbon with flowers in her hair in a gold carved frame (style of NATTIER)

A large and important work by Turkish artist Férit Iscan depicting his artist’s supplies laid out on his work table. Signed lower right, title on verso...

Beautiful French 19th Century landscape painting. Old wood original stretchers . Nice old gilt frame too. Sight dimensions: 15....

This is a beautiful original work of art depicting Venice, Italy with it's beautiful color and architecture from the early 1900s. There are no repairs on this painting it shows brill...

Strikingly and vividly painted in watery tones of blue, green, tan and rose, this watercolor painting by Jean Paul Slusser depicts three nude male bathers...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

An old master style 18th century allegorical painting representing youth and old age, and/or beauty and wisdom, depicted by a beautiful young ...

Framed and Matted Watercolor "Streets Of Montmartre With the Sacré-Cœur Basilica". Appears to be a view of Rue Norvin. Trent Antiques has been a respe...

This vintage Danish oil painting captures the serene beauty of an autumn forest scene. The warm tones of gold and orange leaves create a cozy, inviting atmosphere, while the path mea...

Classic 1970s image. Acrylic on canvas. Linear Series hand executed by Roy O. Anderson. Amazing use of color, space.

Signed lower left P. Fiordalisi (1904-?). Peter Fiordalisi was born in Union City, NJ and produced this fine abstract oil paint on canvas circa 1969. The artist uses segmented color,...

An abstract relief painting, black center, different shades of orange, pink, red, purple around, with a green surrounding line, post-modern, abstract, forme-libre, oil on wooden pann...

William Hansen (1908-1991), Danish painter. Oil on canvas. Hilly landscape with house gable and church in the background. Dated 1957. In very good cond...

Still life, classical palette for red and blue. Oil on canvas by Columbian artist, Carlos Nariño, who lives and works in Paris since 1985. Exhibits...

Large tribal style Polynesian tapa or barkcloth from the South Pacific Island nation of Tonga. The cloth measures over 12 feet wide and over 8 feet high. Handcrafted from the bark of...

Danish mid century still life vintage oil on canvas painting featuring a bouquet with a red, a pink and a white flower arranged in a bright blue vase, highlighted by a dark red backg...

This six panel Italian screen is from the Baroque period, circa 1700. The four central panels have been affixed to a foldable frame, while the two outer panels are detached. When all...

Danish mid century vintage oil painting from 1941 signed K. Ploug and presented in a classic, ornate gold-toned wooden frame A quiet forest path winds through a grove of tall, slend...

A stunning abstract painting by Australian Aboriginal artist Nyurapayia Nampitjinpa (also known as Mrs. Bennett; 1935-2013). Entitled "Tjukurla Country", this work was acrylic on Be...

A pair of 19th century English framed watercolor landscapes each with a medieval castle towering a river. The first one depicts a castle illuminated by the sunshine breaking through the foliage on the opposite bank in the foreground. The crenellated towers stand out against an expansive sky reflected in the calm waters beneath. The second watercolor shows another Gothic castle...