Belle Cramer "Falling Banquet" Dated 1962

Warren Fischer watercolor landscape painting signed and Dated 1962 Offered for sale is an original watercolor landscape painting by the American artist Warren Fischer (1943-2001) ...

European Artist. Oil on board. Portrait of a clown. Expressionist style with impasto strokes. Colouristic palette. Dated 1962 on the back. Indistinctly signed. In perfect condition. ...

'Lysistrata', signed and dated 1962 Oil on board Anthony Thomas Triano (1928–1997) Size: 17 3/4" high x 19 wide x 3 /4" deep. Triano was a...

Abstract modernist painting by Engish artist Peter Daglish titled "Exit", dated 1962. From Ask Art: "Peter Daglish was born in Gillingham, England, in 1930. At age 25, he immigrat...

Purchased from a chateau in the South of France, this large landscape painting of a hunter walking outside of a hillside village is over 10 feet tall and seven feet wide. The canvas is signed and dated in the lower right-hand corner, indicating that the artist completed the massive painting in 1962. Based on the apparel of the hunter and the condition of the surrounding vegetation, it appears to be an early autumn day. Our hunter is walking through a forest clearing with his dog, possibly an Irish Setter with a long, ruddy coat. The man is clad in a green fedora and similarly colored pants with black knee-high boots and an olive jacket...

Midcentury oil on canvas by Harold McDonald. Beautiful blues and whites in an expressive abstract design.

An abstract painting on panel, dated and signed JB Thiery 1962. It showcases a complex artistic composition, with vibrant color nuances and dynamic shapes that captivate the eye.

French Victorian (19th century) colored lithograph of 18th century banquet scene.     

Shingo Kusuda (b. 1935) is a 20th century Japanese nonrepresentational artist working with a variety of mixed media on panel. His work is in the permanent collection of the National ...

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...