Antique Painting Grape and Melon Eaters After Bartolome Murillo 18th Century

This is a magnificent antique Italian oil on canvas painting of a group of Cardinals in the style of Francesco Brunnery, (Italian 1845-1929), circa 1890 in date. This beautiful pain...

This is a large delightful antique oil on canvas painting after Watteau, depicting a "Party Picnicking", Circa 1780 in date. The painting depicts a group of people relaxing in the c...

A large Spanish oil on canvas of Our Lady of The Rosary after Bartolomé Esteban Murillo, early 19th century in date. It features the Virgin Mary holding baby Jesus in her arms, she...

This is a magnificent antique Dutch School floral still life oil on canvas painting with a stunning gilt gesso frame, late 18th century in date. This splendid painting is rectangular in shape and features brightly illuminated pastel-tinted roses and bi-coloured Carnations and Honeysuckle arranged against a ruined wall with trees in the background. Great attention has been paid to individual elements in the bouquet. Indeed each petal has been painted with diligent conscientious precision. It is housed in its magnificent original giltwood frame. Add this splendid antique Dutch painting to a very special wall in your home. Provenance: Property of Archibald Stirling of Keir Condition: In excellent condition the painting and frame having been beautifully cleaned in our workshops, please see photos for confirmation. Dimensions in cm: Height 55 x width 88 x depth 5 - frame Height 39 x width 72 - canvas Dimensions in inches: Height 1 foot, 10 inches x width 2 foot, 11 inches x depth 2 inches - frame Height 1 foot, 3 inches x width 2 foot, 4 inches - canvas Archibald Hugh Stirling, Laird of Keir (born 18 September 1941) is a Scottish theatrical producer, a former officer in the Scots Guards,and Laird of the Keir estate at Lecropt in the Stirling council area in Scotland. A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which may be either natural food, flowers, dead animals...

After Bartolome Esteban Murillo (Spanish, 1618-1682), "The Little Fruitseller", Oil on Canvas, 19th century, apparently unsigned, depicting young girl and boy counting money over var...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

A fine copy after Bartolomé Esteban Murillo's (1618-1682) *The Little Fruit Seller*, which is held in the Alte Pinakothek in Munich. Murillo frequently painted the poverty he saw in ...

Spanish School STILL NATURES " Bodegones " 17th Century Oil on canvas, spanish school Screen cleaning performed Dim.: 60 x 80 cm good conditions