Art Nouveau Oil Painting, Church Study, 20th Century, Edouard Bauhain

A vibrant Post-Impressionist painting of a Parisian flower market scene at Place de la Madeleine, signed by François Claver and dated on the reverse frame. The scene captures the ess...

A painting, prior to 1678, from a famous fresco of the Triumph of the Name of Jesus from the Gesù Church in Rome, completed in 1684, attributed to the Old Master Painter Giovanni Bat...

This oil painting from early 20th century by E. Baró captures the Arc de Triomphe and the bustling Avenue de la Grande Armée in Paris. Painted on platex, the work presents a warm, ...

A very large antiqued reproduction oil painting after Jean Antoine Watteau. Apty titled "Pilgrimage" features an antiqued canvas with unique craqu...

Oil on gesso canvas by Louis Francois Cabanes (1867-1947) depicts a massive wall of a vaulted palace room decorated with painted ceiling with huge figurative bronze and marble sculpture in the neoclassical style. Signed in lower right, Louis CABANES élève de M. J.P. Laurens (student of mister...) beneath and what appears to be a partial date (year) beneath in box. Stretcher measures approximately 26 by 37.5 inches and the period frame, 32 by 44 inches. Cabanes was a respected illustrator and painter of figures, genre scenes, history and Orientalism. He studied at the Ecoles de Beaux Arts of Toulouse and Paris under Jean Paul Laurens...

Walter Shirlaw (1838-1909) Study for decorative panel Pencil and watercolor on paper mounted on paperboard Measures: 62.5 x 74 x 5 cm (with frame) 50.5 x 62 (without the frame) Signed in the circle lower right Born near Glasgow in Scotland, Walter Shirlaw settled with his family in New York in 1841, when he was two or three years old. As a young boy, he took night classes at the National Academy of Design, and first exhibited his work there in 1861. The first years of his career were spent as an engraver at the American Bank-Note Company, while at the same time attempting to establish himself as a painter. He later moved to Chicago, where he continued to work as an banknote engraver and also taught art at the Chicago Academy of Design. In 1870, at the relatively late age of thirty-two, Shirlaw travelled to Europe to study. Prevented from settling in Paris by the Franco-Prussian War, he instead studied in Munich, where he joined the small group of American painters working in the city, including Frank Duveneck and William Merrit Chase...

Refined 19th-century oil on canvas depicting a preparatory study for a larger composition, offering insight into the artist’s creative process and technique. Presented in its origina...

A late 19th century Baroque revival style Beaux Arts period oil on canvas laid down on board. Most likely this was part of a larger mural at one time. Elaborate still life, beautifu...