American/British School, 20th Century, Autumn Landscape signed

Nicholas Briganti (1861-1944) Oil on canvas "River Landscape With Mill" Measures: 24 in. x 36 in. (60.96 cm. x 91.44 cm.)  

P. Spencer, (American, 20th Century) Back Yard Landscape, signed, l.l., oil on canvas 20 by 16 in. Condition Report Good condition.

Continental school 19th/20th century "sunset in Bristol" Oil on board Board sight size: 19.5 x 15.5 in. (49.53 x 39.37 cm.) Size with frame: 24.5 x 20.5 in. (62.23 x 52.07 cm.)....

.P. Spencer, probably, (American, 20th Century) Woodland Landscape, unsigned, oil on canvas 22 by 28 in., unframed. Condition Report Good condition

American Victorian landscape painting of autumn scene with a forest of trees surrounding a stream between a path in a gold carved frame (signed ?)

Oil on canvas painted landscape in autumn, 20th century. Wooden frame partially gilded. Signature illegible. (S-197).

Modern abstract autumn landscape painting. Signed L.W. Lee. Circa 1960's. Oil on canvas. With the original frame. rare large provenance vintage gilt museum collecti...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...